Jonathan Lethem - Motherless Brooklyn

Здесь есть возможность читать онлайн «Jonathan Lethem - Motherless Brooklyn» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Жанр: Детектив, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

Motherless Brooklyn: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «Motherless Brooklyn»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

Dagger Awards
Lionel Essrog, a.k.a. the Human Freakshow, is a victim of Tourette's syndrome (an uncontrollable urge to shout out nonsense, touch every surface in reach and stroke people. Local tough guy hires Lionel and other boys and grooms them to become the Minna Men, a detective-agency-cum-limo service.
“Under the guise of a detective novel, Lethem has written a more piercing tale of investigation, one revealing how the mind drives on its own ‘wheels within wheels.’ ”
– The New York Times Book Review
“Who but Jonathan Lethem would attempt a half-satirical cross between a literary novel and a hard-boiled crime story narrated by an amateur detective with Tourette’s syndrome?… The dialogue crackles with caustic hilarity… Jonathan Lethem is a verbal performance artist.”
– The Boston Globe
“Part detective novel and part literary fantasia, [Motherless Brooklyn] superbly balances beautiful writing and an engrossing plot.”
– The Wall Street Journal
“Intricately and satisfyingly plotted… Funny and dizzying and heart-breaking.”
– Luc Sante, Village Voice Literary Supplement
“A tour de force… With one unique and well-imagined character, Jonathan Lethem has turned a genre on its ear. He doesn’t just push the envelope, he gives it a swift kick.”
– The Denver Post
“Aside from being one of the most inventive writers on the planet, Lethem is also one of the funniest.”
– San Francisco examiner Chronicle
“In Essrog… Jonathan Lethem has fashioned a lovably strange man-child and filled his cross-wired mind with a brilliant, crashing, self-referential interior monologue that is at once laugh-out-loud funny, tender and in the honest service of a terrific story.”
– The Washington Post Book World
“A true risk-taker… Lethem uses a familiar genre as the backdrop for his own artistic flourishes.”
– The Hartford Courant
“Wildly inventive… Jonathan Lethem has a knack for pushing commonplace ideas to absurdly literal ends.”
– City Pages
“Marvelous… Motherless Brooklyn is, among other things, a tale of orphans, a satire of Zen in the city and a murder mystery.”
– Time Out New York
“Finding out whodunit is interesting enough, but it’s more fun watching Lethem unravel the mysteries of his Tourettic creation.”
– Time
“Wonderfully inventive, slightly absurdist… [Motherless Brooklyn] is funny and sly, clever, compelling and endearing.”
– USA Today
“Utterly original and deeply moving.”
– Esquire
“Motherless Brooklyn is a whodunit that’s serious fiction… Lethem is a sort of Stanley Kubrick figure… stopping off in flat genres to do multidimensional work, blasting their hoary conventions to bits.”
“A pure delight.”
– The New York Observer
“A detective story, a shrewd portrait of Brooklyn, a retold Oliver Twist and a story so baroquely voiced (the hero has Tourette’s syndrome) that Philip Marlowe would blush. And tip his fedora.”
– Newsweek
“Wildly imaginative.”
– Minneapolis Star Tribune
“Funny, delightfully complicated and so outrageously inventive that no pitch could do it justice.”
– Baltimore Sun
“A multi-layered novel that’s fast-paced, witty and touching… Prose diatpunches its way down the page, every word loaded with energy and ready to explode.”
– The Oregonian
“Compulsively readable… Genuinely entertaining… Improbably hilarious… Lethem is at his peak Nabokov-meets-Woody-Allen verbal frenzy.”
– Bookforum
“Most rewarding… Delightfully oddball.”
– The New Yorker
“Motherless Brooklyn is Lethem’s finest work yet-exciting, strange, original, hilarious, human and soulful.”
– The Memphis Commercial Appeal
“A staggering piece of writing… On the edge of genius… The accents, class distinctions, highways, neighborhoods, grocery stores, flavors, scents and, yes, car services in a certain corner of [Brooklyn] are made vividly tangible, arising from these pages as if scratch-and-sniffs were embedded in the margins.”
– San Jose Mercury News
“Imagine the opportunities to explore language that arise when the narrator of a novel has Tourette’s syndrome… Unforgettable.”
– Los Angeles Times

Motherless Brooklyn — читать онлайн бесплатно полную книгу (весь текст) целиком

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «Motherless Brooklyn», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

“Thirty-sixth,” said Coney as we rattled down the side street.

“What’s that mean?”

“I dunno. Something.”

“Midtown Tunnel. Queens.”

There was something comforting about this. The giant and his driver were moving onto our turf, more or less. The boroughs. Not quite Brooklyn, but it would do. We bumped along with the thickening traffic into the two dense lanes of the tunnel, the K-car safe tied up two cars ahead of us, its windows now black and glossy with reflections from the strips of lighting that laced the stained tile artery. I relaxed a bit, quit holding my breath, and squeaked out a teeth-clenched, Joker-grimacing eat me just because I could.

“Toll,” said Coney.

“What?”

“There’s a toll. On the Queens side.”

I started digging in my pockets. “How much?”

“Three-fifty, I think.”

I’d just put it together, miraculously, three bills, a quarter, a dime and three nickels, when the tunnel finished and the two lanes branched out to meet the six or seven toll booths. I balled the fare and held it out to Coney in a fist. “Don’t get stuck behind them,” I said. “Get a fast lane. Cut someone off.”

“Yeah.” Coney squinted through the windshield, trying to work an angle. As he edged to the right the K-car suddenly cut out of the flow, moving to the far left.

We both stared for a moment.

“Whuzzat?” said Coney.

“E-Z Pass,” I said. “They’ve got an E-Z Pass.”

The K-car slid into the empty E-Z Pass lane, and right through the booth. Meanwhile Coney had landed us third in line for EXACT CHANGE OR TOKEN.

“Follow them!” I said.

“I’m trying,” said Coney, plainly dazed by this turn of events. “Get over to the left!” I said. “Go through!”

“We don’t got an E-Z Pass.” Coney grinned painfully, displaying his special talent for rapid reversion to a childlike state.

“I don’t care!”

“But we-”

I started to pry at the wheel in Coney’s hands, to try and push us to the left, but it was too late by now. The spot before us opened, and Coney eased the car into place, then rolled down his window. I plopped the fare into his open palm, and he passed it over.

Pulling out of the tunnel to the right, we were suddenly in Queens, facing a tangle of indifferent streets: Vernon Boulevard, Jackson Avenue, Fifty-second Avenue. Et cetera.

The K-car was gone.

“Pull over,” I said.

Chagrined, Coney parked us on Jackson. It was perfectly dark now, though it was only seven. The lights of the Empire State and the Chrysler loomed across the river. Cars whirred past us out of the tunnel, toward the entrance to the Long Island Expressway, mocking us in their easy purposefulness. With Minna lose were nobodies, nowhere. “Eatmepass!” I said.

“They could of just been losing us,” said Coney. “I’d say they were, yes.”

“No, listen,” he said feebly. “Maybe they turned around and went back to Manhattan. Maybe we could catch them-”

“Shhh.” I listened to the earphones. “If Frank sees we’re off his tail, he might say something.”

But there was nothing to hear. The sounds of driving. Minna and the giant were sitting in perfect silence. Now I couldn’t believe that the man in the Zendo was the same as the giant-that garrulous, pretentious voice I’d heard couldn’t have shut up this long, it seemed to me. It was surprising enough that Minna wasn’t chattering, making fun of something, pointing out landmarks. Was he scared? Afraid to let on he was miked? Did he think we were still with him? Why did he want us with him anyway?

I didn’t know anything.

I made six oinking sounds.

We sat waiting.

More.

“That’s the way of a big Polish lug, I guess,” said Minna. “ Always gotta stay within sniffing distance of a pierogi.”

Then: “Urrhhf.” Like the giant had smashed him in the stomach. “Where’s Polish?” I asked Coney, lifting away one earphone.

“Wha?”

“Where around here’s Polish? Eat me pierogi lug!

“I dunno. It’s all Polish to me.”

“Sunnyside? Woodside? Come on, Gilbert. Work with me. He’s somewhere Polish.”

“Where’d the Pope visit?” mused Coney. It sounded like the start of a joke, but I knew Coney. He couldn’t remember jokes. “That’s Polish, right? What’s it, uh, Greenpoint?”

“Greenpoint’s Brooklyn, Gilbert,” I said, before thinking. “We’re in Queens.” Then we both turned our heads like cartoon mice spotting a cat. The Pulaski Bridge. We were a few yards from the creek separating Queens and Brooklyn, specifically Greenpoint.

It was something to do anyway. “Go,” I said.

“Keep listening,” said Coney. “We can’t just drive around Greenpoint.”

We soared across the little bridge, into the mouth of Brooklyn.

“Which way, Lionel?” said Coney, as if he thought Minna were feeding me a constant stream of instructions. I shrugged, palms up toward the roof of the Lincoln. The gesture ticcified instantly, and I repeated ieight=”0emrug, palms flapped open, grimace. Coney ignored me, scanning the streets below for a sign of the K-car, driving as slow as he could down the Brooklyn side of the Pulaski’s slope.

Then I heard something. Car doors opening, slamming, the scuff of footsteps. Minna and the giant had reached their destination. I froze in mid-tic, concentrating.

“Harry Brainum Jr.,” said Minna in his mockingest tone. “I guess we’re gonna stop in for a quick installation, huh?”

Nothing from the giant. More steps.

Who was Harry Brainum Jr.?

Meanwhile we came off the lit bridge, where the notion of a borough laid out for us, comprehensive, had been briefly indulgeable. Down instead onto McGuinness Boulevard, where at street level the dark industrial buildings were featureless and discouraging. Brooklyn is one big place, and this wasn’t our end of it.

“You know-if you can’t beat ’em, Brainum, right?” Minna went on in his needling voice. In the background I heard a car horn-they weren’t indoors yet. Just standing on the street somewhere, tantalizingly close.

Then I heard a thud, another exhalation. Minna had taken a second blow.

Then Minna again: “Hey, hey -” Some kind of struggle I couldn’t make out.

“Fucking-” said Minna, and then I heard him get hit again, lose his wind in a long, mournful sigh.

The scary thing about the giant was that he didn’t talk, didn’t even breathe heavy enough for me to hear.

“Harry Brainum Jr.,” I said to Coney. Then, afraid it sounded like a tic to him, I added, “Name mean anything to you, Gilbert?”

“Sorry?” he said slowly.

“Harry Brainum Jr.,” I repeated, furious with impatience. There were times when I felt like a bolt of static electricity communing with figures that moved through a sea of molasses.

“Sure,” he said, jerking his thumb in the direction of his window. “We just passed it.”

“What? Passed what?”

“It’s like a tool company or something. Big sign.” My breath caught. Minna was talking to us, guiding us. “Turn around.”

“What, back to Queens?”

“No, Brainum, wherever you saw that,” I said, wanting to strangle him. Or at least find his fast-forward button and push it. “They’re out of the car. Make a U-turn.”

“It’s just a block or two.”

“Well, go, then. Brain me, Junior! ”/p›

Coney made the turn, and right away there it was. HARRY BRAINUM JR. INC. STEEL SHEETS., in giant circus-poster letters on the brick wall of a two-story plant that took up a whole block of McGuinness, just short of the bridge.

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «Motherless Brooklyn»

Представляем Вашему вниманию похожие книги на «Motherless Brooklyn» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «Motherless Brooklyn»

Обсуждение, отзывы о книге «Motherless Brooklyn» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x