Åke Edwardson - Sail of Stone

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“Sail of Stone is riveting-as hard and bleak as the Swedish coast in winter.” – Jeff Lindsay, creator of the Dexter series
A brother and sister believe that their father has gone missing. They think he may have traveled in search of his father, who was presumed lost decades ago in World War II. Meanwhile, there are reports that a woman is being abused, but she can’t be found and her family won’t tell the police where she is. Two missing people and two very different families combine in this dynamic and suspenseful mystery by the Swedish master Åke Edwardson.
Gothenburg’s Chief Inspector Erik Winter travels to Scotland in search of the missing man, aided there by an old friend from Scotland Yard. Back in Gothenburg, A fro-Swedish detective Aneta Djanali discovers how badly someone doesn’t want her to find the missing woman when she herself is threatened. Sail of Stone is a brilliantly perceptive character study, acutely observed and skillfully written with an unerring sense of pace.
“A tough, smart police procedural… Edwardson is a masterful stor yteller… This is crime writing at its most exciting, with great atmosphere and superb characters.” – The Globe Mail (Toronto) on Never End
“Sure to appeal to Stieg Larsson fans eager for more noir Scandinavian crime fiction.” – Library Journal on The Shadow Woman

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And Kontômé. The Kontômé mask on the wall in the hall was gone. Who would want to steal that? It had no financial value.

Kontômé was there to show her the path through the future.

The person who had gotten into her apartment had taken these things with them.

She knew who it was.

Anette had sounded out of breath on the telephone. Aneta had heard the roaring sound of a motor.

“She’s afraid for her life,” she said to Halders, wrapping the blanket more tightly around herself.

Lucinda Williams sang in a broken voice about broken lives and broken words. “Can’t you play something else, Fredrik? That’s making me shiver even more. And freeze.”

Halders was about to take out the quiche. He placed it on a trivet and walked out of the kitchen and Lucinda Williams was cut off in the middle of the song about the half sentences. After ten seconds of silence she heard beautiful vocal harmonies and a bright and gentle melody.

“Will the Beach Boys do?” Halders said from the door. “Is that warm and sunny enough for you?”

“At least on the surface,” she said.

“Do you know your Beach Boys?” Halders asked.

“No,” she said, listening again. “But you can hear that something is wrong with those guys, behind those sunny voices.”

“That’s absolutely right,” said Halders, “but why not forget it for two and a half minutes? After that the song is over.”

Aneta chose not to listen. She saw Anette’s face in front of her again.

“She seems to be in constant movement between different addresses. On the run between them,” she said.

Halders nodded.

“Isn’t that a common pattern?”

“But she has her family,” said Aneta.

“Yes?”

“But they don’t seem to offer any protection. Or support.”

“Well, she’s not the only one keeping her distance there,” said Halders.

“What do you mean?”

“Her father. We stumbled into his business through his daughter. He hadn’t counted on you getting stuck on this. Maybe not even on you showing up in his… Anette’s apartment.”

“Business?”

“He’s sure as shit involved in this stolen goods ring. The theft ring. But how would we have known that if it weren’t for his daughter?”

“Does she know, do you think? Is she afraid of that, too?”

“Maybe that is exactly what she’s afraid of,” said Halders. “That he might think that she will expose it.” He put the quiche pan on the table. There was already a bowl of salad there, and a little bottle of dressing. “It might be her father’s shady dealings she’s running away from.” Halders looked up. “He’s sure as shit trying to keep us away from his daughter. And her problems. And her husband, Frützblatt. His sister. And so on.”

“Yes,” said Aneta, “but it’s not her dad she’s afraid of, not primarily. I’m sure. It’s the threat from Forsblad.”

“Why doesn’t she say so straight out, then?”

“I think she is,” said Aneta. “We’re just not listening well enough.”

“And now she’s on her way to that cabin by the sea?”

“That’s what she said.”

Halders cut a piece of ham and cheese quiche and lifted her plate.

“You sound skeptical.”

“Well, I don’t think she trusts anyone. Including me.”

“Why the beach house?”

“Maybe it’s the only place where she can feel safe,” Aneta said.

That night she dreamed that she was driving on a narrow road that led her between low trees that were lit up by her headlights. Everything was black outside. Above her was the sky, but it was also the sea. How she knew that, she didn’t know. It was the dream that told her.

Somewhere, a woman was singing with a cracked voice, or screaming. She heard the sound of waves from above. Even in a dream, where you accept everything, she thought that it was wrong. Why was the water above her?

In the light from her headlights stood her mother.

Her mother made a gesture she didn’t understand. She didn’t understand that her mother wanted to stop her, there on the road.

Her mother had never shown up in her dreams before.

Now she was driving on a beach.

Her mother was suddenly standing there, too, gesturing, raising both hands, standing in the way of the car.

Suddenly there was water all around! She tried to scream, scream. She couldn’t breathe .

Her own screams woke her up, or her attempts to scream. She felt an arm around her shoulders. It was warm. She heard Fredrik’s voice.

Macdonald parked on the square below the Seafield Hotel. The city sloped sharply toward the sea. Winter stood on the square with his overnight bag over his shoulder. It was twilight in the haze. Winter saw the enormous iron structures that were suspended straight across the upper part of Cullen. From a distance, the viaducts could be mistaken for horizontal cathedrals.

“Impressive,” he said.

“I agree,” said Macdonald. “But the trains have stopped running.”

They had called from the car. There were two vacant rooms at the Seafield; more than that. The season was over.

The building was of white stone, an old inn. The lobby was done in polished mahogany, silver, gold, a tartan pattern that Winter guessed belonged to the owners’ clan, the Campbell family. It had various shades of blue, black, and green, like the sea at the end of the road through Cullen.

Herbert Campbell discreetly asked them about the evening. Could he perhaps recommend the hotel restaurant? He could, and they reserved a table for eight o’clock.

They dropped into the bar for an ale before they went up to their rooms.

“Impressive,” said Winter.

“It’s famous even in Scotland,” said Macdonald.

It wasn’t only the shining wood of the bar, the leather furniture, the open fire, the heavy art on the walls. It was the bottles in a row at the bar and the shelves behind them. Winter had to ask.

“Two hundred forty-one kinds of malt whisky,” said the female bartender.

“Think about that for a drink before dinner,” said Macdonald.

Winter called Angela from his room. He stood at the window and saw the street below and half the sea and a group of small stone houses that flocked together down by the harbor.

“Found a good hotel?” he said.

“Sarah had a favorite and I agree with her,” said Angela. “I can see the castle from the window right now.”

“I can see half the sea,” said Winter.

“How is the investigation going?”

“I don’t know,” he said.

“Are there any traces of John Osvald?”

“Maybe.” Winter sat down and then stretched out on the bed. It was hard, but not too hard. Through the window he could see the upper portion of the stone house across the street. A seagull, or some kind of gull, was sitting above a window bay. “It’s as though he’s been here. Stayed here, if you understand what I mean. We’ve even spoken to an old man who knew him back then and claims to have seen him now .”

“Well, there you go.”

“I don’t think we’ll find him,” said Winter.

“You can see the sights, anyway,” said Angela.

“You too.”

“We were planning to take the train tomorrow afternoon up to that place in the Highlands.”

“We’ll probably be driving at the same time. We should be there in time to see you for dinner. A reunion dinner.”

“What are you doing tonight, then?”

“Eating dinner.” He changed position on the bed. “I’m going to try that soup. Cullen skink.”

“It doesn’t sound good.”

“Steve says it isn’t good.”

“Then I understand that you have to try it.” He heard a sound behind her, a door opening, a male voice, a female voice.

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