Anne Holt - Death In Oslo

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Death In Oslo: краткое содержание, описание и аннотация

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To appreciate DEATH IN OSLO as an English-language reader, one must note that the book was first published (in Norwegian) in 2006, being written and set in the spring of 2005. Only now (December 2009) is it available in an English-language version. In those times, 9/11 was a much closer, and more raw, memory than it is now, and DEATH IN OSLO takes place in the context of international and personal relations that have not settled down to a new norm after that dreadful atrocity.
Helen Bentley has recently been elected as the first woman president of the United States, beating George W. Bush. Preoccupied with internal stability, Bentley has not made any state visits abroad since her inauguration until the opening of this novel. She’s decided to visit Norway, the safest country in the world from the point of view of its dearth of terrorist attacks and its internal stability. Mysteriously, Bentley travels very light, refusing to let her husband and teenage daughter accompany her, and allowing only the minimum in terms of her own security. Abruptly, she vanishes from her hotel room on the first night of her visit, during the preparations for Norway’s national midsummer day holiday celebrations.
The rest of the book deals with the aftermath of this shocking event. The author is mainly interested in looking at the United States in relation to the rest of the world, in particular the country’s response to the 9/11 atrocities in terms of its sudden legislation to remove many civil liberties as the authorities seek to track and monitor any possible attack from within. After Helen Bentley disappears, the Norwegian police and security services begin an immediate and exhaustive investigation, soon discovering witnesses who saw the president travelling in a car (oddly, in a very wide-ranging trip around the country) and pulling the perpetrators in for questioning. Although progress in this sense is very fast, these leads go nowhere and the authorities are left in total ignorance of the president’s whereabouts, as well as how and why she was kidnapped.
At the same time, the Americans themselves are piling into Norway, quickly brushing aside offers to share the investigation and setting up their own system from their embassy. Warren Scifford, who we know from previous novels by reputation as a senior “spook” of some kind in the USA, is called in as he’s become the president’s special adviser and is also her friend – one of the small circle who helped her to get elected. As soon as he arrives, Warren asks for Johanne Vik, his ex-student, to be his liaison between the US and Norwegian investigations. Not only does Johanne refuse this request because of their past history, but when Warren instead asks Adam Stubo, Johanne’s husband and a senior policeman, to take the role (no doubt hoping Adam will discuss the case with Johanne and pass on her insights), Johanne tells Adam she and their baby daughter will leave him if he accepts. Adam has no choice but to accept his boss's instruction to accompany Warren. As soon as he does, Johanne takes her baby and goes to the only person she knows will take her in and not ask questions. Her decision brings her right into the centre of events in the most incredible (unlikely) sense, and her skill as a profiler becomes crucial in the hunt for the missing woman.
DEATH IN OSLO is a book that I find hard to assess. On the one hand it is extremely good and had me reading keenly to the end. It is very strong on its analysis of the international political scene and of the motives and modus operandi of the perpetrators. I don’t usually like these “who kidnapped the president?” thrillers but this one is certainly superior, partly because of the author’s confidence in constructing the scenario in all its disparate scenes that slowly come together, and partly because of the attractive character of Helen Bentley and the flashbacks to her campaign and political manoeuvrings. In other ways, however, the plot is unbelievably weak. Without giving away spoilers, the whole book depends on two massive coincidences- where the president goes after her disappearance; and Adam’s closeness to the investigation. As well as this, too many puzzles that the author creates are simply left, not even unanswered, but just ignored. The character of Warren is an enigma – we know he has done something unspeakable to Johanne in the past, but not what. Now he is apparently a close friend of the president – is he in fact a double agent? Is he operating with or against the FBI? Why does he want to work with Adam and then ignore him, regularly disappearing? And, more generally, why is the apparently very persuasive briefing document about the most likely source of threats to the president ignored by the authorities, even though it is on file? And why is the person behind the killing, who obsessively plans for many years and has endless failsafes in place for various aspects of the plans, so casual about how the crucial final piece of information is to be disseminated? (Though this part of the plot does include a lovely character sketch of a widower and his daughters.) And why did the president travel with minimum security against advice?
These and many other issues are left hanging – in addition, the spectre of Wenke Benke (see THE FINAL MURDER) hovers over the novel – yet is not developed. The actions of the president are very hard (impossible, in my case) to comprehend, both before and after her disappearance – too much is simply left unexplained. And although we receive a throwaway piece of vital information about why Johanne hates Warren so much, most of the details are not shared with the readers.
In many respects, DEATH IN OSLO is an tight, convincing and readable thriller with good characterisations (particularly Adam and Johanne), yet in others, it seems incredibly careless – which is incomprehensible to me as I (not the most imaginative of people) can think of several ways in which some of the more implausible elements of the plot could have been made more authentic, and in particular, it isn’t hard to think of how the last part of the puzzle could be made more robust on the part of the bad guys given all their previous careful planning. All in all, I’m left confused as to why some parts of this well-translated book are so good, whereas others have a casually unfinished air to them, leaving the reader feeling a bit cheated, even though the read itself is so exciting.
Death in Oslo has just been reviewed by Karen Meek at Euro Crime.

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Then there was silence. There was soundproof glass in the windows, so she couldn’t even hear the convoy of student buses that had decided it was a good idea to park right in the middle of Akersgate, outside the Ministry of Culture and Church Affairs.

All the windows were dark.

III

Johanne Vik had no idea how she was going to get through the day; she never knew how she would survive the 17th of May. She held the shirt of Kristiane’s national costume up in front of her. This year she had thought ahead and was going to take a change of clothes for her daughter with them. The first outfit was already dirty by half past seven. And now this one had jam on the arm and a piece of melted chocolate on the collar. The ten-year-old was dancing around the floor naked, thin and fragile, with eyes that seldom focused on anyone or anything. It was already nearly half past ten, and they didn’t have much time.

Silent night ,’ the small girl sang, ‘ holy night. All is calm, all is bright. Round yon virgin mother and child. Holy infant so tender and mild …’

‘You’re a bit out on the date.’ Adam Stubo laughed and ruffled his stepdaughter’s hair. ‘There are special songs for our national day too, you know. Do you know where my cufflinks are, Johanne?’

She didn’t answer. If she had washed the first shirt and popped it in the tumble dryer, Kristiane could at least have started the party with clean clothes.

‘Look at this,’ she complained and showed the shirt to Adam.

‘Doesn’t really matter,’ he said and carried on looking for his cufflinks. ‘Kristiane has more white shirts in the cupboard.’

‘More white shirts?’ Johanne rolled her eyes. ‘Do you know what my parents paid for this damn national costume? And do you know how offended my mother will be if we turn up with Kristiane in an ordinary shirt from H &M?’

A child is born in Bethlehem ,’ Kristiane chanted. ‘ Hip-hip-hurrah!

Adam took the shirt and examined the stains.

‘I’ll sort it out,’ he said. ‘In five minutes, with a bit of washing-up liquid and a hairdryer. And by the way, you underestimate your mother. There are few people who understand Kristiane better than her. Why don’t you get Ragnhild ready, so we can leave in quarter of an hour?’

The sixteen-month-old baby was sitting in deep concentration, playing with her building blocks in a corner of the sitting room. She was unperturbed by her sister’s dancing and singing. With astonishing precision, she placed one block on top of another, and smiled when the tower was as high as her face.

Johanne didn’t have the heart to disturb her. For a moment it struck her how different the two girls were. The older one thin and sensitive, the younger so very robust. Kristiane was difficult to understand; Ragnhild was healthy and direct. She lifted the block on top, saw her mother and grinned, revealing eight sparkling white teeth.

‘Cudduwl, Mummy. Agni cudduwl. Look!’

On Christmas night all Christians sing ,’ Kristiane sang, clear as a bell.

Johanne picked her elder daughter up. She was happy to be held like a baby, lying in her mother’s arms with not a stitch on her body.

‘It’s not Christmas,’ Johanne said quietly, puckering her lips against the child’s warm, soft cheek. ‘It’s the seventeenth of May, national day.’

‘I know,’ Kristiane replied, looking straight at her mother for a second before continuing in a flat voice: ‘Constitution day, when we celebrate independence and freedom. This year we can also celebrate the hundredth anniversary of our separation from Sweden. 1814 and 1905. That is what we’re celebrating.’

‘My little sweetheart,’ Johanne whispered and kissed her again. ‘You’re so clever. And now you’ve got to get dressed again. OK?’

‘Adam can do that.’

Kristiane wriggled out of her mother’s arms and dashed, barefooted, across the room to the bathroom. She paused by the television for a moment, and turned it on. The Norwegian national anthem blared out of the loudspeakers. She had turned the volume right up the night before. Johanne grabbed the remote control and turned the noise down. Just as she was moving away to find her younger daughter’s party frock, something caught her attention.

The scene was familiar enough. A sea of people dressed in all their finery in front of the royal palace. Large and small flags, rows of pensioners on the few seats that had been put out, just under the balcony. A close-up of a Pakistani girl in a Norwegian national costume; she smiled at the camera and waved her flag with great enthusiasm. As the picture swept over all the flags and then focused on the glamorous reporter, something happened. The woman put her hand to her ear. She smiled sheepishly, looked at something that was possibly a script and opened her mouth to say something, but nothing came out. Instead she turned away, as if she didn’t want to be filmed. Two sudden, random and very short clips then followed. A sweep of the treetops just to the east of the palace, and a screaming child on its father’s shoulders. The images were out of focus.

Johanne turned the volume back up.

The camera finally focused on the reporter again, who now had her hand over her left ear, listening intently. A teenager stuck his head up over her shoulder and shouted hurrah.

‘And now,’ the woman finally said, obviously flustered, ‘and now we will leave the celebrations on Karl Johan for a moment… We’ll return here shortly, but first…’

A young lad stuck his fingers up like rabbit ears behind the reporter’s head and then howled with laughter.

‘Back to the studio at Marienlyst for some breaking news,’ the reporter said in a rush, and the picture was cut immediately.

Johanne looked at her watch. Seven minutes past eleven.

‘Adam,’ she called quietly.

Ragnhild toppled her tower. The news jingle played.

‘Adam,’ Johanne shouted. ‘Adam, come quick.’

The man in the studio was in a dark suit. His normally wild curly hair looked greyer than usual and Johanne thought she saw him swallow a couple of times before opening his mouth.

‘Someone must have died,’ she said.

‘What?’ Adam came into the sitting room, carrying a fully dressed Kristiane. ‘Has someone died?’

‘Shhh.’ She pointed at the TV screen, then put her finger to her lips.

‘We repeat, the reports are still unconfirmed, but…’ The lines of communication to NRK and the broadcasting house were obviously red hot. Even the experienced anchorman kept his finger on his earpiece and listened intently for a few seconds before he looked into the camera and continued: ‘And now over to…’

He frowned, hesitated. Then he pulled out his earpiece, rested one hand on top of the other and went free-range: ‘We have several reporters out following this story, and as you perhaps understand, there are some technical problems. We will talk to our reporters shortly. In the meantime, I repeat: the American President, Helen Lardahl Bentley, did not arrive as planned for the seventeenth of May breakfast at the palace this morning. No official reason has been given for her absence. Nor has a statement been given by the parliament, where the President was due to watch the parade with the President of the Storting, Jørgen Kosmo, and… One moment…’

‘Is she… is she dead?’

‘Dead and red with brown bread,’ Kristiane chanted.

Adam lowered her gently to the floor.

‘They don’t know yet,’ Johanne replied quickly. ‘But it would seem that she-’

There was a sharp screech from the TV before the picture switched to a reporter who obviously had not had enough time to take off his national-day ribbon, for a more sombre effect.

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