Anne Holt - Death In Oslo

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Death In Oslo: краткое содержание, описание и аннотация

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To appreciate DEATH IN OSLO as an English-language reader, one must note that the book was first published (in Norwegian) in 2006, being written and set in the spring of 2005. Only now (December 2009) is it available in an English-language version. In those times, 9/11 was a much closer, and more raw, memory than it is now, and DEATH IN OSLO takes place in the context of international and personal relations that have not settled down to a new norm after that dreadful atrocity.
Helen Bentley has recently been elected as the first woman president of the United States, beating George W. Bush. Preoccupied with internal stability, Bentley has not made any state visits abroad since her inauguration until the opening of this novel. She’s decided to visit Norway, the safest country in the world from the point of view of its dearth of terrorist attacks and its internal stability. Mysteriously, Bentley travels very light, refusing to let her husband and teenage daughter accompany her, and allowing only the minimum in terms of her own security. Abruptly, she vanishes from her hotel room on the first night of her visit, during the preparations for Norway’s national midsummer day holiday celebrations.
The rest of the book deals with the aftermath of this shocking event. The author is mainly interested in looking at the United States in relation to the rest of the world, in particular the country’s response to the 9/11 atrocities in terms of its sudden legislation to remove many civil liberties as the authorities seek to track and monitor any possible attack from within. After Helen Bentley disappears, the Norwegian police and security services begin an immediate and exhaustive investigation, soon discovering witnesses who saw the president travelling in a car (oddly, in a very wide-ranging trip around the country) and pulling the perpetrators in for questioning. Although progress in this sense is very fast, these leads go nowhere and the authorities are left in total ignorance of the president’s whereabouts, as well as how and why she was kidnapped.
At the same time, the Americans themselves are piling into Norway, quickly brushing aside offers to share the investigation and setting up their own system from their embassy. Warren Scifford, who we know from previous novels by reputation as a senior “spook” of some kind in the USA, is called in as he’s become the president’s special adviser and is also her friend – one of the small circle who helped her to get elected. As soon as he arrives, Warren asks for Johanne Vik, his ex-student, to be his liaison between the US and Norwegian investigations. Not only does Johanne refuse this request because of their past history, but when Warren instead asks Adam Stubo, Johanne’s husband and a senior policeman, to take the role (no doubt hoping Adam will discuss the case with Johanne and pass on her insights), Johanne tells Adam she and their baby daughter will leave him if he accepts. Adam has no choice but to accept his boss's instruction to accompany Warren. As soon as he does, Johanne takes her baby and goes to the only person she knows will take her in and not ask questions. Her decision brings her right into the centre of events in the most incredible (unlikely) sense, and her skill as a profiler becomes crucial in the hunt for the missing woman.
DEATH IN OSLO is a book that I find hard to assess. On the one hand it is extremely good and had me reading keenly to the end. It is very strong on its analysis of the international political scene and of the motives and modus operandi of the perpetrators. I don’t usually like these “who kidnapped the president?” thrillers but this one is certainly superior, partly because of the author’s confidence in constructing the scenario in all its disparate scenes that slowly come together, and partly because of the attractive character of Helen Bentley and the flashbacks to her campaign and political manoeuvrings. In other ways, however, the plot is unbelievably weak. Without giving away spoilers, the whole book depends on two massive coincidences- where the president goes after her disappearance; and Adam’s closeness to the investigation. As well as this, too many puzzles that the author creates are simply left, not even unanswered, but just ignored. The character of Warren is an enigma – we know he has done something unspeakable to Johanne in the past, but not what. Now he is apparently a close friend of the president – is he in fact a double agent? Is he operating with or against the FBI? Why does he want to work with Adam and then ignore him, regularly disappearing? And, more generally, why is the apparently very persuasive briefing document about the most likely source of threats to the president ignored by the authorities, even though it is on file? And why is the person behind the killing, who obsessively plans for many years and has endless failsafes in place for various aspects of the plans, so casual about how the crucial final piece of information is to be disseminated? (Though this part of the plot does include a lovely character sketch of a widower and his daughters.) And why did the president travel with minimum security against advice?
These and many other issues are left hanging – in addition, the spectre of Wenke Benke (see THE FINAL MURDER) hovers over the novel – yet is not developed. The actions of the president are very hard (impossible, in my case) to comprehend, both before and after her disappearance – too much is simply left unexplained. And although we receive a throwaway piece of vital information about why Johanne hates Warren so much, most of the details are not shared with the readers.
In many respects, DEATH IN OSLO is an tight, convincing and readable thriller with good characterisations (particularly Adam and Johanne), yet in others, it seems incredibly careless – which is incomprehensible to me as I (not the most imaginative of people) can think of several ways in which some of the more implausible elements of the plot could have been made more authentic, and in particular, it isn’t hard to think of how the last part of the puzzle could be made more robust on the part of the bad guys given all their previous careful planning. All in all, I’m left confused as to why some parts of this well-translated book are so good, whereas others have a casually unfinished air to them, leaving the reader feeling a bit cheated, even though the read itself is so exciting.
Death in Oslo has just been reviewed by Karen Meek at Euro Crime.

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It felt good to have a smoke.

She hesitated for a moment before lighting up another cigarette. Her eyes roamed from a group of journalists who had gathered in front of the building, up to the green bulletproof windows on the sixth floor. They were so obviously different from the rest of the building. She had often wondered why the Minister of Justice should have bulletproof windows in his office, when he went shopping in the local supermarket on his own and had no more than an ordinary Securitas burglar alarm in his home. That’s just the way it is, she said to herself; she always, with absolute loyalty, simply accepted things as they were and had been decided.

A man looked down at her.

She sheepishly lifted her hand in greeting. He waved back. It was Peter Salhus. A good man. A man you could trust. Always friendly whenever they met, attentive and alert, unlike so many of the other important people who came and went in the minister’s office and barely even registered her existence.

Beate Koss dropped her cigarette butt on the ground, and stubbed it out with her shoe. She looked up again and thought she saw Salhus saying something, before he closed the curtains and turned back to the room.

A police car drove past, slowly and quietly, but with its blue light flashing.

‘Now that we’re alone,’ Peter Salhus said when only the Minister of Justice and the Chief of Oslo Police were left in the office behind the green windows, ‘I just wanted to ask…’ He scratched his beard and swallowed. ‘Hotel Opera,’ he blurted out and looked directly at the Chief of Police, Bastesen. ‘Hotel Opera!’

‘Yes…’

‘Why?’

‘I don’t quite understand your question,’ Bastesen said, offended and with a furrow on his brow. ‘It was-’

‘When we’ve got the Continental and the Grand,’ Salhus interrupted, making a great effort to keep his voice down. ‘Wonderful, traditional, good hotels. We have elegant VIP accommodation and we have…’ He lowered his voice even more and tapped the map of the centre of Oslo with his finger. ‘Kings have stayed here. Princesses and presidents. Albert bloody Einstein …’ He stopped and took a deep breath. ‘God knows how many other celebrities, film stars and Nobel Prize winners have slept happily and safely in their beds just here…’ He almost made a hole in the map with his index finger. ‘And then someone decides to put the American president in a bloody transformer kiosk between a central station full of junkies and a bloody building site. Jesus Christ…’

He straightened his back and pulled a face. A faint humming from the air-conditioning was the only sound in the room. The minister and the Chief of Police leant forward and carefully studied the map on the table, as if Madam President might be hiding somewhere there, between the street names and the shaded blocks.

‘What on earth were you thinking?’

The Minister of Justice took a couple of steps back. Bastesen brushed some invisible dust from the front of his uniform.

‘Well, that attitude’s not going to get us anywhere,’ he said calmly. ‘May I just remind you that we are responsible for bodyguard services now. That means the security of all objects, both nationals and non-nationals. And I can assure you that-’

‘Terje,’ Salhus cut in and puffed out his cheeks before exhaling slowly. ‘I apologise. You are absolutely right. I shouldn’t get so agitated. But… we know the Grand! We have experience in making the Continental secure. Why on earth…’

‘Give me a chance to answer, man!’

‘I suggest we sit down,’ the Minister of Justice said in a tense voice.

Neither of the two took any notice of his suggestion.

‘They had just completed the presidential suite,’ Bastesen explained. ‘The hotel is preparing to welcome the cultural elite. Major stars. Up until now, they’ve had a reputation for not quite… Well, let’s just say they’re not quite in the same class as the Grand, but when the new opera house is finished, the location will be a huge competitive advantage and…’ He drew a circle round Bjørvika with his finger. ‘Right now this is Spaghetti Junction and not particularly attractive, it’s true. But the plans are… The presidential suite met all our requirements, in terms of aesthetics, practicality and security. Superb view. They added a couple of rooms on the ninth floor to an already existing suite, which is… And what’s more…’ he gave a crooked smile, ‘it was actually quite reasonable.’

An angel passed through the room. Salhus stared at Bastesen in disbelief; Bastesen stared at the map.

Eventually the Director General of the PST groaned. ‘Reasonable! The American president comes to Norway, the security operation is massive, perhaps the biggest we have ever had, and you choose a hotel that is… cheap! Cheap!

‘As I’m sure is also the case in your division,’ Bastesen continued calmly, ‘it is the responsibility of the head of every government agency to save public money wherever possible. We undertook a total analysis of Hotel Opera and compared it with the other hotels you just mentioned. The Opera came out best. Overall. And may I remind you that Madam President travels with a pretty large security operation herself. The Secret Service has of course inspected the area. Thoroughly. And had very few objections, as far as we were led to believe.’

‘I think then we’ll leave it at that,’ the Minister of Justice said. ‘Let’s stick to the actual situation and not get distracted by what might, could or should have been done differently. I suggest that we…’

He went over to the door and opened it.

‘Where are the drawings?’ Peter Salhus asked and looked at the Chief of Police.

‘Of the hotel?’

Salhus nodded.

‘We’ve got them down at HQ. I’ll get you copies straight away.’

‘Thank you.’

Salhus held out his hand in a conciliatory gesture. Bastesen hesitated and then finally shook it.

It was already past two o’clock. Still no one had heard from Helen Bentley. Still no one knew exactly when she had disappeared. And the Director General of the PST and the Chief of Oslo Police still did not know that the architectural drawings of the Hotel Opera that they had back in that bleak, curved building at Grønlandsleiret 44 were incomplete and inaccurate.

VI

The man woke up with his ear full of vomit.

The stench seared his nose and he tried to get up. His arms wouldn’t do as he wanted. He lay back down, resigned. He was too far gone now. He had started to puke. He couldn’t remember the last time he had had to get rid of all the shit he poured into himself. Several decades of practice had made his stomach immune to most things. The only thing he didn’t drink was meths. Two years ago, after a real glut of contraband, he’d ended up in hospital with a couple of brethren spirits. All of them with methanol poisoning. One of them had died. The other one went blind. Whereas he got up after five days and walked straight home, more alert than he had been for a long time. The doctor had said he was lucky.

Practice, he had said to himself. It’s having enough practice that counts.

But he avoided meths.

The flat was a tip. He knew that. He should do something about it. The neighbours had started to complain. About the smell, primarily. He had to do something, or they’d throw him out.

He tried to get up again.

Shit. The whole world was spinning.

He had an intense pain in his groin and sick in his hair. If he rolled his lower body off the sofa, he might be able to get up from there. If it weren’t for the bloody cancer, he’d be doing all right. He wouldn’t have thrown up. He would have had the energy to get up.

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