Benjamin Black - Christine Falls

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In the Pathology Department it was always night. This was one of the things Quirke liked about his job…it was restful, cosy, one might almost say, down in these depths nearly two floors beneath the city's busy pavements. There was too a sense here of being part of the continuance of ancient practices, secret skills, of work too dark to be carried on up in the light. But one night, late after a party, Quirke stumbles across a body that shouldn't have been there…and his brother-in-law, eminent paediatrician Malachy Griffin – a rare sight in Quirke's gloomy domain – altering a file to cover up the corpse's cause of death. It is the first time Quirke encounters Christine Falls, but the investigation he decides to lead into the way she lived – and the reason she died – disturbs a dark secret that has been festering at the core of Dublin's high Catholic society, a secret ready to destabilize the very heart and soul of Quirke's own family…

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The clerk shrugged apologetically. “Bit slow, this time of the morning.” And when Quirke was gone he slammed the door after him as violently as he dared. “Sarky bastard,” he muttered. Who was this Christine Falls, he wondered, and why was the boss so interested? Some wagon, maybe, that he was banging. He chuckled: a wagon to pick up a wagon. He sat down at the desk and was about to resume his reading of the paper when the door opened again and Quirke reappeared, filling the doorway.

“This Christine Falls,” he said, “where was she taken to?”

“What?” the clerk snapped, forgetting himself. Seeing Quirke’s look he scrambled to his feet. “Sorry, Mr. Quirke-what was it?”

“The body,” Quirke said. “Where did it go?”

“City morgue, I believe.” The clerk opened the ledger that was still on the desk. “That’s right-the morgue.”

“Check if she’s still there, will you? If the family haven’t collected her, get her back.”

The clerk stared. “I’ll have to-I’ll have to fill in the forms,” he said, although he did not know what forms they might be, since he had never before been told to fetch a stiff back from the morgue.

Quirke was unimpressed. “You do that,” he said. “You get the forms, I’ll sign them.” Going out he stopped, turned back. “Business picking up, eh?”

AFTERWARD HE WONDERED WHY OF THE TWO JUNIOR PATHOLOGISTS it was Wilkins he had asked to stay on and assist, but the answer was not hard to find. Sinclair the Jew was the better technician, but he trusted Wilkins the Prod. Wilkins asked no questions, only looked at his fingernails and said with studied diffidence that he could do with an extra day off next weekend to go home to Lismore and visit his widowed mother. It was not an unreasonable demand, even though there was a backlog of scheduled work already, and of course Quirke had to concede, but the exchange sent Wilkins down a degree in his estimation, and he was sorry he had not asked Sinclair after all. Sinclair, with his sardonic grin and acid wit, who treated Quirke with a faint but unmistakable hint of disdain, would have been too proud to ask for time off in return for lending assistance in what must have seemed was likely to be no more than another of Quirke’s whims.

As it turned out, Christine Falls was quick to give up her poor secret. The body was returned from the morgue at six and it had still not gone seven when Wilkins had washed up and departed, in his usual flat-footed and somehow stealthy way. Quirke, still in his gown and green rubber apron, sat on a high stool by the big steel sink, smoking a cigarette and thinking. The evening outside was still light, he knew, but here in this windowless room that always reminded him of a vast, deep, emptied cistern it might have been the middle of the night. The cold tap in one of the sinks had an incurable slow drip, and a fluorescent bulb in the big multiple lamp over the dissecting table flickered and buzzed. In the harsh, grainy light the cadaver that had been Christine Falls lay on its back, the breast and belly opened wide like a carpet bag and its glistening innards on show.

It sometimes seemed to him that he favored dead bodies over living ones. Yes, he harbored a sort of admiration for cadavers, these wax-skinned, soft, suddenly ceased machines. They were perfected, in their way, no matter how damaged or decayed, and fully as impressive as any ancient marble. He suspected, too, that he was becoming more and more like them, that he was even in some way becoming one of them. He would stare at his hands and they would seem to have the same texture, inert, malleable, porous, as the corpses that he worked on, as if something of their substance were seeping into him by slow but steady degrees. Yes, he was fascinated by the mute mysteriousness of the dead. Each corpse carried its unique secret-the precise cause of death-a secret that it was his task to uncover. For him, the spark of death was fully as vital as the spark of life.

He tapped his cigarette over the sink and a worm of ash tumbled softly into the drain, making a tiny hiss. The postmortem had only confirmed a thing that, he now realized, he had already suspected. But what was he to do with this knowledge? And why, anyway, did he think he should do anything at all?

4

CRIMEA STREET WAS LIKE ALL THE OTHER STREETS ROUNDABOUT, TWO facing terraces of artisans’ dwellings with low, lace-curtained windows and narrow front doorways. Quirke walked along in the late-summer dusk silently counting off the numbers of the houses. All was calm under a still-bright sky piled around the edges with copper-colored clouds. Outside No. 12 a fellow in a flat cap and a waistcoat shined with dirt and age was depositing a load of horse manure from the back of an upended cart onto the side of the pavement. The legs of his trousers were bound below the knees with loops of yellow baling twine. Why the twine, Quirke wondered-to keep rats from running up his legs, perhaps? Well, there were certainly worse livelihoods than pathology. As he came level with him the carter paused and leaned on the handle of his fork and lifted his cap to air his scalp and spat on the road in friendly fashion and observed that it was an aisy oul’ evenin’ . His little donkey stood stock-still with downcast eyes, trying to be elsewhere. The animal, the man, the light of evening, the warm smell of the smoking dung, all mingled to suggest to Quirke something he could not quite recall, something from the far past that hovered on the tip of his memory, tantalizingly beyond reach. All of Quirke’s earliest, orphaned past was like this, an absence fraught with consequence, a resonant blank.

At the Moran woman’s he had to knock twice before she answered, and even then she would only open the door a hand’s breadth. She regarded him through the crack out of a single, hostile eye.

“Miss Moran?” he asked. “Dolores Moran?”

“Who wants to know?” The voice had a hoarse rasp to it.

“My name is Quirke. It’s about Christine Falls.”

The eye watched him for a beat unblinking.

“Chrissie?” she said. “What about her?”

“Can I talk to you?”

She was silent again, thinking.

“Wait,” she said, and shut the door. A minute later she appeared again, carrying her handbag and her coat, and with a fox-fur stole around her neck that had the fox’s sharp little head and little black paws still attached. She wore a flowered frock in a style too young for her and big white shoes with chunky high heels. Her hair was dyed a brassy shade of brown. He caught a whiff of perfume and ancient cigarette smoke. A lipstick mouth, the top lip a perfect Cupid’s bow, was painted over her real one. Her eyes and the fox’s were uncannily alike, small and black and shining. “Come on then, Quirke,” she said. “If you want to talk to me you can buy me a drink.”

She brought him to a pub called Moran’s-“No relation,” she said drily-a crumbling, cramped, dim dive with sawdust on the floor. Despite the mildness of the evening a tripod of turf sods was smoldering in the fireplace and the air was fuggy with turf smoke, and at once Quirke’s eyes began to water. There was a handful of customers, all men, all on their own, crouched over their drinks. One or two looked up, with scant interest, when Quirke and the woman entered. The barman, fat and bald, nodded to Dolly Moran and gave Quirke a quick, appraising glance, taking in his well-cut suit, his expensive shoes; Moran’s was not a house into which a consultant from the Holy Family Hospital could easily blend, even one who was only a consultant to the dead. Dolly Moran asked for gin and water. They carried their drinks to a small table in a corner. The three-legged wooden stools were low, and Quirke looked at his doubtfully-it would not be the first frail seat to give way under his weight. Dolly Moran took off her fox fur and laid it coiled around itself on the table. When Quirke held his lighter to her cigarette she put a hand on his and looked up past the flame at him with what seemed a knowing, veiled amusement. She lifted her glass. “Bottoms up,” she said, and drank, and touched a fingertip daintily to one corner and then the other of her painted-on mouth. A thought occurred to her and she frowned, an arch of wrinkles rising over one eye. “You’re not a peeler, are you?” He laughed. “No,” she said, picking up his silver lighter from the table and weighing it in her palm, “didn’t really think you were.”

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