Lars Kepler - The Hypnotist

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The Hypnotist: краткое содержание, описание и аннотация

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In This Spellbinding International Bestseller, a Murder Leaves Only One Route to the Killer
Tumba, Sweden. A triple homicide, all the victims from the same family, captivates Detective Inspector Joona Linna, who demands to investigate the grisly murders – against the wishes of the national police. The killer is at large, and it appears that the elder sister of the family escaped the carnage; it seems only a matter of time until she, too, is murdered.
But where can Linna begin? The only surviving witness is an intended victim – the boy whose mother, father, and little sister were killed before his eyes. Whoever committed the crimes intended for this boy to die: he has suffered more than one hundred knife wounds and lapsed into a state of shock. He's in no condition to be questioned.
Desperate for information, Linna sees one mode of recourse: hypnotism. He enlists Dr. Erik Maria Bark to mesmerize the boy, hoping to discover the killer through his eyes. It's the sort of work that Bark had sworn he would never do again – ethically dubious and psychically scarring. When he breaks his promise and hypnotizes the victim, a long and terrifying chain of events begins to unfurl.
A number-one bestselling international sensation sure to please fans of Stieg Larsson and Henning Mankell, The Hypnotist is the first novel in a series, soon to be published in thirty-three countries. With its pulse-pounding hooks and twists, it announces a stirring new contribution to the annals of crime fiction.

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“What now?” she asks.

“The police have already carried out door-to-door inquiries,” Erik says gloomily, as Simone brushes dirt and dust off his back.

Joona takes out a sheet of paper. “Yes, I’ve got a list of the people they’ve spoken to. Needless to say, they concentrated on this floor and the apartments directly below. There are five people they haven’t spoken to yet.”

He checks the list and sees that the apartment diagonally behind the lift has been crossed out. That was the door he could see via the two mirrors.

“One apartment has been crossed out,” he says. “The one on the far side of the lift.”

“They were away,” says Simone. “They still are. They’ve gone to Thailand for six weeks.”

Joona looks at them, his expression serious. “Time for me to knock on some doors,” he says.

The nameplate on the door says rosenlund. This was the apartment ignored by the officers carrying out door-to-door inquiries, since it was hidden from view and was empty.

Joona bends down and peers in through the letter box. He can’t see any mail or advertising leaflets on the doormat. Suddenly he hears a faint noise from farther inside. A cat comes padding out of one of the rooms and into the hallway. It stops dead and stares at Joona, peering through the slot.

“Nobody leaves a cat for six weeks,” Joona says slowly to himself.

The cat is listening, its whole body alert. “You don’t look as if you’re starving,” Joona says to the animal.

The cat gives an enormous yawn, jumps up onto a chair in the hallway, and curls itself into a ball.

Joona straightens up and glances at the paper in his hand. The apartment directly opposite the lift is occupied by a couple, but when the police called, only Alice Franzén was at home. The first person Joona wants to speak to is her husband.

Joona rings the doorbell and waits. He remembers being young, going around ringing doorbells with May Day flowers or an occasional charity collection box. The feeling of strangeness at looking into someone else’s home, the expression of distaste in the eyes of those who open the door.

He rings again. A woman in her thirties answers. She looks at him with a watchful, reserved expression that makes him think of the cat in the empty apartment.

“Yes?”

“My name is Joona Linna,” he says, showing her his ID. “I’d like to speak to your husband.”

She glances over her shoulder. “I’d like to know what it’s about first. He’s actually very busy at the moment.”

“It’s about the early morning of Saturday, December the twelfth.”

“We’ve already answered all your questions,” the woman says irritably.

“My colleagues spoke to you but not to your husband.”

The woman sighs. “I don’t know if he’s got time.”

Joona smiles. “It’ll only take a minute, I promise.”

The woman shrugs her shoulders, then yells, “Tobias! It’s the police!”

After a while a man appears with a towel wound around his hips. His skin looks as if it’s burning; he’s leathery and very tanned. “Hi. I was on the sun bed.”

“Nice,” says Joona.

“No, it isn’t,” Tobias Franzén replies. “There’s an enzyme missing from my liver. I have to spend two hours a day on that thing.”

“That’s quite another matter, of course,” Joona says dryly.

“You wanted to ask me something.”

“I want to know if you saw or heard anything unusual in the early morning of Saturday, December the twelfth.”

Tobias scratches his chest. His fingernails leave white marks on his sunburned skin.

“Let me think, last Friday night. I’m sorry, but I really can’t remember anything in particular.”

“OK, thank you very much, that’s all,” says Joona, inclining his head.

Tobias moves to close the door.

“Correction. One more thing. The Rosenlunds,” he remembers.

“They’re very nice people.” Tobias smiles. “I haven’t seen them for a while.”

“No, I understand that they’re away. Do you know if they have a cleaner or anything like that?”

Tobias shakes his head. He is now shivering and pale beneath his tan.

“Sorry, I’ve no idea.”

Chapter 73

tuesday, december 15: morning

Joona moves on to the next name on the list: Jarl Hammar, on the floor below Erik and Simone. A pensioner who wasn’t at home when the police called.

Jarl Hammar is a thin man who is clearly suffering from Parkinson’s disease. He is neatly dressed in a cardigan, with a handkerchief knotted around his neck.

“Police?” he repeats in a hoarse, almost inaudible voice as his eyes, cloudy with cataracts, look Joona up and down. “What do the police want with me?”

“I just want to ask a question,” says Joona. “Did you by any chance see or hear anything unusual in this building or on the street in the early morning of December the twelfth?”

Jarl Hammar tilts his head to one side and closes his eyes. After a brief moment he opens them again and shakes his head. “I’m on medication,” he says. “It makes me sleep very heavily.”

Joona catches sight of a woman farther inside the apartment.

“And your wife?” he asks. “Could I have a word with her?”

Jarl Hammar gives a wry smile. “My wife was a wonderful woman. But unfortunately she is no longer with us; she died almost thirty years ago.” He turns and waves a shaky arm at the dark figure behind him. “This is Anabella. She helps me out with the cleaning and so on. Unfortunately she doesn’t speak Swedish, but apart from that she’s beyond reproach.”

The shadowy figure moves into the light when she hears her name. Anabella looks as if she’s from South America; she is in her twenties, with noticeable pockmarks on her face. Her hair is caught up in a loose black braid, and she is very short.

“Anabella,” Joona says softly. “ Soy comisario de policía, Joona Linna.”

Buenos días, ” she replies in a lisping voice, looking at him with black eyes.

¿Tu limpias más departamentos aquí, en este edificio?

She nods, yes, she does clean other apartments in this building.

¿Qué otros? ” asks Joona.

Espera un momento ,” says Anabella, thinking for a moment before beginning to count on her fingertips: “ Los pisos de Lagerberg, Franzén, Gerdman, y Rosenlund, y el piso de Johansson también .”

“Rosenlund,” says Joona. “ ¿Rosenlund es la familia con un gato, no es verdad?

Anabella smiles and nods. She cleans the apartment where the cat lives. “ Y muchas flores ,” she adds.

“Lots of flowers,” says Joona, and she nods.

Joona asks in a serious tone whether she noticed anything unusual four nights earlier, when Benjamin disappeared. “ ¿Notabas alguna cosa especial hace cuatros días? Por la mañana temprano .”

Anabella’s face stiffens. “ No ,” she says quickly, trying to retreat into Jarl Hammar’s apartment.

De verdad ,” Joona says quickly. “ Espero que digas la verdad, Ana-bella . I expect you to tell me the truth.” He repeats that this is very important, it’s about a child who has disappeared.

Jarl Hammar, who has been listening the whole time, holds up his violently trembling hands and says, in his hoarse, shaky voice, “Be nice to Anabella, she’s a very good girl.”

“She has to tell me what she saw,” Joona explains firmly, turning back to Anabella. “ La verdad, por favor .”

Jarl Hammar looks helpless as fat tears begin to fall from Anabella’s dark, shining eyes.

Perdón ,” she whispers. “ Perdón, señor .”

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