Belinda Bauer - Finders Keepers

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Finders Keepers: краткое содержание, описание и аннотация

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The eight-year-old boy had vanished from the car and – as if by slick, sick magic – had been replaced by a note on the steering wheel… ‘You don’t love him’… At the height of summer a dark shadow falls across Exmoor. Children are being stolen. Each disappearance is marked only by a terse note – a brutal accusation. There are no explanations, no ransom demands… and no hope.
Policeman Jonas Holly faces a precarious journey into the warped mind of the kidnapper if he’s to stand any chance of catching him. But – still reeling from a personal tragedy – is Jonas really up to the task?
Because there’s at least one person on Exmoor who thinks that, when it comes to being the first line of defence, Jonas Holly may be the last man to trust…

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‘Not that I know of so far, but not everyone’s back at their cars, so we’ll find out then.’

‘Maybe he was disturbed.’

Walters led him over to a Toyota RAV4 with a hole the size of a tennis ball punched in the back window. Reynolds stooped and cupped his hands so that he could peer into the dark interior. He jerked backwards as a flurry of fur, teeth and saliva slammed against the glass an inch from his face.

‘Shit!’

His heart racing, Reynolds banged the glass in retaliation at the German Shepherd that took up most of the rear of the car.

He glanced at Walters to see if he was laughing, but the PC looked concerned, if anything. Thank God.

Reynolds scanned the car park. Unlike the scene at Dunkery Beacon, this was a proper car park – maybe thirty bays, and a new toilet block made carefully rustic. The day was young. There were perhaps a dozen cars. A few of them had bored-looking owners standing or sitting close by. People in hiking gear, children in shorts, dogs on leads, bikes and backpacks.

‘OK, Walters. Don’t let anyone come in or leave.’

‘Yes, sir.’

‘And the note on the steering wheel. We’re keeping that back.’

‘Yes, sir.’

Reynolds’s optimistic mood had gone. John Took might be besieged by arseholes, but the hopeful theory that one of those arseholes had kidnapped Jess Took out of personal revenge had just been blown straight out of the water.

The promise of the stag had become evil voodoo. He looked at the moor, which rose around them on all sides. The birdsong and dappled sunlight were an alluring veil. Underneath, something smelled rotten.

Reynolds sighed and stepped over Mrs Knox’s slack legs to peer into the Golf. It was filled with the usual detritus of a holiday – maps, water bottles, sandwich wrappers, coolbox, beach towels.

But once you knew it was also supposed to contain a nine-year-old boy, it seemed very empty.

* * *

Look at them.

Now they care. Now when it’s too late. Where were they when he needed them? Arsing about down on the steps, thinking nothing could go wrong with their lives. Not thinking of how much they got to lose. Not thinking of consequences . And now consequences is all they’ve got.

It’s funny really, in one way. And not in another. Not if you’re the mother down there bawling like a calf. She should cry. She’s a disgrace. They all are.

Ah well, reckon they’ll just have to get used to it. Amazing what a person can get used to. Or what they’ll do if they can’t

Anyway. There it is. I need him more than they do.

And I’ll love him more, too.

7

TWO CHILDREN HAD disappeared in four days, and the press descended on Exmoor like gulls on a freshly ploughed field, screeching and flapping and pecking each other for the best bits.

Peckiest of them all was the formidable Marcie Meyrick.

Three things made Marcie formidable. First, she was thirty-nine – which was so far beyond thirty that it might as well be fifty. In terms of newsgathering, she was a dinosaur, a fossil, a dodo. A dodo who used her sharp little wings to prod rivals out of her way, and trampled them under her prehistoric dodo feet as she rushed headlong towards a story. Having rejected both her boyfriend and her biological clock for her work, Marcie Meyrick was not about to stand aside for the bouncy pre-teens who passed for journalists nowadays.

Second, Marcie was a freelance reporter, which meant she got paid by column inches, not because she’d signed some nambypamby employment contract that included four weeks’ holiday and a pension plan. Her whole aim in life was to sneak copy into newspapers past news desks that already had their own reporters, the Press Association and the might of Google at their fingertips. Pickings were increasingly thin, and so was Marcie Meyrick.

The third thing that made her formidable was that she was Australian – to which there was no defence. It made her bold enough to doorstep the most hostile of targets, thick-skinned enough to deflect the most brutal of insults, and so whiny that unfaithful politicians, lifelong criminals and hardened police press officers routinely crumbled before her – preferring exposure, censure and even jail to another minute of her nasal, mosquito-in-the-ear wheedling.

Two winters back she’d attended a press conference about the murders that had left Shipcott in tatters. The police had been insisting that they remained hopeful of an arrest.

‘This year, next year, some time, never?’ Marcie had drawled at that particular briefing – further endearing herself to one and all.

Now – with two children stolen in a week, every news outlet in the country wanted another bite of the Exmoor cherry. Pete Knox had disappeared on the Wednesday after Jess Took. By Thursday morning, more than fifty reporters, camera crews and photographers swarmed across Exmoor – each chasing the breakout story that would get them on to Newsnight .

Being ancient, Marcie Meyrick knew that only two things really mattered in a story involving both murders and children: scaremongering and a catchy headline. Scaremongering was simple in this case: children missing on a moor where a killer had been at large promised much in the way of repeat performances – and a ready-made climate of fear and suspicion. It was a climate that suited Marcie just fine.

She wrote the story fast, rather than well, and spent every additional second she could thinking of her headline. It was vital to capture the imagination of first the news desk, then the nation. Nothing was set in stone, of course, but she’d been around long enough to know that no sub-editor could resist a good pun-based headline, even if it did come from a lowly stringer.

She wasn’t thrilled with it, but she finally punched the Send button on ‘New Terror on Murder Moor’ and then – confirming her status as dinosaur – she reached for a cigarette.

8

FOR SOME REASON, the paperboy had stopped bringing Jonas’s copy of the Bugle . Instead he delivered it to Mrs Paddon next door, who sometimes took several days to push it through Jonas’s letterbox.

Not that he cared. He never read the Bugle any more, but cancelling it required thought processes and actions, so it was easier merely to pick it off the mat once a week and walk it through to the kitchen bin, along with all the junk mail.

On this day he stopped between the hall and the kitchen to look at the school photo of Jessica Took on the front page. Straight straw-coloured hair, slightly buck teeth, her school tie tied fashionably and ridiculously short. She looked familiar; he probably knew her by sight – one of the hundreds of children who would pass him every day in that same school uniform as he walked or drove through the seven villages that made up his patch.

What used to be his patch.

MISSING. That was what it said. But the report seemed vague and full of holes, and Jonas’s imagination filled those holes with dark and fearful things.

That night he found Lucy again. This time she had a child with her. Not Jess Took, but a child of her own. A child she’d always wanted and which Jonas had always denied her. When they finally embraced, the child was between them, awkward and annoying and demanding attention.

When Jonas got up the next morning he took the Bugle from the kitchen bin and carried it to the outside bin. When he threw it away, he made sure that Jessica Took was face-down.

* * *

Steven didn’t take the Bugle to Jonas Holly’s house any more, but he still had to pass Rose Cottage to see if he could get an order from the new people further up the hill.

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