Pete Hamill - Brooklyn Noir

“Besides, I know y’all sufferin’ right now.”

“What you talkin’ about!” Trevor demands, pulling a sleeve down over the arm he punctures most often.

“It ain’t like he don’t know,” Neville argues between mouthfuls of shrimp fried rice. “The man looks like he got somethin’ to say.”

“Only if you want to hear me,” I reply, watching them tear into the food.

“We want to hear you,” Steve assures me as he slurps his soup. The warm liquid returns the yellow to his fair skin.

“You need powder and I need money,” I say. “Somebody’s got both less than a block from here.”

“Who?” Trevor demands.

“I can’t say. But I can say what he drives. ’03 Escalade. Twenty-two-inch rims. Two shopping bags in the backseat. He’s picking up his laundry at 5. Just him and his girl.”

“How do you know?” Neville asks.

“I know the girl,” I say. “And she says this dude’s days are numbered, if you know what I mean.”

They all look at each other, some trembling with the shakes, others shivering from the chills. Like most addicts, they don’t think things through. They just react, moths drawn to the proverbial flame.

“But we ain’t got no heat,” Stacy laments. “I mean, we can’t just run up on the car with nothin’. You know he’s gonna be strapped.”

“Yeah, and ain’t no way to get four gats in a hour and a half.”

I clear my throat. “I might be able to help you there.”

It is a quarter to 5 when I get the urge for something to drink. It happens every once in a while during Texas Justice and today is no different. But for some reason I’m also in the mood for yoga. So I grab the carrying case for my mat on the way out the door, but forget the mat itself.

Both sides of Nostrand are packed with beings headed in every rush-houred direction. From their trains to their homes, from those homes to stores for the ingredients to make meals in time for the best that TV has to offer. Kids of all ages journey from one block to the next to bond with friends and more-than-friends alike.

I see patrolman Nabors enter the Golden Krust carry-out at the corner. I see Miel Rodriguez and her man pull up to the laundromat between Halsey and Macon. I see a gypsy cab slow to a halt in front of Reuben Goren’s precious storefront. Then it all unfolds.

Brownie emerges from the cab’s rear with a half-liter nitro glycerin charge. He kicks a hole in one of the storefront windows and tosses it in. The boom all but deafens everyone in a four-block radius and coats the entire street in shattered glass. The blast knocks Brownie to the ground, but he gets up quick-ly and begins to run down Fulton Street and into patrolman Nabors’s field of vision, knocking over a grandma and a pack of teenage moms with an endless supply of strollered kids.

Officer Nabors IDs the perpetrator and calls for backup, dropping his large container of curry chicken to the ground as he begins to chase the man on foot. Fulton Street, or at least the people on it who are not still climbing up from the explosion, cheer both men on as the chase moves westward.

I then turn around to see four armed men surrounding the Escalade that’s just pulled up in front of the laundromat, their .45 pistols trained on the driver and passenger. Moments later they are chased off by the loaded weapons of those inside of the vehicle.

The thieves are shocked to find that the pistols they’d gotten on loan from a man called Sam were without firing pins. They should’ve known better though, especially since the quartet stiffed the very same man for a pair of Glocks the previous summer, having sprayed him with mace before making a run for it with the merchandise. Addicts don’t think. They just react.

Backup units arrive to aid Nabors, and some splinter off to chase the armed men fleeing from the laundromat. But none of the blue boys notice that the driver’s-side window on Nabors’s squad car is down. Nor do they see the young writer reach through the opening to commandeer the Mossberg shotgun in the holster next to the shifter. The writer slides the weapon into a nylon sleeve normally used for his yoga mat and slings it over his shoulder before disappearing into the local Bravo supermarket for a bottle of Snapple Peach Iced Tea. People see him, but they are not the kind to snitch to the authorities.

Brownie is tackled, clubbed, stomped, kicked, and then arrested by several white officers who don’t have the brains to make it in any other profession. Trevor and Steve take one for the team as they too are apprehended by officers with few other career options.

Twenty minutes later the fire department is taming the blaze. Three men are on their way to Brooklyn central booking and the young writer is on his way back down Nostrand to his residence, having never earned as much as a glance from the authorities during the entire mêlée.

Sam has his Mossberg by 5:35 p.m. Shango has my money fifteen minutes later. Reuben Goren has a concussion and a cake of shit in his pants. And by five to the hour, Winston will be handing me my tickets.

I am smiling on the inside as I turn onto Madison, anticipating the surprise I’ll find on Jenna’s dark and lovely face. It’s the last house on the left at the end of the block. She lives with a thirty-eight-year-old man who still rents. Tsk tsk.

But then I notice the taxicab in front of the rented residence they share, the place she moved into to remind me of my past transgressions. Perhaps he’s heading into the city to buy some testicles, or maybe a rug for that hairline that keeps going back. Then I see that he’s carrying bags. And she’s right behind him, holding what appears to be a pair of plane tickets.

That’s when I know that the trip to Brazil begins today. The whole “next month” thing was a screen of smoke to throw me off. She knows me so well. She still knows how to make me suffer.

Another rock rolled up that long steep hill, another show of cunning and strength, before I stumble and fall, bouncing all the way back to the beginning. Jenna and I are the only loop I can’t escape, the only checkmate that always evades me. She is like the sound Coltrane chased in his dreams, never to be had, never to be held, never to be won, in a season of games that lasts forever.

Greenpoint

Officer David Lodge stumbles when he attempts to enter the blue and white patrol car triple-parked in front of the 94th Precinct, dropping first to one knee, then to the seat of his pants. His nightstick, which he forgot to remove from the ring attached to his belt, is the most immediate cause of his fall. When it jammed between the door and the frame, Lodge had one leg in the vehicle with the other just coming up. From that point, there was nowhere to go but down.

Lodge ignores the guffaws of his colleagues, the eleven other cops of the midnight-to-eight tour, the adrenalin pumping as they mount up to ride out to patrol their assigned sectors. For a moment, as he struggles to gather himself, he stares at a full moon hanging over Meserole Avenue. He wonders if the moon’s bloated appearance is due to the brown haze and drenching humidity trapped in the atmosphere. Or if it’s just that his eyes won’t focus because he passed the hours prior to his tour at the local cop bar, the B & G, just a few doors down from the precinct. Lodge has reached that stage of inebriation characterized by powerful emotions and he stares at the moon as if prepared to cradle it in his arms, to embrace a truth he is certain it embodies.

“Yo, spaceman, you comin’ or what?”

The voice belongs to Lodge’s partner, Dante Russo. Lodge works his way to his feet, then yanks his nightstick free before getting into the car. He is about to address his partner, to offer a halfhearted apology, when the radio crackles to life.