P Deutermann - Nightwalkers

"Keep your friends close and your enemies closer?"

I pulled away from the window and went back to the couch. The timing didn't quite work to support that theory. I'd had guys shooting at my house before I'd gotten involved with Glory's End. Then I thought about it: Was that true? I had already walked the ground with Mr. Oatley on the day they'd called me about my prison ghost. I'd been looking at the place for two months before that. I hadn't met the Lees before then, but Oatley could have been talking in town. When had I taken that house tour with Valeria? The very next day?

Pardee was yawning, which got me started.

"There's a couple beds in that room over there," I said. "Let's declare victory and call it a night."

"Works for me," Pardee said. "Should we set a guard?"

That's what those guys are for," I said, pointing to the front door.

The next morning we teleconferenced with Horace down in Triboro to see if he'd found out anything. No progress. He'd searched Manceford County records using search strings for female homicides or suicides in the police records statewide. No hits that could be connected to me or the MCAT.

Pardee talked to his wife and was reminded of soccer games this weekend, so I told him to go on home and take care of family business. Tony didn't care one way or the other what he did for the weekend, and my stalker problem seemed more interesting than his current girlfriend. I did ask Pardee to get some surveillance cameras together for installation at Glory's End. Then I called Carol Pollard and asked if she could meet us at the house later that morning with her structural reconstruction expert. I still wanted to find that second passageway, assuming there was one.

Tony and I went over to the house after making breakfast. I took all three shepherds. We put Frack in the house. He couldn't do much, but he would bark if something or someone showed up. We did a quick sweep of all the rooms and floors, including the attic, and then deployed the two shepherds out back while we searched the grounds. We began at the springhouse, and the dogs caught a scent, probably of those two Dobermans.

"Which way did they come from?" I asked Tony.

"Don't know," he said. "They came so fast I didn't have time to look. I thought it was from the house, but… I was too busy diving into that water." He shivered, remembering how cold it was.

From the springhouse, which was about fifty feet down the hill from the main lawn, we had a clear view of the old barn area and all the outbuildings closer into the house, such as the smokehouse. I cast the two shepherds out on a big loop to see if they cut the dog scent between the outbuildings and the house, but they didn't seem to react. Then I sent them out toward the barns in an expanding loop, looking for any trails coming from that direction. I hoped there weren't any more wells out there along that farm road leading to the back buildings.

It was a clear, sunny morning with a promise of some heat later on. I asked Tony to check the close-in buildings one by one, especially to see if the fire pit in the smokehouse had been disturbed. I went toward the back, passing the stone bench next to the sundial. I had my SIG out, and Tony had his Glock. I wasn't really expecting trouble, either human or canine, but it was better to be ready. Then I realized I hadn't reloaded since last night when I fired those four rounds. I stopped, extracted that magazine, and replaced it with my spare. I made a mental note to clean the weapon once I got back to the cottage. This was no time to be sloppy about my firearms.

I checked the two barns that faced the house. I'd aimed low last night, mostly to ensure I didn't send 230-grain bullets out into the night and injure some fisherman out on the river. The barn on the right had the ancient farm machinery parked inside, on mostly flattened tires. I recognized some of it, but not much. I found what looked like a fresh bullet hole on the back wall, round on the entry side, splintered on my side. The boards were old and dry as paper. Then both Kitty and Frick barked.

I turned around and saw them backing away from the other barn. Kitty was growling, but Frick was more upset than alerted, based on her body language. I moved carefully across the barnyard road to the nearest edge of the barn, SIG at the ready. Both dogs were staring inside. Kitty was showing impressive hackles, and Frick had her ears flattened. I waited for a moment to see what, if anything, would happen. Tony was not visible, and I didn't want to call out.

Finally I crouched low and swung around the corner of the barn pointing the gun where I was looking. Inside this barn there were five bays, separated by steel farm gates. The first and nearest bay held a moldering stack of hay or straw. The one next to that contained an antique tractor that was a solid mass of rust. The dogs were looking into the third bay.

"If somebody's in there, I need to see you right now," I called.

No response. Kitty barked again. It was an impatient bark, not a warning. As in, get over here.

I stood back up and walked across the front of the first two bays, stopping at the edge of the third. This one was a workshop with several benches, vises, a table saw, a drill press, and the body of a woman sitting up against the back wall on an overturned wooden crate. She had a big hole just under her left cheekbone and a small lake of blood between her legs.

I called for Tony, and he heard me on the third try from inside the smokehouse. I walked over to the body, careful where I put my feet. I knelt down in front of her to feel for a pulse, but it was pretty clear she was gone. There was the one black entry wound, extensive bleeding from the mouth, and a skin bulge high on the other side of her head where the bullet had almost exited.

She was just sitting there, with a surprised expression on her face. There was a scoped hunting rifle on the ground next to her, but her hands were empty and her fingers curled in, as if she'd been holding it when she was shot. I could not guess her age, but her face was leathery and seamed with too many years of cigarettes, whiskey, and hard, lean living. She could have been anywhere from fifty to sixty-five. She was wearing a long-sleeved tan Carhartt shirt, tight faded jeans, and plain cowboy boots. She had a utility hunting belt that carried a small canteen, some ammunition pouches, a first aid kit, and a fair-sized knife. Tony arrived.

"Whoa," he said.

"You got your phone?"

He did.

"Call 911, report a shooting with one fatality. Tell 'em who you are, and our location behind the big house."

"Shit, boss-you do this last night?"

"Sure looks like it," I said. "I was firing low to keep the rounds down, and I fired into these barns. She must have been hiding in here."

"With a thirty-aught and a shooting hole," he said, pointing to a hole in the back wall I hadn't noticed. It had been recently gouged out, based on the splinters on the ground. "Not your basic peeping Tammy."

"Make the call," I said, standing up. "We need to back out of their scene."

We sat on the front porch of the house while the incident response team did their thing back in the barn. Tony had stayed with them; the sheriff and I plus one detective had gone to the house so I could make a statement. The detective had produced a recorder and had me sign the appropriate warnings and waivers, and then I told them the entire history of this mess from the day that the first shot had come through my window back in Summerfield.

The detective asked an occasional question for clarification but otherwise simply let me tell it. The sheriff sat there in a rocking chair with his head resting on his left hand and his eyes closed. He looked asleep, but I knew he wasn't. When I was done, the sheriff looked over at the detective, who nodded, then turned off the recorder and got up to take a smoke break out on the front lawn.