Warren Adler - The War of the Roses

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This is the novel that inspired one of the most famous movies about divorce ever made, starring Michael Douglas and Kathleen Turner. Oliver and Barbara Rose are a passionate couple who meet at a Cape Cod auction while bidding for matching figurines. The figurines belong together, and so do the Roses. Their perfect love, complete with dream home and wonderful children, is fated to disintegrate, however, and when Oliver collapses in an apparent heart attack, Barbara’s indifference brings the true state of their marriage out into the open. The war they wage against each other eventually descends into brutality and madness, as they destroy each other’s most prized possessions and spiral into chaos.
The global impact of both the book and the movie has brought the phrase ‘The War of the Roses’ into the popular jargon describing the terrible hatred and cruelty engendered in divorce proceedings.
The Roses’ bereft children are featured in the novel’s sequel,
. “Warren Adler writes with skill and a sense of scene.”

“Warren Adler surveys the terrain [of marital strife] with mordant wit. This accomplished tale… builds to a baleful yet all-too-believable climax.”

“The War of the Roses is a clever look at the breakup of a marriage…. It is Adler’s achievement that he makes the most bizarre actions of each (party) seem logical under the circumstances…. Both frightening and revealing.”

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She saw the children standing in the dust cloud, looking at the house. Dust had begun to settle on their faces and their hair. They looked like apparitions. She called their names. They turned toward her, their eyes glazed with terror. Tears were running in rivulets down their dusty cheeks. Then they turned away and suddenly started to move toward the open door.

‘Don’t,’ Ann shouted, finding strength. She ran toward them.

‘They’re in there,’ Josh shouted, moving forward with Eve. She reached them quickly and, flinging herself in their path, held them firmly. From inside the house emanated the continuing clatter of falling objects.

She held the children in a great embrace, hearing their sobs of hysteria. Finally the sounds from the house abated. Turning, Ann looked through the doorway. It was cluttered with debris.

‘Let me,’ she said gently, moving forward. But the children followed and she hadn’t the will to stop them. Standing in the doorway, she observed the destruction. It was ghastly. The roof had collapsed and the interior walls had buckled. Near the door, the long clock lay on its side, its face of Roman time smashed. Shards of crystal from the chandelier covered every surface. More clouds of dust had risen.

She moved into the interior, her eyes smarting as she searched in the debris. Behind her, she could hear the hesitant footsteps of the children and their sobs.

‘Mommy, Daddy,’ Eve cried. ‘Why did they do this?’

Ann shook her head. Then, suddenly, she saw them. Oliver and Barbara, encased in a shroud of white dust, their faces paralyzed in a mask of death. Under the rubble, they appeared to be embracing, their lifeless eyes locked together in an eternal stare. She gasped and turned away. It was a long moment before she became conscious again of the children moving behind her.

They were poking around in the rubble, Josh on his knees, Eve moving the debris with the toe of her shoe. Clutched in her left hand was an object, a familiar statue, its black head remarkably shiny and clean. The buffed figure of Molineaux was, miraculously, intact, poised as always in its eternal pugilistic pose.

Josh stood up, looking oddly victorious. He rubbed the companion figure against his shirt and blew the dust away. Ann’s eyes focused on the perfectly intact figure. She saw Eve’s hand reach out, her fingers wrapping themselves around Cribb’s torso.

For a frozen moment the children held the figure with equal strength, then Josh grasped the Molineaux at its base.

‘It’s mine,’ Josh cried. ‘Mine,’ Eve screamed.

With a snapping sound, like the crack of a pistol shot the two figures seemed to explode. Ann watched as the children, with a glazed, stunned look, studied the shattered bits of plaster in their palms.

Ann turned away, heading toward the entrance. The speed of her steps agitated the dust around her ankles.

ACKNOWLEDGEMENTS

The author is grateful for the cooperation, kindness, and expertise of Barbara and Howard DeFranceaux, Victor Shargi, Viola Drath, Joseph Lyman, and Rose Bailor.

Copyright

ARROW BOOKS

Arrow Books Limited

20 Vauxhall Bridge Road, London SW1V 2SA

An imprint of Random Century Group

London Melbourne Sydney Auckland Johannesburg and agencies throughout the world

First published in the United States by Warner Books, Inc., 1981

Arrow Edition 1990

© 1981 by Warren Adler

This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, resold, hired out, or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser

Phototypeset by Input Typesetting Ltd, London SW19 8DR

Printed and bound in Great Britain by Courier International Ltd, Tiptree, Essex

ISBN 0-09-9-73570-9

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