Arlo Bates - A Book o' Nine Tales.

It was early autumn when Rose became Mistress Friendleton. The wedding was quietly celebrated in the old North Church, and never in its century of existence before its timbers went to feed the campfires of British soldiers, did that house shelter a more lovely bride or a more manly and blissful groom. A faint flush softened the pallor of the maiden, the one charm which could add to her beauty. Her only ornament was her usual cluster of tuberoses, and more than one spectator noted how like the flower was the lady. The circumstance was recalled afterward when the slab was placed above her grave in Copp’s Hill burial-ground. There still lingers among certain old gossips of tenacious memory the tradition of a stone which had on it “some sort of a flower.” It was the slab upon which John Friendleton, imaginative at sorest need, had caused to be carved simply a bunch of tuberoses.

If John had been happy in anticipation, he was, if such a thing be possible, no less so in reality. It is as trite to attempt as it is impossible to effect the portraying of the life of two young people who are profoundly happy in each other. Joy may be named, but not painted. Even were it easy to picture their existence, their self-absorption would prevent their being interesting. As I have sometimes passed the old house on Moon Street, standing worn and stained with the storms of two centuries, a picture has risen before me of the young bride and groom sitting together and inhaling the fragrance of a quaint pot of tuberoses, blooming so wonderfully that the whole house was filled with their odor; and the memory brings always the tears to my eyes.

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