Walter Besant - Armorel of Lyonesse - A Romance of To-day

It was the evening of a fine September day. Through the square window, built out so as to form another room almost as large as that which had been thus enlarged, the autumn sun, now fast declining to the west, poured in warm and strong; but not too warm or too strong for the girl on whose head it fell as she sat leaning back in the low chair, her face turned towards the window. The sun of Scilly is never too fierce or too burning in summer, nor in winter does it ever lose its force; in July, when the people of the adjacent islands of Great Britain and Ireland venture not forth into the glare of the sun, here the soft sea mists and the strong sea air temper the heat; and in December the sun still shines with a lingering warmth, as if he loved the place. This girl lived in the sunshine all the year round; rowed in it; lay in it; basked in it bare-headed, summer and winter; in the winter she would sit sheltered from the wind in some warm corner of the rocks; in summer she would lie on the hillside or stand upon the high headlands and the sea-beat crags, while the breezes, which in the Land of Lyonesse do never cease, played with her long tresses and kept her soft cheek cool.

The window was wide open on all three sides; the girl had been doing some kind of work, but it had dropped from her hands, and now lay unregarded on the floor; she was gazing upon the scene before her, but with the accustomed eyes which looked out upon it every day. A girl who has such a picture continually before her all day long never tires of it, though she may not be always consciously considering it and praising it. The stranger, for his part, cannot choose but cry aloud for admiration; but the native, who knows it as no stranger can, is silent. The house, half-way up the low hill, looked out upon the south – to be exact, its aspect was S. W. by S. – so that from this window the girl saw always, stretched out at her feet, the ocean, now glowing in the golden sunshine of September. Had she been tall enough, she might even have seen the coast of South America, the nearest land in the far distance. Looking S. W., that is, she would have seen the broad mouth of Oroonooque and the shores of El Dorado. This broad sea-scape was broken exactly in the middle by the Bishop's Rock and its stately lighthouse rising tall and straight out of the water; on the left hand the low hill of Annet shut out the sea; and on the right Great Minalto, rugged and black, the white foam always playing round its foot or flying over its great black northern headland, bounded and framed the picture. Almost in the middle of the water, not more than two miles distant, a sailing ship, all sails set, made swift way, bound outward one knows not whither. Lovely at all times is a ship in full sail, but doubly lovely when she is seen from afar, sailing on a smooth sea, under a cloudless sky, the sun of afternoon lighting up her white sails. No other ships were in sight; there was not even the long line of smoke which proclaims the steamer below the horizon; there was not even a Penzance fishing-boat tacking slowly homewards with brown sails and its two masts: in this direction there was no other sign of man.

The girl, I say, saw this sight every day: she never tired of it, partly because no one ever tires of the place in which he was born and has lived – not even an Arab of the Great Sandy Desert; partly because the sea, which has been called, by unobservant poets, unchanging, does in fact change – face, colour, mood, even shape – every day, and is never the same, except, perhaps, when the east wind of March covers the sky with a monotony of grey, and takes the colour out of the face of ocean as it takes the colour from the granite rocks, last year's brown and yellow fern, and the purple heath. To this girl, who lived with the sea around her, it always formed a setting, a background, a frame for her thoughts and dreams. Wherever she went, whatever she said or sang, or thought or did, there was always in her ears the lapping or the lashing of the waves; always before her eyes was the white surge flying over the rocks; always the tumbling waves. But, as for what she actually thought or what she dreamed, seeing how ignorant of the world she was, and how innocent and how young, and as for what was passing in her mind this afternoon as she sat at the window, I know not. On the first consideration of the thing, one would be inclined to ask how, without knowledge, can a girl think, or imagine, or dream anything? On further thought, one understands that knowledge has very little to do with dreams or fancies. Yet, with or without knowledge, no poet, sacred bard, or prophet has ever been able to divine the thoughts of a girl, or to interpret them, or even to set them down in consecutive language. I suppose they are not, in truth, thoughts. Thought implies reasoning and the connection of facts, and the experience of life as far as it has gone. A young maiden's mind is full of dimly seen shadows and pallid ghosts which flit across the brain and disappear. These shadows have the semblance of shape, but it is dim and uncertain: they have the pretence of colour, but it changes every moment: if they seem to show a face, it vanishes immediately and is forgotten. Yet these shadows smile upon the young with kindly eyes; they beckon with their fingers, and point to where, low down on the horizon, with cloudy outline, lies the Purple Island – to such a girl as this the future is always a small island girt by the sea, far off and lonely. The shadows whisper to her; they sing to her; but no girl has ever yet told us – even if she understands – what it is they tell her.

She had been lying there, quiet and motionless, for an hour or more, ever since the tea-things had been taken away – at Holy Hill they have tea at half-past four. The ancient lady who was in the room with her had fallen back again into the slumber which held her nearly all day long as well as all the night. The house seemed thoroughly wrapped and lapped in the softest peace and stillness; in one corner a high clock, wooden-cased, swung its brass pendulum behind a pane of glass with solemn and sonorous chronicle of the moments, so that they seemed to march rather than to fly. A clock ought not to tick as if Father Time were hurried and driven along without dignity and by a scourge. This clock, for one, was not in a hurry. Its tick showed that Time rests not – but hastes not. There is admonition in such a clock. When it has no one to admonish but a girl whose work depends on her own sweet will, its voice might seem thrown away; yet one never knows the worth of an admonition. Besides, the clock suited the place and the room. Where should Time march with solemn step and slow, if not on the quiet island of Samson, in the archipelago of Scilly? On its face was written the name of its maker, plain for all the world to see – 'Peter Trevellick, Penzance, A.D. 1741.'

The room was not ceiled, but showed the dark joists and beams above, once painted, but a long time ago. The walls were wainscotted and painted drab, after an old fashion now gone out: within the panels hung coloured prints, which must have been there since the beginning of this century. They represented rural subjects – the farmer sitting before a sirloin of beef, while his wife, a cheerful nymph, brought him 'Brown George,' foaming with her best home-brewed; the children hung about his knees expectant of morsels; or the rustic bade farewell to his sweetheart, the recruiting-sergeant waiting for him, and the villagers, to a woman, bathed in tears. There were half a dozen of those compositions simply coloured. I believe they are now worth much money. But there were many other things in this room worth money.