John Buchan - The African Colony - Studies in the Reconstruction

The stream bends northward in a more open valley, and as we climb the ridge we catch sight of the country beyond and the same august lines of mountain. But now there is a new feature in the landscape. Bushes are dotted over the far slope, and on the brow cluster together into something like a coppice. It is a patch of bush-veld, as rare on our high-veld as are fragments of the old Ettrick forest in Tweeddale. Two hundred miles north is the real bush-veld, full of game and fevers, the barrier between the tropical Limpopo and these grassy uplands. Seen in the splendour of evening there is a curious savagery about that little patch, which is neither veld nor woodland, but something dwarfish and uncanny. That is Africa, the Africa of travellers; but thus far we have ridden through a countryside so homely and familiar that we are not prepared for a foreign intrusion. Which leads us to our hope of a new civilisation. If it ever comes, what an outlook it will have into the wilds! In England we look to the sea, in France across a frontier, even in Russia there is a mountain barrier between East and West. But here civilisation will march sharply with barbarism, like a castle of the Pale, looking over a river to a land of mists and outlaws. A man would have but to walk northward, out of the cities and clubs and the whole world of books and talk, to reach the country of the oldest earth-dwellers, the untamable heart of the continent. It is much for a civilisation to have its background – the Egyptian against the Ethiopian, Greek against Thracian, Rome against Gaul. It is also much for a race to have an outlook, a far horizon to which its fancy can turn. Even so strong men are knit and art is preserved from domesticity.

We turn homeward over the long shoulders of hill, keeping to the track in the failing light. If the place is sober by day, it is transformed in the evening. For an hour the land sinks out of account, and the sky is the sole feature. No words can tell the tale of a veld sunset. Not the sun dipping behind the peaks of Jura, or flaming in the mouth of a Norwegian fiord, or sinking, a great ball of fire, in mid-Atlantic, has the amazing pageantry of these upland evenings. A flood of crimson descends on the world, rolling in tides from the flagrant west, and kindling bush and scaur and hill-top, till the land glows and pulsates in a riot of colour. And then slowly the splendour ebbs, lingering only to the west in a shoreless, magical sea. A delicate pearl-grey overspreads the sky, and the onlooker thinks that the spectacle is ended. It has but begun; for there succeed flushes of ineffable colour, – purple, rose-pink, tints of no mortal name, – each melting imperceptibly into the other, and revealing again the twilight world which the earlier pageant had obscured. Every feature in the landscape stands out with a tender, amethystine clearness. The mountain-ridge is cut like a jewel against the sky; the track is a ribbon of pure beaten gold. And then the light fades, the air becomes a soft mulberry haze, the first star pricks out in the blue, and night is come.

Here is a virgin soil for art, if the art arises. In our modern history there is no true poetry of vastness and solitude. What there is is temperamental and introspective, not the simple interpretation of a natural fact. In the old world, indeed, there is no room for it: a tortured, crowded land may produce the aptitude, but it cannot give the experience. And the new lands have had no chance to realise their freshness: when their need for literature arose, they have taken it second-hand. The Australian poet sings of the bush in the rococo accents of Fleet Street, and when he is natural he can tell of simple human emotions, but not of the wilds. For the chance of the seeing eye has gone. He is not civilised but de-civilised, having borrowed the raiment of his elder brother. But, if South African conditions be as men believe, here we have a different prospect. The man who takes this country as his own will take it at another level than the pioneer. The veld will be to him more than a hunting-ground, and the seasons may be viewed from another than a commercial standpoint. If the art arises, it will be an austere art – with none of the fatuities of the picturesque, bare of false romance and preciosities, but essentially large, simple, and true. It will be the chronicle of the veld, the song of the cycle of Nature, the epic of life and death, and “the unimaginable touch of time.” Who can say that from this land some dew of freshness may not descend upon a jaded literature, and the world be the richer by a new Wordsworth, a more humane Thoreau, or a manlier Senancour?

Once more we are in the wood, now a ghostly place with dark aisles and the windless hush of evening in the branches. The flying ants are coming out of the ground for their short life of a night. The place is alive with wings, moths and strange insects, that go white and glimmering in the dusk. The clear darkness that precedes moonrise is over the earth, so that everything stands out clear in a kind of dark-green monochrome. Something of an antique dignity, like an evening of Claude Lorraine, is stealing into the landscape. Once more the veld is putting on an alien dress, till in this fairyland weather we forget our continent again. And yet who shall limit Africa to one aspect? Our whole ride has been a kaleidoscope of its many phases. Hot and sunburnt, dry grasses and little streams, the red rock and the fantastic sunset. And on the other side the quiet green valleys, the soothing vista of blue hills, the cool woods, the water-meadows, and the twilight. It is a land of contrasts – glimpses of desert and barbarism, memories of war, relics of old turmoil, and yet essentially a homeland. As the phrase goes, it is a “white man’s country”; by which I understand a country not only capable of sustaining life, but fit for the amenities of life and the nursery of a nation. Whether it will rise to a nation or sink to a territory rests only with its people. But it is well to recognise its possibilities, to be in love with the place, for only then may we have the hope which can front and triumph over the many obstacles.

The first darkness is passing, a faint golden light creeps up the sky, and suddenly over a crest comes the African moon, bathing the warm earth in its cold pure radiance. This moon, at any rate, is the peculiar possession of the land. At home it is a disc, a ball of light; but here it is a glowing world riding in the heavens, a veritable kingdom of fire. No virgin huntress could personify it, but rather some mighty warrior-god, driving his chariot among trampled stars. It lights us out of the wood, and on to the highroad, and then among the sunflowers and oleanders of the garden. The night air is cool and bracing, but soft as summer; and as we dismount our thoughts turn homeward, and we have a sudden regret. For in this month and at this hour in that other country we should be faring very differently. No dallying with zephyrs and sunsets; but the coming in, cold and weary, from the snowy hill, and telling over the peat-fire the unforgettable romance of winter sport.

December 1901.

We left Klerksdorp in a dust-storm so thick and incessant that it was difficult to tell where the houses ended and the open country began. The little town, which may once have been a clean, smiling place, has been for months the corpus vile of military operations. A dozen columns have made it their destination; the transport and supplies of the whole Western Army have been congested there, with the result that the town lands have been rubbed bare of grass, the streets furrowed into dust-heaps, and the lightest breeze turned into a dust-tornado. Our Cape carts rattled over the bridge of the Schoon Spruit – “Caller Water,” as we might translate it in Scots, but here a low and muddy current between high banks – and, climbing a steep hill past the old town of Klerksdorp, came out of the fog into clearer veld, over which a gale of wind was blowing strongly. The desert was strewn with empty tins, which caught the sun like quartz; stands of barbed wire were everywhere on the broad uneven highway; little dust devils spouted at intervals on to the horizon. The place was like nothing so much as a large deserted brick-field in some Midland suburb.