John Buchan - The African Colony - Studies in the Reconstruction

No landscape is so masterful as the veld. Broken up into valleys, reclaimed in parts by man, showing fifty varieties of scene, it yet preserves one essential character. For, homely as it is, it is likewise untamable. There are no fierce encroachments about it. A deserted garden does not return to the veld for many years, if ever. It is not, like the jungle, the natural enemy of man, waiting for a chance to enter and obliterate his handiwork, and repelled only by sleepless watching. Rather it is the quiet spectator of human efforts, ready to meet them half-way, and yet from its vastness always the dominant feature in any landscape. Its normal air is sad, grey, and Quakerish, never flamboyant under the brightest sun, and yet both strenuous and restful. The few red monstrosities man has built on its edge serve only to set off this essential dignity. For one thing, it is not created according to the scale of man. It will give him a home, but he will never alter its aspect. Let him plough and reap it for a thousand years, and he may beautify and fructify but never change it. The face of England has altered materially in two centuries, because England is on a human scale, – a parterre land, without intrinsic wildness. But cultivation on the veld will always be superimposed: it will remain, like Egypt, ageless and immutable – one of the primeval types of the created world.

But, though dominant, it is also adaptable. It can, for the moment, assume against its unchangeable background a chameleon-like variety. Sky and weather combine to make it imitative at times. Now, under a pale Italian sky, it is the Campagna – hot, airless, profoundly melancholy. Again, when the mist drives over it, and wet scarps of hill stand out among clouds, it is Dartmoor or Liddesdale; or on a radiant evening, when the mountains are one bank of hazy purple, it has borrowed from Skye and the far West Highlands. On a clear steely morning it has the air of its namesake, the Norwegian fjelds, – in one way the closest of its parallels. But each phase passes, the tantalising memory goes, and we are back again upon the aboriginal veld, so individual that we wonder whence arose the illusion.

A modern is badly trained for appreciating certain kinds of scenery. Generations of poets and essayists have so stamped the “pathetic fallacy” upon his soul that wherever he goes, unless in the presence of a Niagara or a Mount Everest, he runs wild, looking for a human interest or a historical memory. This is well enough in the old settled lands, but on the veld it is curiously inept. The man who, in Emerson’s phrase, seeks “to impress his English whim upon the immutable past,” will find little reward for his gymnastics. Not that there is no history of a kind – of Bantu wars, and great tribal immigrations, of wandering gold-seekers and Portuguese adventurers, of the voortrekker and the heroic battles in the wilds. But the veld is so little subject to human life that had Thermopylæ been fought in yonder nek, or had Saint Francis wandered on this hillside, it would have mastered and obliterated the memories. It has its history; but it is the history of cosmic forces, of the cycle of seasons, of storms and suns and floods, the joys and sorrows of the natural world.

Men dreamed of it and its wealth long ago in Portugal and Holland. They have quarrelled about it in London and Cape Town, fought for it, parcelled it out in maps, bought it and sold it. It has been subject for long to the lusts and hopes of man. It has been larded with epithets; town-bred folk have made theories about it; armies have rumbled across it; the flood of high politics has swept it. But the veld has no memory of it. Men go and come, kingdoms fall and rise, but it remains austere, secluded, impenetrable, “the still unravished bride of quietness.”

As one lives with it the thought arises, May not some future civilisation grow up here in keeping with the grave country? The basis of every civilisation is wealth – wealth to provide the background of leisure, which in turn is the basis of culture in a commercial world. Our colonial settlements have hitherto been fortuitous. They have fought a hard fight for a livelihood, and in the process missed the finer formative influences of the land. When, then, civilisation came it was naturally a borrowed one – English with an accent. But here, as in the old Greek colonies, we begin de novo , and at a certain high plane of life. The Dutch, our forerunners, acquired the stamp of the soil, but they lived on the barest scale of existence, and were without the aptitude or the wealth to go farther. Our situation is different. We start rich, and with a prospect of growing richer. On one side are the mining centres – cosmopolitan, money-making, living at a strained pitch; on the other this silent country. The time will come when the rich man will leave the towns, and, as most of them are educated and all are able men, he will create for himself a leisured country life. His sons in turn will grow up with something autochthonous in their nature. For those who are truly South Africans at heart, and do not hurry to Europe to spend their wealth, there is a future, we may believe, of another kind than they contemplate. All great institutions are rooted and grounded in the soil. There is an art, a literature, a school of thought implicit here for the understanding heart, – no tarnished European importation, but the natural, spontaneous fruit of the land.

As we descend into the glen the going underfoot grows softer, the flinty red clay changes to sand and soon to an irregular kind of turf. At last we are on the stream-bank, and the waving grasses have gone. Instead there is the true meadow growth, reeds and water-plants and a species of gorgeous scarlet buck-bean; little runnels from the farm-dams creep among the rushes, and soon our horses’ feet are squelching through a veritable bog. Here are the sights and sounds of a Hampshire water-meadow. Swallows skim over the pools; dragon-flies and bees brush past; one almost expects to see a great trout raise a sleepy head from yonder shining reach. But there are no trout, alas! none, I fear, nearer than Natal; only a small greenish barbel who is a giant at four to the pound. The angler will get small satisfaction here, though on the Mooi River, above Potchefstroom, I have heard stories of a golden-scaled monster who will rise to a sea-trout fly. As we jump the little mill-lades, a perfect host of frogs are leaping in the grass, and small bright-eyed lizards slip off the stones at our approach. But, though the glen is quick with life, there is no sound: a deep Sabbatical calm broods over all things. The cry of a Kaffir driver from the highroad we have left breaks with an almost startling violence on the quiet. The tall reeds hush the stream’s flow, the birds seem songless, even the hum of insects is curiously dim. There is nothing for the ear, but much for the eye and more for the nostril. Our ride has been through a treasure-house of sweet scents. First the pines and gum-trees; then the drowsy sweetness of the sunburnt veld; and now the more delicate flavour of rich soil and water and the sun-distilled essences of a thousand herbs. What the old Greek wrote of Arabia the Blessed might fitly be written here, “From this country there is a smell wondrous sweet.”

Lower down the glen narrows. The stream would be a torrent if there were more water; but the cascades are a mere trickle, and only the deep green rock-pools, the banks of shingle, and the worn foot of the cliff, show what this thread can grow to in the rains. A light wild brushwood begins, and creeps down to the very edge of the stream. Twenty years ago lions roamed in this scrub; now we see nothing but two poaching pariah dogs. We pass many little one-storeyed farms, each with a flower-garden run to seed, and some acres of tangled crops. All are deserted. War has been here with its heavy hand, and a broken stoep, empty windows, and a tumbled-in roof are the marks of its passage. The owners may be anywhere – still on commando with Delarey, in Bermuda or Ceylon, in Europe, in camps of refuge, on parole in the towns. Great sunflowers, a foot in diameter, sprawl over the railings, dahlias and marigolds nod in the evening sunshine, and broken fruit-trees lean over the walks. Suddenly from the yard a huge aasvogel flaps out – the bird not of war but of unclean pillage. There is nothing royal in the creature, only obscene ferocity and a furtive greed. But its presence, as it rises high into the air, joined with the fallen rooftrees, effectively drives out Arcady from the scene. We feel we are in a shattered country. This quiet glen, which in peace might be a watered garden, becomes suddenly a desert. The veld is silent, but such secret nooks will blab their tale shamelessly to the passer-by.