Charles Brown - Ormond; Or, The Secret Witness. Volume 3 (of 3)

Others, perhaps, would have observed that her father's existence had been merely a source of obstruction and perplexity; that she had hitherto acted by her own wisdom, and would find, hereafter, less difficulty in her choice of schemes, and fewer impediments to the execution. These reflections occurred not to her. This disaster had increased, to an insupportable degree, the vacancy and dreariness of her existence. The face she was habituated to behold had disappeared forever; the voice whose mild and affecting tones had so long been familiar to her ears was hushed into eternal silence. The felicity to which she clung was ravished away; nothing remained to hinder her from sinking into utter despair.

The first transports of grief having subsided, a source of consolation seemed to be opened in the belief that her father had only changed one form of being for another; that he still lived to be the guardian of her peace and honour, to enter the recesses of her thought, to forewarn her of evil and invite her to good. She grasped at these images with eagerness, and fostered them as the only solaces of her calamity. They were not adapted to inspire her with cheerfulness, but they sublimed her sensations, and added an inexplicable fascination to sorrow.

It was unavoidable sometimes to reflect upon the nature of that death which had occurred. Tokens were sufficiently apparent that outward violence had been the cause. Who could be the performer of so black a deed, by what motives he was guided, were topics of fruitless conjecture. She mused upon this subject, not from the thirst of vengeance, but from a mournful curiosity. Had the perpetrator stood before her and challenged retribution, she would not have lifted a finger to accuse or to punish. The evil already endured left her no power to concert and execute projects for extending that evil to others. Her mind was unnerved, and recoiled with loathing from considerations of abstract justice, or political utility, when they prompted to the prosecution of the murderer.

Melbourne was actuated by different views, but on this subject he was painfully bewildered. Mr. Dudley's deportment to his servants and neighbours was gentle and humane. He had no dealings with the trafficking or labouring part of mankind. The fund which supplied his cravings of necessity or habit was his daughter's. His recreations and employments were harmless and lonely. The evil purpose was limited to his death, for his chamber was exactly in the same state in which negligent security had left it. No midnight footstep or voice, no unbarred door or lifted window, afforded tokens of the presence or traces of the entrance or flight of the assassin.

The meditations of Constantia, however, could not fail in some of their circuities to encounter the image of Craig. His agency in the impoverishment of her father, and in the scheme by which she had like to have been loaded with the penalties of forgery, was of an impervious and unprecedented kind. Motives were unveiled by time, in some degree accounting for his treacherous proceeding; but there was room to suppose an inborn propensity to mischief. Was he not the author of this new evil? His motives and his means were equally inscrutable, but their inscrutability might flow from her own defects in discernment and knowledge, and time might supply her defects in this as in former instances.

These images were casual. The causes of the evil were seldom contemplated. Her mind was rarely at liberty to wander from reflection on her irremediable loss. Frequently, when confused by distressful recollections, she would detect herself going to her father's chamber. Often his well-known accents would ring in her ears, and the momentary impulse would be to answer his calls. Her reluctance to sit down to her meals without her usual companion could scarcely be surmounted.

In this state of mind, the image of the only friend who survived, or whose destiny, at least, was doubtful, occurred to her. She sunk into fits of deeper abstraction and dissolved away in tears of more agonizing tenderness. A week after her father's interment, she shut herself up in her chamber, to torment herself with fruitless remembrances. The name of Sophia Westwyn was pronounced, and the ditty that solemnized their parting was sung. Now, more than formerly, she became sensible of the loss of that portrait which had been deposited in the hands of M'Crea as a pledge. As soon as her change of fortune had supplied her with the means of redeeming it, she hastened to M'Crea for that end. To her unspeakable disappointment, he was absent from the city; he had taken a long journey, and the exact period of his return could not be ascertained. His clerks refused to deliver the picture, or even, by searching, to discover whether it was still in their master's possession. This application had frequently and lately been repeated, but without success; M'Crea had not yet returned, and his family were equally in the dark as to the day on which his return might be expected.

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