Johann Beckmann - A History of Inventions, Discoveries, and Origins, Volume I (of 2)

In the Phonurgia, however, written after Morland’s publication was everywhere known, Kircher certainly treats of the speaking-trumpet, and says that, from the similarity of the progress of sound to that of the rays of light, he was led to the idea of conveying the former, in the same manner as the latter, to a great distance, by means of an instrument. For this purpose, about twenty-four years before, he had caused to be constructed, in the Jesuits’ college at Rome, an ear-trumpet, through which the porter could communicate anything he had to say to him when he was in his apartment in the upper story. This apparatus attracted the notice of many strangers, who were astonished at its effect. He here represents it as a proper speaking-trumpet, and adds, that it excited much surprise, on account of the uncommon strength which it gave to the voice. For this reason he was very desirous of trying to what distance words could be distinctly conveyed by such a tube; and an opportunity occurred of doing this the same year that he wrote his Phonurgia. From a convent, situated on the top of a mountain, he assembled twelve hundred persons to divine service, at the distance of from two to five Italian miles, and read the Litany through it. Soon after, the emperor caused a tube to be made according to Kircher’s description, by which, without elevating the voice, he could be understood from Ebersdorf to Neugebeu. But though Kircher came so near to the invention of the speaking-trumpet, it does not appear certain by his works that he attempted or constructed it before Sir Samuel Morland. I shall now examine the evidences he adduces in his favour.

The most important of these is Schott, because he published his Magia Naturalis 238in 1657, before the invention of Sir Samuel Morland. All that is to be found in this work, however, relates alone to the ear-trumpet, a figure of which is added from the Musurgia; but we learn, with certainty, that Kircher then had the before-mentioned funnel or tube in his apartment. It is also not improbable that he had tried to answer the porter from his apartment, and that he had thereby remarked that the voice was strengthened; for it is not proved by Schott that he at that time was acquainted with and had in his possession a portable speaking-trumpet.

Another author by whom Kircher endeavours to support his claim is Harsdorfer; who, however, speaks only of tubes to be closely applied to the mouth and to the ear, and who refers to the Musurgia, without mentioning the real speaking-trumpet, though the second part of his Mathematical Recreations was first printed in 1677, and the third in 1692. Besides these testimonies, Kircher quotes also Eschinard concerning sound 239. With that work I am not acquainted; but as the information it contains is taken from the Musurgia, it is of as little importance as that of Derham 240, who refuses the invention to his countryman, and gives it to Kircher. When I unite all the evidence in favour of Kircher, it appears to be certain that he made known and employed the ear-trumpet earlier than the portable speaking-trumpet; that he, however, approached very near to the invention of the latter, but did not cause one to be constructed before Sir Samuel Morland, to whom the honour belongs of having first brought it to that state as to be of real use. Such, at least, is the manner in which this dispute is decided by the Jesuit De Lanis 241.

When Morland’s invention was made known in France, it was pretended that Salar, an Augustine monk, had seven or eight years before caused such tubes or trumpets to be made, in order to strengthen the voice of a weak bass-singer; but he himself acknowledges that he never had an idea of speaking with them at a distance 242.

This instrument was soon made for sale at Nuremberg in Germany, particularly by that well-known artist Grundler, mentioned by Becher, who imagined that two persons, by means of a speaking-trumpet and an ear-trumpet, could converse together at a great distance, without any one in the neighbourhood, or in the intermediate space, hearing what they said.

Of those who employed their ingenuity in improving this instrument I shall mention the following. Cassegrain, known on account of his optical instruments, published some hints for that purpose in 1672 243; as did Sturm 244, Conyers 245, Hase and others afterwards. The last who investigated the theory of the speaking-trumpet was Lambert 246; according to whose ideas the figure of a shortened cone, if not the best, is at least as good as any other that might be employed.

[It would appear, however, from the experiments of Hassenfratz (Journ. de Phys., t. xxvi.) that neither the shape of the instrument nor the material of which it is composed is of much consequence. He ascertained the power of the trumpet by fixing a small watch in the mouth-piece, and observing the distance at which the beats ceased to be audible, and thus found that the effects were precisely the same with a trumpet of tinned iron, whether used in its naked form, or tightly bound round with linen to prevent vibration, or when lined with woollen cloth whereby reflexion was entirely prevented; he also found that the range of a cylindrical trumpet was as great as that of a conical one.

Leslie supposes the effect of the trumpet to be owing to the more condensed and vigorous impulsion given to the air from its lateral flow being checked. He observes, “that the tube, by its length and narrowness, detains the efflux of air, and has the same effect as if it diminished the volubility of that fluid, or increased its density. The organs of articulation strike with concentrated force, and the pulses, so vigorously thus excited, are, from the reflected form of the aperture, finally enabled to escape and to spread themselves along the atmosphere 247.”]

To discover the excellence of the ananas required no great skill; it recommended itself so much by its taste, smell, and colour, as to attract the notice of the first Europeans who visited Brazil; and we find it praised in the earliest writers on America, who give an account of it, as well as of tobacco, maize, and other productions of the new world.

Gonçalo Hernandez de Oviedo is, as far as I know, the first person who described and delineated the ananas. This author was born at Madrid in 1478, went to America in 1513, and in 1535 was governor of St. Domingo. In the last-mentioned year his General History of America was printed at Seville. At that time three kinds were known, which in America were called yayama , boniama , and yayagua , but by the Spaniards pinas . Attempts had then been made to send the fruit to Spain by pulling it before it was ripe; but it had always become spoilt in the course of the voyage. Oviedo had tried also to send slips or young shoots to Europe, but these also died by the way. He however entertained hopes that means would be found to rear the ananas in Spain, in which maize or Turkish corn had been brought to maturity, provided it could be transported with sufficient expedition 248.

Geronimo Benzono, a Milanese, who resided in Mexico from 1541 to 1555, caused, on his return, his History of the New World to be printed, for the first time, at Venice in 1568. In this work he highly extols the pinas, and says he believes that no fruit on the earth can be more pleasant; sick persons, who loathed all other food, might relish it.

After him, Andrew Thevet, a French monk, who was in Brazil from 1555 to 1556, described and delineated this plant under the name of nanas . The art of preserving the fruit with sugar was at that time known 249.

John de Lery, who went to Brazil in 1557 as chaplain to a Huguenot colony, in the account of his voyage first used the word ananas , which probably took its rise from the nanas of Thevet 250.