Gilbert Chesterton - The Trees of Pride

“You think the natives here are dark enough already, perhaps,” he observed calmly. “After all, we are aborigines, and are treated as such.”

She threw out some desperate remark about the weather or the scenery, and wondered what would happen next.

“The prospect is certainly beautiful,” he assented, in the same enigmatic manner. “There is only one thing in it I am doubtful about.”

While she stood in silence he slowly lifted his black stick like a long black finger and pointed it at the peacock trees above the wood. And a queer feeling of disquiet fell on the girl, as if he were, by that mere gesture, doing a destructive act and could send a blight upon the garden.

The strained and almost painful silence was broken by the voice of Squire Vane, loud even while it was still distant.

“We couldn’t make out where you’d got to, Barbara,” he said. “This is my friend, Mr. Cyprian Paynter.” The next moment he saw the stranger and stopped, a little puzzled. It was only Mr. Cyprian Paynter himself who was equal to the situation. He had seen months ago a portrait of the new Cornish poet in some American literary magazine, and he found himself, to his surprise, the introducer instead of the introduced.

“Why, Squire,” he said in considerable astonishment, “don’t you know Mr. Treherne? I supposed, of course, he was a neighbor.”

“Delighted to see you, Mr. Treherne,” said the Squire, recovering his manners with a certain genial confusion. “So pleased you were able to come. This is Mr. Paynter – my daughter,” and, turning with a certain boisterous embarrassment, he led the way to the table under the tree.

Cyprian Paynter followed, inwardly revolving a puzzle which had taken even his experience by surprise. The American, if intellectually an aristocrat, was still socially and subconsciously a democrat. It had never crossed his mind that the poet should be counted lucky to know the squire and not the squire to know the poet. The honest patronage in Vane’s hospitality was something which made Paynter feel he was, after all, an exile in England.

The Squire, anticipating the trial of luncheon with a strange literary man, had dealt with the case tactfully from his own standpoint. County society might have made the guest feel like a fish out of water; and, except for the American critic and the local lawyer and doctor, worthy middle-class people who fitted into the picture, he had kept it as a family party. He was a widower, and when the meal had been laid out on the garden table, it was Barbara who presided as hostess. She had the new poet on her right hand and it made her very uncomfortable. She had practically offered that fallacious jongleur money, and it did not make it easier to offer him lunch.

“The whole countryside’s gone mad,” announced the Squire, by way of the latest local news. “It’s about this infernal legend of ours.”

“I collect legends,” said Paynter, smiling.

“You must remember I haven’t yet had a chance to collect yours. And this,” he added, looking round at the romantic coast, “is a fine theater for anything dramatic.”

“Oh, it’s dramatic in its way,” admitted Vane, not without a faint satisfaction. “It’s all about those things over there we call the peacock trees – I suppose, because of the queer color of the leaf, you know, though I have heard they make a shrill noise in a high wind that’s supposed to be like the shriek of a peacock; something like a bamboo in the botanical structure, perhaps. Well, those trees are supposed to have been brought over from Barbary by my ancestor Sir Walter Vane, one of the Elizabethan patriots or pirates, or whatever you call them. They say that at the end of his last voyage the villagers gathered on the beach down there and saw the boat standing in from the sea, and the new trees stood up in the boat like a mast, all gay with leaves out of season, like green bunting. And as they watched they thought at first that the boat was steering oddly, and then that it wasn’t steering at all; and when it drifted to the shore at last every man in that boat was dead, and Sir Walter Vane, with his sword drawn, was leaning up against the tree trunk, as stiff as the tree.”

“Now this is rather curious,” remarked Paynter thoughtfully. “I told you I collected legends, and I fancy I can tell you the beginning of the story of which that is the end, though it comes hundreds of miles across the sea.”

He tapped meditatively on the table with his thin, taper fingers, like a man trying to recall a tune. He had, indeed, made a hobby of such fables, and he was not without vanity about his artistic touch in telling them.

“Oh, do tell us your part of it?” cried Barbara Vane, whose air of sunny sleepiness seemed in some vague degree to have fallen from her.

The American bowed across the table with a serious politeness, and then began playing idly with a quaint ring on his long finger as he talked.

“If you go down to the Barbary Coast, where the last wedge of the forest narrows down between the desert and the great tideless sea, you will find the natives still telling a strange story about a saint of the Dark Ages. There, on the twilight border of the Dark Continent, you feel the Dark Ages. I have only visited the place once, though it lies, so to speak, opposite to the Italian city where I lived for years, and yet you would hardly believe how the topsy-turvydom and transmigration of this myth somehow seemed less mad than they really are, with the wood loud with lions at night and that dark red solitude beyond. They say that the hermit St. Securis, living there among trees, grew to love them like companions; since, though great giants with many arms like Briareus, they were the mildest and most blameless of the creatures; they did not devour like the lions, but rather opened their arms to all the little birds. And he prayed that they might be loosened from time to time to walk like other things. And the trees were moved upon the prayers of Securis, as they were at the songs of Orpheus. The men of the desert were stricken from afar with fear, seeing the saint walking with a walking grove, like a schoolmaster with his boys. For the trees were thus freed under strict conditions of discipline. They were to return at the sound of the hermit’s bell, and, above all, to copy the wild beasts in walking only to destroy and devour nothing. Well, it is said that one of the trees heard a voice that was not the saint’s; that in the warm green twilight of one summer evening it became conscious of some thing sitting and speaking in its branches in the guise of a great bird, and it was that which once spoke from a tree in the guise of a great serpent. As the voice grew louder among its murmuring leaves the tree was torn with a great desire to stretch out and snatch at the birds that flew harmlessly about their nests, and pluck them to pieces. Finally, the tempter filled the tree-top with his own birds of pride, the starry pageant of the peacocks. And the spirit of the brute overcame the spirit of the tree, and it rent and consumed the blue-green birds till not a plume was left, and returned to the quiet tribe of trees. But they say that when spring came all the other trees put forth leaves, but this put forth feathers of a strange hue and pattern. And by that monstrous assimilation the saint knew of the sin, and he rooted that one tree to the earth with a judgment, so that evil should fall on any who removed it again. That, Squire, is the beginning in the deserts of the tale that ended here, almost in this garden.”

“And the end is about as reliable as the beginning, I should say,” said Vane. “Yours is a nice plain tale for a small tea-party; a quiet little bit of still-life, that is.”

“What a queer, horrible story,” exclaimed Barbara. “It makes one feel like a cannibal.”