Ellen Glasgow - Virginia

The mention of Cyrus was like a spur to Oliver's ambition, and he realized with gratitude that it was merely his sensibility, not his resolution, which had been shaken.

"I'll take the room," he returned, ignoring what she had said as well as what she had implied about Cyrus. Then as she tripped ahead of him, he entered the dismantled hall, filled with broken pieces of fine old furniture, and ascended the stairs as far as the third storey. When she turned a loosened door-knob and passed before him into the little room at the back, he saw first of all the narrow window, with its torn green shade, beyond which clustered a blur of silvery foliage in the midst of red roofs and huddled chimneys. From this hilltop, he could look down unseen on that bit of the universal life which was Dinwiddie. He could watch the town at work and at play; he could see those twenty-one thousand souls either moved as a unit by the secret forces which ignore individuality, or separated and enclosed by that impenetrable wall of personality which surrounded each atom among them. He could follow the divisions of class and the still deeper divisions of race as they were symbolized in the old brick walls, overgrown with young grasses, which girdled the ancient gardens in High Street. From the dazzling glimpses of white muslin under honeysuckle arbours, to the dusky forms that swarmed like spawn in the alleys, the life of Dinwiddie loved, hated, enjoyed, and suffered beneath him. And over this love and this hatred, this enjoyment and this suffering, there presided – an outward and visible sign of the triumph of industrialism – the imposing brick walls of the new Treadwell tobacco factory.

A soft voice spoke in his ear, and turning, he looked into the face of Mrs. Peachey, whom he had almost forgotten.

"You will find the sun warm in the afternoon, I am afraid," she murmured, still with her manner of pleasantly humouring him which he found later to be an unconscious expression of her half maternal, wholly feminine attitude toward his sex.

"Oh, I daresay it will be all right," he responded. "I shall work so hard that I shan't have time to bother about the weather."

Leaving the window, he gazed around the little room with an impulse of curiosity. Who had lived here before him? A clerk? A travelling salesman? Perhaps one of the numerous indigent gentlewomen that formed so large and so important a part of the population of Dinwiddie? The walls were smeared with a sickly blue wash, and in several places there were the marks left from the pictures of the preceding lodger. An old mahogany bureau, black with age and ill usage, stood crosswise in the corner behind the door, and reflected in the dim mirror he saw his own face looking back at him. A film of dust lay over everything in the room, over the muddy blue of the walls, over the strip of discoloured matting on the floor, over the few fine old pieces of furniture, fallen now into abject degradation. The handsome French bed, placed conveniently between door and window, stood naked to the eyes, with its cheap husk mattress rolled half back, and its bare slats, of which the two middle ones were tied together with rope, revealing conspicuously its descent from elegance into squalor. As he saw it, the room was the epitome of tragedy, yet in the centre of it, on one of the battered and broken-legged Heppelwhite chairs, sat Mrs. Peachey, rosy, plump, and pretty, regarding him with her slightly quizzical smile. "Yes, life, of course, is sad if you stop to think about it," her smile seemed to assure him; "but the main thing, after all, is to be happy in spite of it."

"Do you wish to stay here to-night?" she asked, seeing that he had put down his bag.

"If you will let me. But I am afraid it will be inconvenient."

She shook her head. "Not if you don't mind the dust. The room has been shut up for weeks, and the dust is so dreadful in the spring. The servants have gone out," she added, "but I'll bring you some sheets for your bed, and you can fill your pitcher from the spout at the end of the hall. Only be careful not to stumble over the step there. It is hard to see when the gas is not lit."

"You won't object to my putting shelves around the walls?" he asked, while she pushed the mattress into place with the light and condescending touch of one who preserves the aristocratic manner not only in tragedy, but even in toil. It was, indeed, her peculiar distinction, he came to know afterward, that she worked as gracefully as other women played.

"Couldn't you find room enough without them?" she inquired while her gaze left the mattress and travelled dubiously to the mantelpiece. "It seems a pity for you to go to any expense about shelves, doesn't it?"

"Oh, they won't cost much. I'll do the work myself, and I'll do it in the mornings when it won't disturb anybody. I daresay I'll have to push that bed around a bit in order to make space."

Something in his vibrant voice – so full of the richness and the buoyant energy of youth – made her look at him as she might have looked at one of her children, or at that overgrown child whom she had married. And just as she had managed Tom all his life by pretending to let him have his way, so she proceeded now by instinct to manage Oliver. "You dear boy! Of course you may turn things upside down if you want to. Only wait a few days until you are settled and have seen how you like it."

Then she tripped out with her springy step, which had kept its elasticity through war and famine, while Oliver, gazing after her, wondered whether it was philosophy or merely a love of pleasure that sustained her? Was it thought or the absence of thought that produced her wonderful courage?

He heard her tread on the stairs; then the sound passed to the front hall; and a minute later there floated up the laughter with which the assembled boarders received her. Closing the door, which she had left open, he turned back to the window and stared from his hilltop down on the red roofs of Dinwiddie. White as milk, the moonlight lay on the brick wall at the foot of the garden, and down the gradual hill rows of chimneys were outlined against the faintly dappled sky in the west. In the next yard a hollow tree looked as if it were cut out of silver, and beneath its boughs, which drooped into the alley, he could see the huddled figure of an aged negress who had fallen asleep on a flagstone. So still was the night that the very smoke appeared to hang suspended above the tops of the chimneys, as though it were too heavy to rise and yet too light to float downward toward the motionless trees. Under the pale beams the town lost its look of solidity and grew spectral. Nothing seemed to hold it to the earth except the stillness which held the fallen flowers of the syringa there also. Even the church towers showed like spires of thistledown, and the winding streets, which ran beside clear walls and dark shining gardens, trailed off from the ground into the silvery air. Only the black bulk of the Treadwell factory beside the river defied the magic of the moon's rays and remained a solid reminder of the brevity of all enchantment.

Gradually, while Oliver waited for Mrs. Peachey's return, he ceased to think of the furniture in his room; he ceased to think even of the way in which he should manage to do his work, and allowed his mind to dwell, almost with a feeling of ecstasy, on the memory of Virginia. He saw the mist of little curls on her temples, her blue eyes, with their good and gentle expression, and the look of radiant happiness which played like light over her features. The beauty of the night acted as a spur to his senses. He wanted companionship. He wanted the smile and the touch of a woman. He wanted to fall in love with a girl who had blue eyes and a mouth like a flower!