Чарльз Диккенс - The Letters of Charles Dickens. Vol. 2, 1857-1870

Page 84, line 35. For "South Kensington Museum," read "the South Kensington Museum."

" 108, line 26. For "frequent contributor," read "a frequent contributor."

" 113, lines 6, 7. For "great remonstrance," read "Great Remonstrance."

" 130, line 10. For "after," read "afore."

" 160, " 32. For "a head," read "ahead."

" 247, " 12. For "Shea," read "Shoe."

" 292, " 12. For "Mabel's progress," read "Mabel's Progress."

This was a very full year in many ways. In February, Charles Dickens obtained possession of Gad's Hill, and was able to turn workmen into it. In April he stayed, with his wife and sister-in-law, for a week or two at Wate's Hotel, Gravesend, to be at hand to superintend the beginning of his alterations of the house, and from thence we give a letter to Lord Carlisle. He removed his family, for a summer residence in the house, in June; and he finished "Little Dorrit" there early in the summer. One of his first visitors at Gad's Hill was the famous writer, Hans Christian Andersen. In January "The Frozen Deep" had been played at the Tavistock House theatre with such great success, that it was necessary to repeat it several times, and the theatre was finally demolished at the end of that month. In June Charles Dickens heard, with great grief, of the death of his dear friend Douglas Jerrold; and as a testimony of admiration for his genius and affectionate regard for himself, it was decided to organise, under the management of Charles Dickens, a series of entertainments, "in memory of the late Douglas Jerrold," the fund produced by them (a considerable sum) to be presented to Mr. Jerrold's family. The amateur company, including many of Mr. Jerrold's colleagues on "Punch," gave subscription performances of "The Frozen Deep;" the Gallery of Illustration, in Regent Street, being engaged for the purpose. Charles Dickens gave two readings at St. Martin's Hall of "The Christmas Carol" (to such immense audiences and with such success, that the idea of giving public readings for his own benefit first occurred to him at this time). The professional actors, among them the famous veteran actor, Mr. T. P. Cooke, gave a performance of Mr. Jerrold's plays of "The Rent Day" and "Black-eyed Susan," in which Mr. T. P. Cooke sustained the character in which he had originally made such great success when the play was written. A lecture was given by Mr. Thackeray, and another by Mr. W. H. Russell. Finally, the Queen having expressed a desire to see the play, which had been much talked of during that season, there was another performance before her Majesty and the Prince Consort at the Gallery of Illustration in July, and at the end of that month Charles Dickens read his "Carol" in the Free Trade Hall, at Manchester. And to wind up the "Memorial Fund" entertainments, "The Frozen Deep" was played again at Manchester, also in the great Free Trade Hall, at the end of August. For the business of these entertainments he secured the assistance of Mr. Arthur Smith, of whom he writes to Mr. Forster, at this time: "I have got hold of Arthur Smith, as the best man of business I know, and go to work with him to-morrow morning." And when he began his own public readings, both in town and country, he felt himself most fortunate in having the co-operation of this invaluable man of business, and also of his zealous friendship and pleasant companionship.

In July, his second son, Walter Landor, went to India as a cadet in the "Company's service," from which he was afterwards transferred to the 42nd Royal Highlanders. His father and his elder brother went to see him off, to Southampton. From this place Charles Dickens writes to Mr. Edmund Yates, a young man in whom he had been interested from his boyhood, both for the sake of his parents and for his own sake, and for whom he had always an affectionate regard.

In September he made a short tour in the North of England, with Mr. Wilkie Collins, out of which arose the "Lazy Tour of Two Idle Apprentices," written by them jointly, and published in "Household Words." Some letters to his sister-in-law during this expedition are given here, parts of which (as is the case with many letters to his eldest daughter and his sister-in-law) have been published in Mr. Forster's book.

The letters which follow are almost all on the various subjects mentioned in our notes, and need little explanation.

His letter to Mr. Procter makes allusion to a legacy lately left to that friend.

The letters to Mr. Dilke, the original and much-respected editor of "The Athenæum," and to Mr. Forster, on the subject of the "Literary Fund," refer, as the letters indicate, to a battle which they were carrying on together with that institution.

A letter to Mr. Frank Stone is an instance of his kind, patient, and judicious criticism of a young writer, and the letter which follows it shows how thoroughly it was understood and how perfectly appreciated by the authoress of the "Notes" referred to. Another instance of the same kind criticism is given in a second letter this year to Mr. Edmund Yates.

My dear Procter,

I have to thank you for a delightful book, which has given me unusual pleasure. My delight in it has been a little dashed by certain farewell verses, but I have made up my mind (and you have no idea of the obstinacy of my character) not to believe them.

Perhaps it is not taking a liberty – perhaps it is – to congratulate you on Kenyon's remembrance. Either way I can't help doing it with all my heart, for I know no man in the world (myself excepted) to whom I would rather the money went.

My dear Tennent,

I must thank you for your earnest and affectionate letter. It has given me the greatest pleasure, mixing the play in my mind confusedly and delightfully with Pisa, the Valetta, Naples, Herculanæum – God knows what not.

As to the play itself; when it is made as good as my care can make it, I derive a strange feeling out of it, like writing a book in company; a satisfaction of a most singular kind, which has no exact parallel in my life; a something that I suppose to belong to the life of a labourer in art alone, and which has to me a conviction of its being actual truth without its pain, that I never could adequately state if I were to try never so hard.

You touch so kindly and feelingly on the pleasure such little pains give, that I feel quite sorry you have never seen this drama in progress during the last ten weeks here. Every Monday and Friday evening during that time we have been at work upon it. I assure you it has been a remarkable lesson to my young people in patience, perseverance, punctuality, and order; and, best of all, in that kind of humility which is got from the earned knowledge that whatever the right hand finds to do must be done with the heart in it, and in a desperate earnest.

When I changed my dress last night (though I did it very quickly), I was vexed to find you gone. I wanted to have secured you for our green-room supper, which was very pleasant. If by any accident you should be free next Wednesday night (our last), pray come to that green-room supper. It would give me cordial pleasure to have you there.

My dear Cerjat,