Nancy Vogel - Four and Twenty Beds

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That is, Grant decided that–I had known all along that that was how I felt about it.

CHAPTER FOUR

THERE'S A LOT of work to running a motel, and no matter how many people there are to do the work, there's never a moment when they are completely caught up. Always there are the big jobs awaiting any rare moments of leisure–digging out the insidious weeds that thrust their way through the gravel, planting flowers and improving the external appearance of the place, utilizing the extra land, and repairing the inevitable damage done by careless customers.

Mr. Featherbrain, the old man next door–whose black hair, I suspected, was dyed–finally got his motel finished to the point where it was ready to operate; and one day some men came and installed a big neon sign (Palace Motel–Vacancy) in front of his place. It was a great day for him. He came over to talk to us about it. He leaned his tall form against our office door, stroked his rosy chin, and said, "Well sir, I'm a goin to have muh 'no vacancy' up tonight afore anybody else. Yep, two hours after dark, and we'll be full."

"Good for you," I said. "With only three cabins to rent, you should be able to do it, too!"

"Durned old fellers that put up the sign," he grumbled, "they went'n knocked all muh white rocks out of line with theit truck. I shoulda busted evvy bone in their head."

A customer drove into our driveway, and the irascible old man went home. A middle-aged woman in a mouse-colored dress got out of the car, and just as she began to speak another car, a green coupe, whirled up on to the gravel. A well built, fiftyish man with his dark hat at a rakish angle stepped out of the car and said, "Do you rent any of your cabins by the week, madame? I've got some work to do in Palm Springs–I'm a contractor, don't know just how long I'll want to stay, but–" Realizing suddenly that he had interrupted the middle-aged woman, he swept off his hat and bowed before her.

"I apologize deeply, madame," he said. "It was unforgivable. Pray go ahead and do your business with this young lady, while I wait my turn."

The woman smiled timidly, first at him and then at me. She was a dainty, plump, small-boned creature with white, slightly rouged skin and tiny white hands. Her blue eyes, underlined with a criss-cross of faint wrinkles, sparkled behind rimless glasses.

"Bon jour," she said. "I'm Miss Nestleburt. I, too, was wondering if you rent cabins by the week or month. I have to live in this climate for my health for a few weeks … the doctor says I'm just on the verge of asthma, and a few months of desert air should prevent it from developing."

"We usually rent our cabins on an overnight basis," I said, "but there's no reason why we couldn't rent them by the week."

"Of course I know it will be simply terribly expensive," she said, "but I want a nice place like these you have here, and I'm willing to pay for it." She took a deep, rattling breath.

"Come on, I'll show you what we have," I said, my smile including the man with the dark hat. His eyes, I noticed, were sparkling with love of life and a private amusement.

Miss Nestleburt and the man, whose name turned out to be Hawkins, were both pleased with the newness and the cleanness of the cabins. I gave them cabins 7 and 8, and as they left the office after filling out registration cards he set his hat back on his head in order, apparently, to be able to lift it gallantly.

"May I call upon you tonight?" I heard him ask. A truck thundered past and I couldn't hear her reply, but I watched them as they walked together toward their cars. Her birdlike head was fluttering in agreement with the remarks he was making, and his steps were jaunty.

I turned my attention to the desk, to put the date and the cabin number on each of the two registration cards. About to pick up a pencil, suddenly I gasped and jumped backward. There, leering at me with strangely human eyes, was an enormous black spider, motionless on one of the registration cards.

I would have called Grant, but I knew he was behind the rear cabins, cleaning out the incinerator. I was on my own.

I picked up a newspaper that was on one edge of the desk, moving quietly and carefully, and folded it until it was narrow and stiff.

I hated to think of having squashed spider all over the top of the desk, but I hated even more to think of letting the huge, loathsome creature escape. I raised the folded newspaper, with grim slowness, and then I brought it crashing down on the registration card.

I sighed with relief. There, that would fix him! I lifted the paper, preparing to clean up the mess.

There, still watching me mockingly, sat the spider, still motionless–and completely unharmed!

About that time it began to dawn on me that this was a very strange spider, indeed. I had seen every imaginable sort of insect since we came to Banning, including black widows, but I had never in all my life seen anything resembling this.

I moved a little closer and, bending down, looked the spider over carefully. Then I laughed and picked him up in my hand. He was made of rubber. Either Miss Nestleburt or Mr. Hawkins must have left him there, since he was on top of the registration cards.

I put him in the cash drawer, where he would give Grant a shock.

I went back into our cabin and set to work on a "Vacancy" sign I was making, to hang up just outside the office door under the neon sign that said "Office."

We had been thinking of getting a neon "vacancy" sign, but we were afraid it would be too expensive. One night the "Moonrise Motel" sign had begun to flicker on and off, so we telephoned Oian Rosco, the only neon expert within fifty miles. Grant was disgusted at the idea of having to hire anyone to fix something for him, but neon signs are one thing–probably about the only thing–he doesn't know how to fix.

While Rosco, a small man with an innocent-looking round face, was fixing our sign, we asked him how much a neon "vacancy" sign would cost. He told us he'd figure it out and let us know when he brought back the parts for our broken sign.

When he returned with the parts, he not only gave us an estimate of the cost, but brought along a penciled sketch of the sign as he planned it, in its full size.

It was very attractive, and he could make it for us in a very short time, but it would cost a little more than we wanted to spend, with what neighboring motel owners called the "late summer slump" due at almost any time. We'd think it over, though, we told him.

He left the penciled sketch for us to consider, assuring us, his round eyes guileless, that he had no use for it.

We decided that, even though we didn't feel that we could afford a neon sign, we should have a "vacancy" sign of some kind to hang under the "office" sign. It would catch the eyes of the minority of people who look toward the office, instead of at the big sign in front of a motel, to determine whether or not accommodations are available.

"I'll get a board the size of the 'office' sign," Grant, the ever resourceful, said: "I'll paint it white, and you can put the letters on carefully with pencil. Then we'll paint the letters black."

"A good idea," I agreed, glancing at the paper Rosco had left, and at the beautiful, perfect lettering on it.

When Grant put the dry, white-painted board before me a few days later, I had a battle with my conscience. Should I take a ruler and painstakingly create my own letters, or should I cut out Rosco's letters and trace them onto the board?

The latter course seemed the most practical. Still, a stern inner voice told me, Rosco had put his time and work into that sample sign with the hope of selling us its counterpart in neon, not so that we might make use of his labor by tracing his letters and making a sign ourselves, thereby pushing ourselves still further out of the market for the neon sign he might have sold us.

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