Various - The Atlantic Monthly, Volume 04, No. 21, July, 1859

It was as if the elements were too gross for the constitution of man, when they were first collected from the nebulous mass,—as if they needed to go through the intermediate forms of plants and animals, passing in succession from one to another, before they could be permitted to enter into the bodies of those beings who were to be in God's likeness. But, in very truth, the elements were unaltered by their many transmigrations. It was the divine act of God which caused every plant to spring forth and gave birth to every living thing. Every seed and every egg was at the first formed by Him. No sudden effort of man's will, such as that by which Pygmalion was believed to have animated the work of his chisel, nor any industrious current of electricity, passed for uninterrupted weeks through the purest gum, and stimulated by the enthusiasm of a Cross, can transform the worm to a breathing being, or reach the human climax by slow steps, even if the first one be in the humble form of a louse. When a new plant appeared, it was the hand of God that formed the seed. When a new species of animal came upon the earth, it was the same Power that created it. But the materials were not new; "out of the dust of the earth" was man created.

Oxygen, Hydrogen, Carbon, and Nitrogen,—do not turn away from us, gentle reader, we will not be grimly scientific, but a few of the terms of science must be employed, even here,—these four elements are the chief ingredients of all vegetable and animal structures. When separated from their connections, three of them are gases; and the fourth, in union with one of the others, is also a gas. In various combinations they form literally the dust of the earth, they make rock and water, vapor and air. In the hand of the Almighty, they are so many plastic elements, that form now a plant of the lowliest condition, now a magnificent oak, now a fish, and now a man. And the germ of each organized being bequeathes to its offspring the power to reproduce its likeness,—so that each succeeding generation is a repetition of its predecessor. There is no change in plants and animals from the first; the same materials in the same proportions that were selected by the earliest trees for their composition are chosen now; and in form and function the last animal is a precise copy of the first of his race.

If we attempt to trace a particle of matter, we shall find its wanderings endless. Annihilation is a term which is not applicable to material things. Matter is never destroyed; it rarely rests. Oxygen, for instance, the most important constituent of our atmosphere, is the combining element of all things, the medium of communication between the kingdoms of Nature, the agent of the interchanges that are continually taking place among all created things. Oxygen keeps life in man, by combining with his blood at every inhalation; it is absorbed by flowers, to be employed in the perfection of the fruit; many minerals are incapable of the various uses of society, until oxygen has attacked and united with them. It gives us lime and soda, the oil of vitriol, and common salt; the mineral pigments in common use are impossible without it; and the beautiful colors of our autumn leaves are due to the combination of oxygen with their juices. It enters into all plans and operations with a helping hand; animals and plants owe their lives to it; but when the shadow of death begins to fall upon them, it is as ready to aid in their destruction. Like calumny, which blackens whatsoever is suspected, oxygen pounces upon the failing and completes their ruin. The processes of fermentation and putrefaction cannot commence in any substance, until it has first taken oxygen into combination. Thus, cans of meat, hermetically sealed, with all the air first carefully expelled, undergo no change so long as the air does not get access to them. If the minutest opening remain, the oxygen of the atmosphere combines with the contents of the can, and fermentation or putrefaction follows. Rust, which takes the keen edge from the knife, is only another name for oxydation: keep the knife bright, and no oxygen dares touch it; but the slightest blemish is made a loophole for the entrance of the ever-watchful enemy, who never again leaves it until its destruction is complete.

All the elements have a great love of society; they cannot live alone; they have their likes and their dislikes; they contract alliances which endure for a time, but are dissolved in favor of stronger attractions.

We have mentioned the names of several natural elements. Let us see what they are, and what they have to do with man and the kingdoms of Nature. Beginning with man, let us see what becomes of him in course of time, what physical metamorphoses he undergoes, to what vile but excellent uses he is put.

That which forms the bone and muscle of a man this year may be upon his own table in the shape of potatoes or peaches one summer later. When Hamlet talked of turning the clay of Alexander into the bung of a beer-barrel, he spoke the simple truth. In that great play, Shakspeare appears to have had the transformations of material things much in his mind; for we find him alluding, in several passages, to the reciprocity which subsists between the elements of animate and inanimate things, and between the different members of the same kingdom;—as when, in conversation with the king about the dead Polonius, he makes Hamlet say, "A man may fish with the worm that hath eat of a king, and eat the fish that hath fed of the worm"; or where, over the grave of Ophelia, he traces the two ancient heroes back to their mother earth, in words some of which we have quoted.

The ancient mythology, which shadowed forth some truth in all its fables, turned these facts of Nature to its purpose. The gods of Greece, when they saw fit to remove a human being from life, sometimes reproduced him in another form of beauty, without any intermediate stages of decay. Apollo seemed to have a particular fancy for planting the boys and girls whom he had loved where he might enjoy their fragrant society. Thus, a boy named Cyparissus, who had the misfortune to kill a favorite deer, was so unwilling to be consoled, that he besought Apollo to make his mourning perpetual; and the kind god changed him into a cypress, which is still a funereal tree. The modest virgin Daphne, who succeeded in escaping the violence of his passion, was transformed into a laurel, which is ever green and pure. And the sweet youth Hyacinthus, beloved of Apollo, being accidentally killed by a quoit which the god of day was throwing, that divinity, in his grief, caused those sweet flowers which bear his name to spring from his blood, where it fell upon the ground. It is only in the annihilation of the intervals of time between different forms of existence that these old metamorphoses, which Ovid relates, are fabulous. If our readers will bear us company a few steps, through ways which shall have diversions enough to forbid weariness, we will endeavor to satisfy them that these apparent fables are very near to every-day truths. We must begin with some plain statements.

The air which we expel from the lungs at every breath has a large proportion of carbonic acid. Let a man be shut up in an air-tight room for a day, and he will have changed nearly all the oxygen in it into this carbonic acid, and rendered it unfit for animal life. Dogs, cats, and birds would die in it. But, poisonous as it is to man and other animals, it is a feast to plants. They want it all day and every day; not in the night,—at that time they have a taste for oxygen. This effete air, which men and animals exhale, so charged with carbonic acid, the plants drink in through every pore. They take it from the mouth of man, appropriate it to their daily uses, and in time render it back to him mingled with other ingredients in wholesome fruit. Carbonic acid is death when it combines with the blood,—as it does when we inhale it; but not so when it enters the stomach in small quantities. One inspiration of it is enough to make us dizzy,—as when we enter an old well or stoop over a charcoal fire; but a draught of water fully charged with it is exhilarating and refreshing, as we know by repeated experiences at marble fountains that meet us on so many city-corners.