Various - The Atlantic Monthly, Volume 04, No. 21, July, 1859

And while I am in a humor for quotation, I must give you this muscular verse from Henry More's "Platonic Song of the Soul":—

How we shiver in the icy, midnight moonbeams of the recluse of Christ's College! How preciously golden seem the links of our universal brotherhood, when the Fates are waving their dark wings around us, and menace us with their sundering! I am not sure, my worthy Wagonero, that, rather than see my own little cord finally cut, I would not consent to be laughed at by a dozen generations, in the hope that it might happen to me that the thirteenth, out of sheer weariness at the prolonged lampooning, might grow pitiful at my purgatorial experiences, and so betake itself to nursing and fondling me into repute, furnishing me with half-a-dozen of those lynx-eyed commentators who would discern innumerable beauties and veracities through the calfskin walls of my beatified bantling. They might find, at last, that I had "the gold-strung harp of Apollo" and played a "most excellent diapason, celestial music of the spheres,"—hearing the harmony

when "Venus the treble ran sweet division upon Saturn the bass."

Write for posterity! Pray, whom should we write for, in this age which makes its own epic upon sounding anvils, and whose lyric is yelled from the locomotive running a muck through forest and field and beside the waters no longer still? Write poetry now, when noise has become normal, and we are like the Egyptians, who never heard the roaring of the fall of Nilus, because the racket was so familiar to them! The age "capers in its own fee simple" and cries with the Host in "The Merry Devil of Edmonton," "Away with punctilios and orthography!" Write poetry now! Thank you, my ancient friend! "My fiddlestick cannot play without rosin." To be sure, I am, like most minstrels, ready for an offer; and should any lover of melody propose

I should not be slow in responding, "Cargo! hai Trincalo!" and in presently getting into the best possible trim and tune. But the poet may say now, with the Butler in the old play, "Mine are precious cabinets, and must have precious jewels put into them; and I know you to be merchants of stock-fish, dry meat, and not men for my market; then vanish!"

Barrow said that "poetry was a kind of ingenious nonsense"; and I think, that, deceived by the glut, the present time is very much of Barrow's mind. But, courage, my music-making masters! Your warbling, if it be of genuine quality, shall echo upon the other side of the hill which hides the unborn years. Only be sure, the song be pure; and you may "give the fico to your adversaries." You may live in the hearts and upon the lips of men and women yet unborn; and should the worst come, you may figure in "The Bibliographer's Manual," with a star of honor against your name, to indicate that you are exceedingly scarce and proportionally valuable; rival collectors, with fury in their faces, will run you up to a fabulous price at the auction, and you will at last be put into free quarters for life in some shady alcove upon some lofty shelf, with unlimited rations of dust, as you glide into a vermiculate dotage. Why should you be faint-hearted, when the men of the stalls ask such a breath-stretching price for the productions of William Whitehead, Esq., who used to celebrate the birthdays of old George the Third after this fashion:—

Ben Jonson called Inigo Jones Sir Lanthorn Leatherhead, but St. Paul's still stands; and how many flies are there in the sparkling amber of "The Dunciad"! Have the critics, poor birdling, torn your wings, and mocked at your recording? I know, as Howell wrote to "Father Ben," that "the fangs of a bear and the tusks of a wild-boar don't bite worse and make deeper gashes than a goose-quill sometimes; no, not the badger himself, who is said to be so tenacious of his bite that he will not give over his hold until he feels his teeth meet and bone crack." I know all about it, my minstrel boy! for have I not, in my day, given and taken, and shouldered back again when I have been shouldered? Pray, do not finger your eyes any longer! Screw your lyre up to concert pitch, and go on with your stridulous performances! Neither you nor I know how bad may be the taste of our grandchildren, or how high you may stand when they have

If you cannot be a poet, be a poetaster; and if you cannot be that, be a poetess, or "she-poet," as Johnson, in his big dictionary, defines the word. So "gently take all that ungently comes," and hammer away as sedulously as old Boileau. Somebody will, undoubtedly, in the next age, relish your rinsings. A poet, you know, is a prophet. Console yourself by vaticinating in the bower of your bed-chamber, as you count the feet upon your fingers, your own immortality. If 'tis a delusion, 'tis a cheap one, to which even a poet can afford to treat himself. Play with and humor your life, till you fall asleep, and then the care will be over! Meanwhile, you must be more stupid than I think, if you cannot find somebody to give you your fodder of flattery. You need not blush, for I know that you like it, and you need not be ashamed of liking it. We all do,—we are all women in that regard; although the honestest man to confess it that I ever heard of was Sir Godfrey Kneller, who said to Pope, when he was painting his picture, "I can't do so well as I should do, unless you flatter me a little; pray, flatter me, Mr. Pope! You know I love to be flattered."

You see, my excellent Robert, that, by some hocus-pocus which I do not exactly comprehend, myself, I have introduced a wheel within a wheel, a letter within a letter, a play within a play, after the manner of the old dramatists; and I beg you to make a note that the foregoing admonitions and most sapient counsels are not addressed to you. You are something of a philosopher; but you are not, like Mr. Stephen Duck, "something of a philosopher and something of a poet"; for I do not believe, O fortunate youth, that you ever invoked the ten ladies minus one in your life; and I shrewdly suspect, that, so far from knowing the difference between a male and a female rhyme, you are unfamiliar with the close family connection between "trees" and "breeze," or between "love" and "dove." My episodical remarks are for the benefit of young Dolce Pianissimo, who has taken, I am sorry to say, to gin, shirt-collars prodigious, and the minor magazines, and whose friends are standing aghast and despairing at his lunacy. But, after all, 'tis my best irony quite thrown away; for the foolish boy will believe me quite in earnest, and will still be making love to that jade, Mistress Fame, although he knows well enough how many she has jilted. But as he grows in stature, he may grow in sense. If you see him very savagely cut up in "The Revolver," you will recognize the kindly hands which held the bistoury, scalpel, and tenaculum, and the gentleman who wept while he wounded.