Various - The Atlantic Monthly, Volume 12, No. 69, July, 1863

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The Atlantic Monthly, Volume 12, No. 69, July, 1863: краткое содержание, описание и аннотация

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But these Saratoga girls did neither one thing nor another. They dressed themselves in their best, making a point of it, and failed. They assembled themselves together of set purpose to be lively, and they were infectiously dismal. They did not dress well: one looked rustic; another was dowdyish; a third was over-fine; a fourth was insignificant. Their bearing was not good, in the main. They danced, and whispered, and laughed, and looked like milkmaids. They had no style, no figure. Their shoulders were high, and their chests were flat, and they were one-sided, and they stooped,—all of which would have been of no account, if they had only been unconsciously enjoying themselves; but they consciously were not. It is possible that they thought they were happy, but I knew better. You are never happy, unless you are master of the situation; and they were not. They endeavored to appear at ease,—a thing which people who are at ease never do. They looked as if they had all their lives been meaning to go to Saratoga, and now they had got there and were determined not to betray any unwontedness. It was not the timid, eager, delighted, fascinating, graceful awkwardness of a new young girl; it was not the careless, hearty, whole-souled enjoyment of an experienced girl; it was not the natural, indifferent, imperial queening it of an acknowledged monarch: but something that caught hold of the hem of the garment of them all. It was they with the sheen damped off. So it was not imposing. I could pick you up a dozen girls straight along, right out of the pantries and the butteries, right up from the washing-tubs and the sewing-machines, who should be abundantly able to "hoe their row" with them anywhere. In short, I was extremely disappointed. I expected to see the high fashion, the very birth and breeding, the cream cheese of the country, and it was skim-milk. If that is birth, one can do quite as well without being born at all. Occasionally you would see a girl with gentle blood in her veins, whether it were butcher-blood or banker-blood, but she only made the prevailing plebsiness more striking. Now I maintain that a woman ought to be very handsome or very clever, or else she ought to go to work and do something. Beauty is of itself a divine gift and adequate. "Beauty is its own excuse for being" anywhere. It ought not to be fenced in or monopolized, any more than a statue or a mountain. It ought to be free and common, a benediction to all weary wayfarers. It can never be profaned; for it veils itself from the unappreciative eye, and shines only upon its worshippers. So a clever woman, whether she be a painter or a teacher or a dress-maker,—if she really has an object in life, a career, she is safe. She is a power. She commands a realm. She owns a world. She is bringing things to bear. Let her alone. But it is a very dangerous and a very melancholy thing for common women to be "lying on their oars" long at a time. Some of these were, I suppose, what Winthrop calls "business-women, fighting their way out of vulgarity into style." The process is rather uninteresting, but the result may be glorious. Yet a good many of them were good, honest, kind, common girls, only demoralized by long lying around in a waiting posture. It had taken the fire and sparkle out of them. They were not in a healthy state. They were degraded, contracted, flaccid. They did not hold themselves high. They knew that in a marketable point of view there was a frightful glut of women. The usually small ratio of men was unusually diminished by the absence of those who had gone to the war, and of those who, as was currently reported, were ashamed that they had not gone. The few available men had it all their own way; the women were on the look-out for them, instead of being themselves looked out for. They talked about "gentlemen," and being "companionable to gen -tlemen," and "who was fascinating to gen -tlemen," till the "grand old name" became a nuisance. There was an under-current of unsated coquetry. I don't suppose they were any sillier than the rest of us; but when our silliness is mixed in with housekeeping and sewing and teaching and returning visits, it passes off harmless. When it is stripped of all these modifiers, however, and goes off exposed to Saratoga, and melts in with a hundred other sillinesses, it makes a great show.

No, I don't like Saratoga. I don't think it is wholesome. No place can be healthy that keeps up such an unmitigated dressing.

"Where do you walk?" I asked an artless little lady.

"Oh, almost always on the long piazza. It is so clean there, and we don't like to soil our dresses."

Now I ask if girls could ever get into that state in the natural course of things! It is the result of vile habits. They cease to care for things which they ought to like to do, and they devote themselves to what ought to be only an incident. People dress in their best without break. They go to the springs before breakfast in shining raiment, and they go into the parlor after supper in shining raiment, and it is shine, shine, shine, all the way between, and a different shine each time. You may well suppose that I was like an owl among birds of Paradise, for what little finery I had was in my (eminently) travelling-trunk: yet, though it was but a dory, compared with the Noah's arks that drove up every day, I felt, that, if I could only once get inside of it, I could make things fly to some purpose. Like poor Rabette, I would show the city that the country too could wear clothes! I never walked down Broadway without seeing a dozen white trunks, and every white trunk that I saw I was fully convinced was mine, if I could only get at it. By-and-by mine came, and I blossomed. I arrayed myself for morning, noon, and night, and everything else that came up, and was, as the poet says,—

"Prodigious in change,
And endless in range,"—

for I would have scorned not to be as good as the best. The result was, that in three days I touched bottom. But then we went away, and my reputation was saved. I don't believe anybody ever did a larger business on a smaller capital; but I put a bold face on it. I cherish the hope that nobody suspected I could not go on in that ruinous way all summer,—I, who in three days had mustered into service every dress and sash and ribbon and rag that I had had in three years or expected to have in three more. But I never will, if I can help it, hold my head down where other people are holding their heads up.

I would not be understood as decrying or depreciating dress. It is a duty as well as a delight. Mrs. Madison is reported to have said that she would never forgive a young lady who did not dress to please, or one who seemed pleased with her dress. And not only young ladies, but old ladies, and old gentlemen, and everybody, ought to make their dress a concord and not a discord. But Saratoga is pitched on a perpetual falsetto, and stuns you. One becomes sated with an interminable pièce de résistance of full dress. At the sea-side you bathe; at the mountains you put on stout boots and coarse frocks and go a-fishing; but Saratoga never "lets up,"—if I may be pardoned the phrase. Consequently you see much of crinoline and little of character. You have to get at the human nature just as Thoreau used to get at bird-nature and fish-nature and turtle-nature, by sitting perfectly still in one place and waiting patiently till it comes out. You see more of the reality of people in a single day's tramp than in twenty days of guarded monotone. Now I cannot conceive of any reason why people should go to Saratoga, except to see people. True, as a general thing, they are the last objects you desire to see, when you are summering. But if one has been cooped up in the house or blocked up in the country during the nine months of our Northern winter, he may have a mighty hunger and thirst, when he is thawed out, to see human faces and hear human voices; but even then Saratoga is not the place to go to, on account of this very artificialness. By artificial I do not mean deceitful. I saw nobody but nice people there, smooth, kind, and polite. By artificial I mean wrought up. You don't get at the heart of things. Artificialness spreads and spans all with a crystal barrier,—invisible, but palpable. Nothing was left to grow and go at its own sweet will. The very springs were paved and pavilioned. For green fields and welling fountains and a possibility of brooks, which one expects from the name, you found a Greek temple, and a pleasure-ground, graded and graced and pathed like a cemetery, wherein nymphs trod daintily in elaborate morning-costume. Everything took pattern and was elaborate. Nothing was left to the imagination, the taste, the curiosity. A bland, smooth, smiling surface baffled and blinded you, and threatened profanity. Now profanity is wicked and vulgar; but if you listen to the reeds next summer, I am not sure that you will not hear them whispering, "Thunder!"

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