Various - Lippincott's Magazine of Popular Literature and Science, Volume 12, No. 31, October, 1873

Behold me, then, with five hours around my neck, like so many millstones, in Strasburg, on the abjured Rhine! Had I not vowed never to visit that bewitched current again? Was it not by Rhine-bank that I learned to quote the minnesingers and to unctuate my hair? From her owl-tower did not old Frau Himmelauen use to observe me, my cane, and my curls, and my gloves? Did not her gossips compare me to Wilhelm Meister? And so, when he thought he was ripe, the innocent Paul Flemming must needs proceed to pour his curls, his songs and his love into the lap of Mary Ashburton; and the discreet siren responded, "You had better go back to Heidelberg and grow: you are not the Magician."

Yet before that little disaster of my calf period I sighed for the Rhine: I used its wines more freely than was perhaps good for me, and when the smoke-colored goblet was empty would declare that if I were a German I should be proud of the grape-wreathed river too. At Bingen I once sat up to behold the bold outline of the banks crested with ruins, which in the morning proved to be a slated roof and chimneys. And when at Heidelberg I saw the Neckar open upon the broad Rhine plain like the mouth of a trumpet, I felt inspired, and built every evening on my table a perfect cathedral of slim, spire-shaped bottles—sunny pinnacles of Johannisberger.

And now, decoyed to the Rhine by a puerile conspiracy, how could I best get the small change for my five hours?

Should I sulk like a bear in the parlor of the Maison Rouge until the departure of the Paris train, or should I explore the city? Some wave from my fond, foolish past flowed over me and filled me with desire. I felt that I loved the Rhine and the Rhine cities once more. And where could I better retie myself to those old pilgrim habits than in this citadel of heroism, a place sanctified by recent woes, a city proved by its endurance through a siege which even that of Paris hardly surpassed? One draught, then, from the epic Rhine! To-morrow, at Marly, I could laugh over it all with Hohenfels.

The Münster was before me—the highest tower in Europe, if we except the hideous cast-iron abortion at Rouen. I recollected that in my younger days I had been defrauded of my fair share of tower-climbing. Hohenfels had a saying that most travelers are a sort of children, who need to touch all they see, and who will climb to every broken tooth of a castle they find on their way, getting a tiresome ascent and hot sunshine for their pains. "I trust we are wiser," he would observe, so unanswerably that I passed with him up the Rhine quite, as I may express it, on the ground floor.

I marched to the cathedral, determined to ascend, and when I saw the look of it changed my mind.

The sacristan, in fact, advised me not to go up after he had taken my fee and obtained a view of my proportions over the tube of his key, which he pretended to whistle into. We sat down together as I recovered my breath, after which I wandered through the nave with my guide, admiring the statue of the original architect, who stands looking at the interior—a kind of Wren "circumspecting" his own monument. At high noon the twelve apostles come out from the famous horologe and take up their march, and chanticleer, on one of the summits of the clock-case, opens his brazen throat and crows loud enough to fill the farthest recesses of the church with his harsh alarum.

A portly citizen was talking to the sacristan. "I hear many objections to that bird, sir," he remarked to me, "from fastidious tourists: one thinks that a peacock, spreading its jewels by mechanism, would have a richer effect. Another says that a swan, perpetually wrestling with its dying song, would be more poetical. Others, in the light of late events, would prefer a phoenix."

The dress of the stout citizen announced a sedentary man rather than a cosmopolitan. He had a shirt-front much hardened with starch; a white waistcoat, like an alabaster carving, which pushed his shirt away up round his ears; and a superb bluebottle-colored coat, with metal buttons. It was the costume of a stay-at-home, and I learned afterward that he was a local professor of geography and political science—the first by day, the last at night only in beer-gardens and places of resort.

"Nay," I said, "the barnyard bird is of all others the fittest for a timepiece: he chants the hours for the whole country-side, and an old master of English song has called him Nature's 'crested clock.'"

"With all deference," said the bourgeois, "I would still have a substitute provided for yonder cock. I would set up the Strasburg goose. Is he not our emblem, and is not our commerce swollen by the inflation of the foie gras ? In one compartment I would show him fed with sulphur-water to increase his biliary secretion; another might represent his cage, so narrow that the pampered creature cannot even turn round on his stomach for exercise; another division might be anatomical, and present the martyr opening his breast, like some tortured saint, to display his liver, enlarged to the weight of three pounds; while the apex might be occupied by the glorified, gander in person, extending his neck and commenting on the sins of the Strasburg pastry-cooks with a cutting and sardonic hiss."

You have not forgotten, reader, the legend of the old clock?

Many years ago there lived here an aged and experienced mechanic. Buried in his arts, he forgot the ways of the world, and promised his daughter to his gallant young apprentice, instead of to the hideous old magistrate who approached the maiden with offers of gold and dignity. One day the youth and damsel found the unworldly artist weeping for joy before his completed clock, the wonder of the earth. Everybody came to see it, and the corporation bought it for the cathedral. The city of Basel bespoke another just like it. This order aroused the jealousy of the authorities, who tried to make the mechanic promise that he would never repeat his masterpiece for another town. "Heaven gave me not my talents to feed your vain ambition," said the man of craft: "the men of Basel were quicker to recognize my skill than you were. I will make no such promise." Upon that the rejected suitor, who was among the magistrates, persuaded his colleagues to put out the artist's eyes. The old man heard his fate with lofty fortitude, and only asked that he might suffer the sentence in the presence of his darling work, to which he wished to give a few final strokes. His request was granted, and he gazed long at the splendid clock, setting its wonders in motion to count off the last remaining moments of his sight. "Come, laggard," said the persecuting magistrate, who had brought a crowd of spectators, "you are taxing the patience of this kind audience." "But one touch remains," said the old mechanic, "to complete my work;" and he busied himself a moment among the wheels. While he suffered the agonies of his torture a fearful whir was heard from the clock: the weights tumbled crashing to the floor as his eyes fell from their sockets. He had removed the master-spring, and his revenge was complete. The lovers devoted their lives to the comfort of the blind clockmaker, and the wicked magistrate was hooted from society. The clock remained a ruin until 1842, when parts of it were used in the new one constructed by Schwilgué.

I found my bluebottle professor to be a Swiss, thirty years resident in the city, very accessible and talkative, and, like every citizen by adoption, more patriotic than even the native-born.

"It was a cheerless time for me, sir," said he as we contemplated together the façade of the church, "when I saw that spire printed in black against the flames of the town."