Matthew Arnold - Celtic Literature

But the Celtic genius was just then preparing, in Llandudno, to have its hour of revival. Workmen were busy in putting up a large tent-like wooden building, which attracted the eye of every newcomer, and which my little boys believed (their wish, no doubt, being father to their belief,) to be a circus. It turned out, however, to be no circus for Castor and Pollux, but a temple for Apollo and the Muses. It was the place where the Eisteddfod, or Bardic Congress of Wales, was about to be held; a meeting which has for its object (I quote the words of its promoters) ‘the diffusion of useful knowledge, the eliciting of native talent, and the cherishing of love of home and honourable fame by the cultivation of poetry, music, and art.’ My little boys were disappointed; but I, whose circus days are over, I, who have a professional interest in poetry, and who, also, hating all one-sidedness and oppression, wish nothing better than that the Celtic genius should be able to show itself to the world and to make its voice heard, was delighted. I took my ticket, and waited impatiently for the day of opening. The day came, an unfortunate one; storms of wind, clouds of dust, an angry, dirty sea. The Saxons who arrived by the Liverpool steamers looked miserable; even the Welsh who arrived by land,—whether they were discomposed by the bad morning, or by the monstrous and crushing tax which the London and North-Western Railway Company levies on all whom it transports across those four miles of marshy peninsula between Conway and Llandudno,—did not look happy. First we went to the Gorsedd, or preliminary congress for conferring the degree of bard. The Gorsedd was held in the open air, at the windy corner of a street, and the morning was not favourable to open-air solemnities. The Welsh, too, share, it seems to me, with their Saxon invaders, an inaptitude for show and spectacle. Show and spectacle are better managed by the Latin race and those whom it has moulded; the Welsh, like us, are a little awkward and resourceless in the organisation of a festival. The presiding genius of the mystic circle, in our hideous nineteenth-century costume, relieved only by a green scarf, the wind drowning his voice and the dust powdering his whiskers, looked thoroughly wretched; so did the aspirants for bardic honours; and I believe, after about an hour of it, we all of us, as we stood shivering round the sacred stones, began half to wish for the Druid’s sacrificial knife to end our sufferings. But the Druid’s knife is gone from his hands; so we sought the shelter of the Eisteddfod building.

The sight inside was not lively. The president and his supporters mustered strong on the platform. On the floor the one or two front benches were pretty well filled, but their occupants were for the most part Saxons, who came there from curiosity, not from enthusiasm; and all the middle and back benches, where should have been the true enthusiasts,—the Welsh people, were nearly empty. The president, I am sure, showed a national spirit which was admirable. He addressed us Saxons in our own language, and called us ‘the English branch of the descendants of the ancient Britons.’ We received the compliment with the impassive dulness which is the characteristic of our nature; and the lively Celtic nature, which should have made up for the dulness of ours, was absent. A lady who sat by me, and who was the wife, I found, of a distinguished bard on the platform, told me, with emotion in her look and voice, how dear were these solemnities to the heart of her people, how deep was the interest which is aroused by them. I believe her, but still the whole performance, on that particular morning, was incurably lifeless. The recitation of the prize compositions began: pieces of verse and prose in the Welsh language, an essay on punctuality being, if I remember right, one of them; a poem on the march of Havelock, another. This went on for some time. Then Dr. Vaughan,—the well-known Nonconformist minister, a Welshman, and a good patriot,—addressed us in English. His speech was a powerful one, and he succeeded, I confess, in sending a faint thrill through our front benches; but it was the old familiar thrill which we have all of us felt a thousand times in Saxon chapels and meeting-halls, and had nothing bardic about it. I stepped out, and in the street I came across an acquaintance fresh from London and the parliamentary session. In a moment the spell of the Celtic genius was forgotten, the Philistinism of our Saxon nature made itself felt; and my friend and I walked up and down by the roaring waves, talking not of ovates and bards, and triads and englyns, but of the sewage question, and the glories of our local self-government, and the mysterious perfections of the Metropolitan Board of Works.

I believe it is admitted, even by the admirers of Eisteddfods in general, that this particular Eisteddfod was not a success. Llandudno, it is said, was not the right place for it. Held in Conway Castle, as a few years ago it was, and its spectators,—an enthusiastic multitude,—filling the grand old ruin, I can imagine it a most impressive and interesting sight, even to a stranger labouring under the terrible disadvantage of being ignorant of the Welsh language. But even seen as I saw it at Llandudno, it had the power to set one thinking. An Eisteddfod is, no doubt, a kind of Olympic meeting; and that the common people of Wales should care for such a thing, shows something Greek in them, something spiritual, something humane, something (I am afraid one must add) which in the English common people is not to be found. This line of reflection has been followed by the accomplished Bishop of St. David’s, and by the Saturday Review , it is just, it is fruitful, and those who pursued it merit our best thanks. But, from peculiar circumstances, the Llandudno meeting was, as I have said, such as not at all to suggest ideas of Olympia, and of a multitude touched by the divine flame, and hanging on the lips of Pindar. It rather suggested the triumph of the prosaic, practical Saxon, and the approaching extinction of an enthusiasm which he derides as factitious, a literature which he disdains as trash, a language which he detests as a nuisance.

I must say I quite share the opinion of my brother Saxons as to the practical inconvenience of perpetuating the speaking of Welsh. It may cause a moment’s distress to one’s imagination when one hears that the last Cornish peasant who spoke the old tongue of Cornwall is dead; but, no doubt, Cornwall is the better for adopting English, for becoming more thoroughly one with the rest of the country. The fusion of all the inhabitants of these islands into one homogeneous, English-speaking whole, the breaking down of barriers between us, the swallowing up of separate provincial nationalities, is a consummation to which the natural course of things irresistibly tends; it is a necessity of what is called modern civilisation, and modern civilisation is a real, legitimate force; the change must come, and its accomplishment is a mere affair of time. The sooner the Welsh language disappears as an instrument of the practical, political, social life of Wales, the better; the better for England, the better for Wales itself. Traders and tourists do excellent service by pushing the English wedge farther and farther into the heart of the principality; Ministers of Education, by hammering it harder and harder into the elementary schools. Nor, perhaps, can one have much sympathy with the literary cultivation of Welsh as an instrument of living literature; and in this respect Eisteddfods encourage, I think, a fantastic and mischief-working delusion.

For all serious purposes in modern literature (and trifling purposes in it who would care to encourage?) the language of a Welshman is and must be English; if an Eisteddfod author has anything to say about punctuality or about the march of Havelock, he had much better say it in English; or rather, perhaps, what he has to say on these subjects may as well be said in Welsh, but the moment he has anything of real importance to say, anything the world will the least care to hear, he must speak English. Dilettanteism might possibly do much harm here, might mislead and waste and bring to nought a genuine talent. For all modern purposes, I repeat, let us all as soon as possible be one people; let the Welshman speak English, and, if he is an author, let him write English.