Hélène Guerber - Stories of the Wagner Opera

This minstrel's sentiments are loudly echoed by all the knights present, who, having been trained in the school of chivalry, have an exalted conception of love, hold all women in high honour, and deeply resent the attempt just made to degrade them. Tannhäuser, whose once pure and noble nature has been perverted and degraded by the year spent with Venus, cannot longer understand the exalted pleasures of true love, even though he has just won the heart of a peerless and spotless maiden, and when Wolfram, hoping to allay the strife, again resumes his former strain, he impatiently interrupts him.

Recklessly now, and entirely wrapped up in the recollection of the unholy pleasures of the past, Tannhäuser exalts the goddess of Love, with whom he has revelled in bliss, and boldly reveals the fact that he has been tarrying with her in her subterranean grove.

This confession fills the hearts of all present with nameless terror, for the priests have taught them that the heathen deities are demons disguised. The minstrels one and all fall upon Tannhäuser, who is saved from immediate death at their hands only by the prompt intervention of Elizabeth.

Broken-hearted, for now she knows the utter unworthiness of the man to whom she has given her heart, yet loving him still and hoping he may in time win forgiveness for his sin, she pleads so eloquently for him that all fall back. The Landgrave, addressing him, then solemnly bids him repent, and join the pilgrims on their way to Rome, where perchance the Pope may grant him absolution for his sin:—

Urged to depart by the Landgrave, knights, nobles, and even by the pale and sorrowful Elizabeth, Tannhäuser eagerly acquiesces, for now that the sudden spell of sensuous love has departed, he ardently longs to free his soul from the burden of sin. The pilgrims' chant again falls upon his ear, and, sobered and repentant, Tannhäuser joins them to journey on foot to Rome, kneeling at every shrine by the way, and devoutly praying for the forgiveness and ultimate absolution of his sins.

When the curtain rises upon the third and last act of this opera, one whole year has slowly passed, during which no tidings of the pilgrims have been received. It is now time for their return, and they are daily expected by their friends, who have ardently been praying that they may come home, shrived and happy, to spend the remainder of their lives at home in peace. No one has prayed as fervently as the fair Elizabeth, who, forgetting her wonted splendour, has daily wended her way down the hillside, to kneel on the rude stones in front of the Virgin's wayside shrine. There she has daily prayed for Tannhäuser's happy return, and there she kneels absorbed in prayer when Wolfram comes down the path as usual. He has not forgotten his love for her, which is as deep and self-sacrificing as ever, so he too prays that her lover may soon return from Rome, entirely absolved, and wipe away her constant tears. Elizabeth is suddenly roused from her devotions by the distant chant of the returning pilgrims. They sing of sins forgiven, and of the peace won by their long, painful journey to Rome. Singing thus they slowly file past Wolfram and Elizabeth, who eagerly scan every face in search of one whom they cannot discover.

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