Ernest Hemingway - Complete Short Stories Of Ernest Hemingway, The

“Another,” said the old man.

“No. Finished.” The waiter wiped the edge of the table with a towel and shook his head.

The old man stood up, slowly counted the saucers, took a leather coin purse from his pocket and paid for the drinks, leaving half a peseta tip.

The waiter watched him go down the street, a very old man walking unsteadily but with dignity.

“Why didn’t you let him stay and drink?” the unhurried waiter asked. They were putting up the shutters. “It is not half-past two.”

“I want to go home to bed.”

“What is an hour?”

“More to me than to him.”

“An hour is the same.”

“You talk like an old man yourself. He can buy a bottle and drink at home.”

“It’s not the same.”

“No, it is not,” agreed the waiter with a wife. He did not wish to be unjust. He was only in a hurry.

“And you? You have no fear of going home before your usual hour?”

“Are you trying to insult me?”

“No, hombre , only to make a joke.”

“No,” the waiter who was in a hurry said, rising from pulling down the metal shutters. “I have confidence. I am all confidence.”

“You have youth, confidence, and a job,” the older waiter said. “You have everything.”

“And what do you lack?”

“Everything but work.”

“You have everything I have.”

“No. I have never had confidence and I am not young.”

“Come on. Stop talking nonsense and lock up.”

“I am of those who like to stay late at the café,” the older waiter said. “With all those who do not want to go to bed. With all those who need a light for the night.”

“I want to go home and into bed.”

“We are of two different kinds,” the older waiter said. He was now dressed to go home. “It is not only a question of youth and confidence although those things are very beautiful. Each night I am reluctant to close up because there may be some one who needs the café.”

“ Hombre , there are bodegas open all night long.”

“You do not understand. This is a clean and pleasant café. It is well lighted. The light is very good and also, now, there are shadows of the leaves.”

“Good night,” said the younger waiter.

“Good night,” the other said. Turning off the electric light he continued the conversation with himself. It is the light of course but it is necessary that the place be clean and pleasant. You do not want music. Certainly you do not want music. Nor can you stand before a bar with dignity although that is all that is provided for these hours. What did he fear? It was not fear or dread. It was a nothing that he knew too well. It was all a nothing and a man was nothing too. It was only that and light was all it needed and a certain cleanness and order. Some lived in it and never felt it but he knew it all was nada y pues nada y nada y pues nada . Our nada who art in nada, nada be thy name thy kingdom nada thy will be nada in nada as it is in nada . Give us this nada our daily nada and nada us our nada as we nada our nadas and nada us not into nada but deliver us from nada; pues nada . Hail nothing full of nothing, nothing is with thee. He smiled and stood before a bar with a shining steam pressure coffee machine.

“What’s yours?” asked the barman.

“ Nada .”

“ Otro loco m ás ,” said the barman and turned away.

“A little cup,” said the waiter.

The barman poured it for him.

“The light is very bright and pleasant but the bar is unpolished,” the waiter said.

The barman looked at him but did not answer. It was too late at night for conversation.

“You want another copita ?” the barman asked.

“No, thank you,” said the waiter and went out. He disliked bars and bodegas . A clean, well-lighted café was a very different thing. Now, without thinking further, he would go home to his room. He would lie in the bed and finally, with daylight, he would go to sleep. After all, he said to himself, it is probably only insomnia. Many must have it.

The Light of the World

WHEN HE SAW US COME IN THE DOOR the bartender looked up and then reached over and put the glass covers on the two free-lunch bowls.

“Give me a beer,” I said. He drew it, cut the top off with the spatula and then held the glass in his hand. I put the nickel on the wood and he slid the beer toward me.

“What’s yours?” he said to Tom.

“Beer.”

He drew that beer and cut it off and when he saw the money he pushed the beer across to Tom.

“What’s the matter?” Tom asked.

The bartender didn’t answer him. He just looked over our heads and said, “What’s yours?” to a man who’d come in.

“Rye,” the man said. The bartender put out the bottle and glass and a glass of water.

Tom reached over and took the glass off the free-lunch bowl. It was a bowl of pickled pig’s feet and there was a wooden thing that worked like a scissors, with two wooden forks at the end to pick them up with.

“No,” said the bartender and put the glass cover back on the bowl. Tom held the wooden scissors fork in his hand. “Put it back,” said the bartender.

“You know where,” said Tom.

The bartender reached a hand forward under the bar, watching us both. I put fifty cents on the wood and he straightened up.

“What was yours?” he said.

“Beer,” I said, and before he drew the beer he uncovered both the bowls.

“Your goddam pig’s feet stink,” Tom said, and spit what he had in his mouth on the floor. The bartender didn’t say anything. The man who had drunk the rye paid and went out without looking back.

“You stink yourself,” the bartender said. “All you punks stink.”

“He says we’re punks,” Tommy said to me.

“Listen,” I said. “Let’s get out.”

“You punks clear the hell out of here,” the bartender said.

“I said we were going out,” I said. “It wasn’t your idea.”

“We’ll be back,” Tommy said.

“No you won’t,” the bartender told him.

“Tell him how wrong he is,” Tom turned to me.

“Come on,” I said.

Outside it was good and dark.

“What the hell kind of place is this?” Tommy said.

“I don’t know,” I said. “Let’s go down to the station.”

We’d come in that town at one end and we were going out the other. It smelled of hides and tan bark and the big piles of sawdust. It was getting dark as we came in, and now that it was dark it was cold and the puddles of water in the road were freezing at the edges.

Down at the station there were five whores waiting for the train to come in, and six white men and four Indians. It was crowded and hot from the stove and full of stale smoke. As we came in nobody was talking and the ticket window was down.

“Shut the door, can’t you?” somebody said.

I looked to see who said it. It was one of the white men. He wore slagged trousers and lumbermen’s rubbers and a mackinaw shirt like the others, but he had no cap and his face was white and his hands were white and thin.

“Aren’t you going to shut it?”

“Sure,” I said, and shut it.

“Thank you,” he said. One of the other men snickered.

“Ever interfere with a cook?” he said to me.

“No.”

“You can interfere with this one,” he looked at the cook. “He likes it.”

The cook looked away from him holding his lips tight together.

“He puts lemon juice on his hands,” the man said. “He wouldn’t get them in dishwater for anything. Look how white they are.”