William Trevor: After Rain

Once, not long ago - or maybe it was a year or so ago, hard to be accurate now - she said on an impulse that she had been wrong to resist the adoption of an unwanted child, wrong to say a child for them must only be his and hers. In response he shook his head. Adoption would not be easy now, he said, in their middle age, and that was that. Some other day, on the television, there was a woman who took an infant from a pram, and she felt sympathy for that woman then, though no one else did. Whenever she saw a baby in a pram she thought of the woman taking it, and at other times she thought of that girl who walked away with the baby she was meant to be looking after, and the woman who took one from a hospital ward. When she told him she felt sympathy he put his arms around her and wiped away her tears. This afternoon, the fear lasts for half an hour; then, at a quarter to six, it is so much nonsense. Never in a thousand years would he develop that hardness of heart.

‘I have to go now,’ he says in his friend’s flat. They cease their observation of the passers-by below. Again they embrace and then he goes. The touch of her lips goes with him, her regretful smile, her fragile fingers where for so long that afternoon they rested in his hand. He drives through traffic, perfectly knowing the way, not having to think. And in the flat she plays her music, and finds in it a consolation. It is his due to have his other woman: on the hotel terrace she decided that. In the hour she sat there with the letter not yet destroyed everything fell into place. She knew she must never say she had discovered what she had. She knew she didn’t want him ever not to be there.

Lovers quarrel. Love affairs end. What life is it for Elspeth, scraps from a marriage he won’t let go of? Why shouldn’t she tire of waiting? ‘No,’ he says when Elspeth cheats, allowing her pregnancy to occur in order to force his hand. Still he says he can’t, and all there is is a mess where once there was romance. He turns to his discarded wife and there between them is his confession. ‘She travels, you see. She has to travel, she won’t give up her music.’ How quickly should there be forgiveness? Should there be some pretence of anger? Should there be tears? His friend set a trap for him, his voice goes on, a tender trap, as in the song: that is where his weakness has landed him. His voice apologizes and asks for understanding and for mercy. His other woman has played her part although she never knew it; without his other woman there could not be a happy ending.

She sets the table for their dinner, the tweed mats, the cutlery, the pepper-mill, the German mustard, glasses for wine because he deserves a little wine after his day, Châteauneuf-du-Pape. The bottle’s on the table, opened earlier because she knows to do that from experience: it’s difficult later on to open wine with all the rush of cooking. And the wine should breathe: years ago he taught her that.

In the kitchen she begins to cut the fat off the pork chops she bought that morning, a long time ago it seems now. Marietta’s recipe she’s intending to do: pork chops in tomato sauce, onions and peppers. On the mottled working surface the blue toothbrush beaker is almost full again, reached out for often. The meat slides about although, in actual fact, it doesn’t move. It is necessary to be careful with the knife; her little finger is wrapped in a band-aid from a week ago. On the radio Humphrey Lyttelton asks his teams to announce the Late Arrivals at the Undertakers Ball.

‘Of course,’ Mrs. Lethwes says aloud. ‘Of course, we’ll offer it a home.’

At five to seven, acting instinctively as she does every evening at about this time, Mrs. Lethwes washes the blue plastic beaker and replaces it in the bathroom. Twice, before she hears the car wheels on the tarmac, she raises the gin bottle directly to her lips, then pours herself, conventionally, a cocktail of Gordon’s and Martini. She knows it will happen tonight. She knows he will enter with a worry in his features and stand by the door, not coming forward for a moment, that then he’ll pour himself a drink, too, and sit down slowly and begin to tell her. ‘I’m sorry,’ is probably how he’ll put it, and she’ll stop him, telling him she can guess. And after he has spoken for twenty minutes, covering all the ground that has been lost, she’ll say, of course: ‘The child must come here.’

The noisy up-and-over garage door falls into place. In a hurry Mrs. Lethwes raises the green bottle to her lips because suddenly she feels the need of it. She does so again before there is the darkness that sometimes comes, arriving suddenly today just as she is whispering to herself that tomorrow, all day long, she’ll not take anything at all and thinking also that, for tonight, the open wine will be enough, and if it isn’t there’s always more that can be broached. For, after all, tonight is a time for celebration. A schoolgirl on a summer’s day, just like the one that has passed, occupies the upper room where only visitors sleep. She comes downstairs and chatters on, about her friends, her teachers, a worry she has, not understanding a poem, and together at the kitchen table they read it through. Oh, I do love you, Mrs. Lethwes thinks, while there is imagery and words rhyme.

On the mottled worktop in the kitchen the meat is where Mrs. Lethwes left it, the fat partly cut away, the knife still separating it from one of the chops. The potatoes she scraped earlier in the day are in a saucepan of cold water, the peas she shelled in another. Often, in the evenings, it is like that in the kitchen when her husband returns to their house. He is gentle when he carries her, as he always is.

Marrying Damian

‘I’m going to marry Damian,’ Joanna said.

Claire wasn’t paying attention. She smiled and nodded, intent on unravelling a ball of garden twine that had become tangled. I said:

‘Well, that’s nice, of course. But Damian’s married already.’

It didn’t matter, Joanna said, and repeated her resolve. Joanna was five at the time.

Twenty-two years later Damian stood on the wild grass, among the cornflowers and the echiums and the lavatera, under the cricket-bat willow that had been a two-foot shrub when Joanna made her announcement. He was wearing blue sunglasses and a powder-blue suit that looked new. In contrast, his tie - its maroon and gold stripes seeming to indicate membership of some club to which almost certainly Damian did not belong - was lank, and the collar of his shirt was frayed. We hadn’t been expecting him; we hadn’t heard from Damian for years. Since the spring of 1985, Claire later calculated, the year of his second divorce, from an American widow in upstate New York. After that there was an Englishwoman who lived in Venice, about whom we were never told very much. When Joanna had declared her childhood intention Damian had been still married to the only one of his three wives Claire and I actually knew: a slender, pretty girl, the daughter of the Bishop of Killaloe. We had known her since the wedding; I’d been Damian’s best man.

I was actually asleep when Damian walked into our garden all those years later, and I think Claire was too. We were lolling in deck-chairs, Claire’s spaniels stretched out under hers, avoiding the afternoon sun.

‘Yes,’ Damian said. ‘It’s Damian.’

We were surprised, but perhaps not much: turning up out of the blue had always been his habit. He never telephoned first or intimated his intention by letter or on a postcard. Over the years he had arrived in all seasons and at varying times of day, once rousing us at two o’clock in the morning. Invariably he brought with him details of a personal disaster which had left him with the need to borrow a little money. These loans were not paid back; even as he accepted them he made no pretence that they would be.