William Trevor: Collected Stories

‘You have had no better life than I,’ said Mr Mileson. ‘You are no more happy now. You have failed, and it is cruel to laugh at you.’

They talked and the hatred grew between them.

‘In my childhood young men flocked about me, at dances in Shropshire that my father gave to celebrate my beauty. Had the fashion been duels, duels there would have been. Men killed or maimed for life, carrying a lock of my hair on their breast.’

‘You are a creature now, with your face and your fingernails. Mutton dressed as lamb, Mrs da Tanka!’

Beyond the curtained windows the light of dawn broke into the night. A glimpse of it crept into the room, noticed and welcomed by its occupants.

‘You should write your memoirs, Mr Mileson. To have seen the changes in your time and never to know a thing about them! You are like an occasional table. Or a coat-rack in the hall of a boarding-house. Who shall mourn at your grave, Mr Mileson?’

He felt her eyes upon him; and the mockery of the words sank into his heart with intended precision. He turned to her and touched her, his hands groping about her shoulders. He had meant to grasp her neck, to feel the muscles struggle beneath his fingers, to terrify the life out of her. But she, thinking the gesture was the beginning of an embrace, pushed him away, swearing at him and laughing. Surprised by the misunderstanding, he left her alone.

The train was slow. The stations crawled by, similar and ugly. She fixed her glance on him, her eyes sharpened; cold and powerful.

She had won the battle, though technically the victory was his. Long before the time arranged for their breakfast Mr Mileson had leaped from bed. He dressed and breakfasted alone in the dining-room. Shortly afterwards, after sending to the bedroom for his suitcase, he left the hotel, informing the receptionist that the lady would pay the bill. Which in time she had done, and afterwards pursued him to the train, where now, to disconcert him, she sat in the facing seat of an empty compartment.

‘Well,’ said Mrs da Tanka, ‘you have shot your bolt. You have taken the only miserable action you could. You have put the frightful woman in her place. Have we a right,’ she added, ‘to expect anything better of the English lower classes?’

Mr Mileson had foolishly left his weekly magazines and the daily paper at the hotel. He was obliged to sit bare-faced before her, pretending to observe the drifting landscape. In spite of everything, guilt gnawed him a bit. When he was back in his room he would borrow the vacuum cleaner and give it a good going over: the exercise would calm him. A glass of beer in the pub before lunch; lunch in the ABC; perhaps an afternoon cinema. It was Saturday today: this, more or less, was how he usually spent Saturday. Probably from lack of sleep he would doze off in the cinema. People would nudge him to draw attention to his snoring; that had happened before, and was not pleasant.

‘To give you birth,’ she said, ‘your mother had long hours of pain. Have you thought of that, Mr Mileson? Have you thoughts of that poor woman crying out, clenching her hands and twisting the sheets? Was it worth it, Mr Mileson? You tell me now, was it worth it?’

He could leave the compartment and sit with other people. But that would be too great a satisfaction for Mrs da Tanka. She would laugh loudly at his going, might even pursue him to mock in public.

‘What you say about me, Mrs da Tanka, can equally be said of you.’

‘Are we two peas in a pod? It’s an explosive pod in that case.’

‘I did not imply that. I would not wish to find myself sharing a pod with you.’

‘Yet you shared a bed. And were not man enough to stick to your word. You are a worthless coward, Mr Mileson. I expect you know it.’

‘I know myself, which is more than can be said in your case. Do you not think occasionally to see yourself as others see you? An ageing woman, faded and ugly, dubious in morals and personal habits. What misery you must have caused those husbands!’

‘They married me, and got good value. You know that, yet dare not admit it.’

‘I will scarcely lose sleep worrying the matter out.’

It was a cold morning, sunny with a clear sky. Passengers stepping from the train at the intermediate stations muffled up against the temperature, finding it too much after the warm fug within. Women with baskets. Youths. Men with children, with dogs collected from the guard’s van.

Da Tanka, she had heard, was living with another woman. Yet he refused to admit being the guilty party. It would not do for someone like da Tanka to be a public adulterer. So he had said. Pompously. Crossly. Horace Spire, to give him his due, hadn’t given a damn one way or the other.

‘When you die, Mr Mileson, have you a preference for the flowers on your coffin? It is a question I ask because I might send you off a wreath. That lonely wreath. From ugly, frightful Mrs da Tanka.’

‘What?’ said Mr Mileson, and she repeated the question.

‘Oh well – cow-parsley, I suppose.’ He said it, taken off his guard by the image she created; because it was an image he often saw and thought about. Hearse and coffin and he within. It would not be like that probably. Anticipation was not in Mr Mileson’s life. Remembering, looking back, considering events and emotions that had been at the time mundane perhaps – this kind of thing was more to his liking. For by hindsight there was pleasure in the stream of time. He could not establish his funeral in his mind; he tried often but ended up always with a funeral he had known: a repetition of his parents’ passing and the accompanying convention.

‘Cow-parsley?’ said Mrs da Tanka. Why did the man say cow-parsley? Why not roses or lilies or something in a pot? There had been cow-parsley in Shropshire; cow-parsley on the verges of dusty lanes; cow-parsley in hot fields buzzing with bees; great white swards rolling down to the river. She had sat among it on a picnic with dolls. She had lain on it, laughing at the beautiful anaemic blue of the sky. She had walked through it by night, loving it.

‘Why did you say cow-parsley?’

He did not know, except that once on a rare family outing to the country he had seen it and remembered it. Yet in his garden he had grown delphiniums and wallflowers and asters and sweet-peas.

She could smell it again: a smell that was almost nothing: fields and the heat of the sun on her face, laziness and summer. There was a red door somewhere, faded and blistered, and she sat against it, crouched on a warm step, a child dressed in the fashion of the time.

‘Why did you say cow-parsley?’

He remembered, that day, asking the name of the white powdery growth. He had picked some and carried it home; and had often since thought of it, though he had not come across a field of cow-parsley for years.

She tried to speak again, but after the night there were no words she could find that would fit. The silence stuck between them, and Mr Mileson knew by instinct all that it contained. She saw an image of herself and him, strolling together from the hotel, in this same sunshine, at this very moment, lingering on the pavement to decide their direction and agreeing to walk to the promenade. She mouthed and grimaced and the sweat broke on her body, and she looked at him once and saw words die on his lips, lost in his suspicion of her.

The train stopped for the last time. Doors banged; the throng of people passed them by on the platform outside. They collected their belongings and left the train together. A porter, interested in her legs, watched them walk down the platform. They passed through the barrier and parted, moving in their particular directions. She to her new flat where milk and mail, she hoped, awaited her. He to his room; to the two unwashed plates on the draining board and the forks with egg on the prongs; and the little fee propped up on the mantelpiece, a pink cheque for five pounds, peeping out from behind a china cat.