William Trevor - Selected Stories
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- Название:Selected Stories
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- Издательство:Penguin
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- Год:2011
- ISBN:9780143115960
- Рейтинг книги:5 / 5. Голосов: 1
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Selected Stories: краткое содержание, описание и аннотация
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‘Are you American?’ he asked, carefully speaking English, translating the question from the French.
‘Yes, American.’
It was awkward, the man being there, even though he was asleep. His mood might not be pleasant if he woke up, yet it did not seem to matter; it was only awkward. Guy said:
‘I have only been in the restaurant of the hotel before. Not in a room.’
‘You are not staying here?’
‘No, no.’
She went to the bed and pushed the man on to his side, exerting herself to do so. The snoring ceased.
‘I come every year to the island,’ Guy said. ‘The Buissonnets have a farm.’
‘The people you were with?’
‘Yes.’
‘I have never been here before.’
‘People find it tranquil.’
‘Yes, it’s that.’
When she sat down again the gaze they held one another in was as bold as for each of them it had been downstairs, as open and as confident. Guy hadn’t realized then that this confidence had been there, and the openness. He wondered if – until she smiled – he had assumed that in the unobtrusive lighting of the restaurant she had failed to notice his obsessive interest. He couldn’t remember what he had assumed and it didn’t seem to be important. He wondered what she was thinking.
‘We came by chance here,’ she said. ‘To the island.’
‘Yes.’
‘Please don’t get up and go.’
He shook his head. She smiled and he smiled back. He would show her everything on the island, and when the moment for it came he would tell her that he loved her. He would tell her that never before had he loved a girl like this, had only been attracted in the more ordinary way. That could be because he was what Michelle had called a visitor, always a little on his own. It could have to do with the circumstances of his birth, so little being said, nothing whatsoever really. Who can tell? Guy wondered. Who can tell what makes a person what he is?
‘May I ask your name?’
‘It’s Guy.’
She didn’t give hers. Guy was nice, she said, especially as it was said in France. It suited him, the French way of saying it.
‘Some more?’ she offered.
He had hardly drunk a drop. He shook his head. She reached out to close the door of the minibar, shutting away the light that through its array of bottles had been falling on the thin calves of her legs. They would have a marriage like the Buissonnets’; in the farmhouse it would be like that. Slowly she reached down and took her shoes off.
The jaw of the man on the bed had fallen open. An arm hung down, fingers trailing the carpet quite close to where they were.
‘Guy,’ she whispered, her white dress in a bundle on the floor, one of her shoes on its side. ‘My dear,’ she whispered.
There was an urgency in her resistance to his drawing back from the act that was pressed upon him. There were no whispers now, and no caresses. Instinctively Guy knew there was no pleasure for her. She laughed when it was over, a soundless laugh, different from her husband’s yet it echoed that.
The room was stifling, the air gone stale, infected by the rank breath of the man who slept. Naked, she stood above him, looking down at his slumbering features, at the stubble that was beginning on his chin and neck, a dribble running from a corner of his mouth. She touched his shoulder, and for an instant his eyes opened. She said nothing, and he slept again. For all this – for what had happened, for what was happening still – she had returned a stranger’s gaze. Destruction was present in the room; Guy was aware of that.
She turned away, from the bed where her husband lay, from Guy. The drink she’d poured herself had not been touched. Guy watched her cross the room and close a door behind her. He heard the running of her bath.
He dressed, separating his clothes from hers. He might go to her, now that these minutes had elapsed. Tomorrow, he might say. In the Café Vert at half past ten, ten if it suited better. He would show her the island, he would show her the farm; she would tell him about herself. It could not be forgotten, what had happened, there could be no pretence; yet when they talked, when their conversation began, what had happened would not belong in it.
He laid her dress, with her underclothes, on a chair, arranged her shoes one beside the other on the floor. He drank the cognac, leaving none of it, wanting it because she’d poured it for him. Then he tapped on the door she’d closed.
Her voice came at once, harsh and loud, as it had not been before.
‘I’m having a bath. You’ll have to wait.’
She spoke in English. Guy understood the first sentence, but had to think about the second, and in thinking realized that it was the sleeping man who was addressed, that he himself should already have gone away. About to reply, to correct this misunderstanding, he hesitated.
‘Look about you while you’re waiting.’ Mockery was added to the other qualities that had come into her voice. ‘Why not do that?’
She would have liked it better had he woken up properly when she touched his shoulder; it was second best, her clothes thrown about, the two glasses where they’d been left. It was second best but even so it was enough. And the room’s impressions of what had taken place still hung about it.
Guy’s footsteps were soundless on the carpet as he moved away. He glanced as he passed the bed at the man in the bright blue suit, some spillage of food whitening a lapel, cheeks and forehead florid. He wondered what his name was, hers too, before he left the room.
The night air was cold, already the air of autumn. Slowly progressing on the dusty track, Guy wondered what the Buissonnets had said to one another. They might mention the incident in the morning, or might have decided that they should not.
The sea lapped softly over the pebbles of the bay where he swam. He sat down among the rocks, wondering if he would ever tell anyone, and if he did how exactly he would put it. It was how they lived, he might say; it was how they belonged to one another, not that he understood. In the cold bright moonlight he felt his solitude a comfort.
The Virgin’s Gift
A gentle autumn had slipped away, sunny to the end, the last of the butterflies still there in December, dozing in the crevices of the rocks. The lingering petals of the rock flowers had months before faded and fallen from their stems; the heather was in bloom, the yellow of the gorse had quietened. It was a miracle, Michael often thought, a summer marvel that the butterflies came to his place at all.
Feeling that he had walked all Ireland – an expression used often in the very distant past that was his time – Michael had arrived at Ireland’s most ragged edge. He knew well that there was land to the north, and to the west and east, which he had not travelled, that no man could walk all Ireland’s riverbanks and tracks, its peaks and plains, through every spinney, along every cliff, through every gorge. But the exaggeration of the expression offered something in the way of sense; his journey, for him, had been what the words implied. Such entanglements of truth and falsity - and of good and evil, God and the devil – Michael dwelt upon in the hermitage he had created, while the seasons changed and the days of his life were one by one extinguished.
The seasons announced themselves, but for the days he kept a calendar - as by rule they had at the abbey – his existence shaped by feast days and fasting days, by days of penance and of rest. Among the rocks of his island, time was neither enemy nor friend, its passing no more than an element that belonged with the sea and the shores, the garden of vegetables he had cultivated, the habitation he had made, the gulls, the solitude. He sensed the character of each one of the seven days and kept alive the different feeling that each inspired, knowing when he awoke which one it was.
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