William Trevor - The Hill Bachelors

Dessie was on the estate also. He had married into it, getting a house when the second child was born. Dessie had had big ideas at the Brothers’; with a drink or two in him he had them still. There was his talk of ‘the lads’ and of ‘connections’ with the extreme republican movement, his promotion of himself as a fixer. By trade he was a plasterer.

‘Give that man a phone as soon as you’re there,’ he instructed Liam Pat, and Liam Pat wrote the number down. He had always admired Dessie, the easy way he had with Rosita Drudy before he married her, the way he seemed to know how a hurling match would go even though he had never handled a hurley stick himself, the way he could talk through the cigarette he was smoking, his voice becoming so low you couldn’t hear what he was saying, his eyes narrowed to lend weight to the confidential nature of what he passed on. A few people said Dessie Coglan was all mouth, but Liam Pat disagreed.

It’s not bad at all , Liam Pat wrote on a postcard when he’d been in London a week. There’s a lad from Lismore and another from Westmeath . Under a foreman called Huxter he was operating a cement-mixer and filling in foundations. He got lonely was what he didn’t add to his message. The wage is twice what O’Dwyer gave , he squeezed in instead at the bottom of the card, which had a picture of a guardsman in a sentry-box on it.

Mrs Brogan put it on the mantelpiece. She felt lonely herself, as she’d known she would, the baby of the family gone. Brogan went out to the garden, trying not to think of the kind of place London was. Liam Pat was headstrong, like his mother, Mr Brogan considered. Good-natured but headstrong, the same red hair on the pair of them till her own had gone grey on her. He had asked Father Mooney to have a word with Liam Pat, but the damn bit of good it had done.

After that, every four weeks or so, Liam Pat telephoned on a Saturday evening. They always hoped they’d hear that he was about to return, but all he talked about was a job finished or a new job begun, how he waited every morning to be picked up by the van, to be driven halfway across London from the area where he had a room. The man who was known to Dessie Coglan had got him the work, as Dessie Coglan said he would. ‘A Mr Huxter’s on the lookout for young fellows,’ the man, called Feeny, had said when Liam Pat phoned him as soon as he arrived in London. In his Saturday conversations — on each occasion with his mother first and then, more briefly, with his father — Liam Pat didn’t reveal that when he’d asked Huxter about learning a trade the foreman had said take what was on offer or leave it, a general labourer was what was needed. Liam Pat didn’t report, either, that from the first morning in the gang Huxter had taken against him, without a reason that Liam Pat could see. It was Huxter’s way to pick on someone, they said in the gang.

They didn’t wonder why, nor did Liam Pat. They didn’t know that a victim was a necessary compensation for the shortages in Huxter’s life — his wife’s regular refusal to grant him what he considered to be his bedroom rights, the failure of a horse or greyhound; compensation, too, for surveyors’ sarcasm and the pernicketiness of fancy-booted architects. A big, black-moustached man, Huxter worked as hard as any of the men under him, stripping himself to his vest, a brass buckle on the belt that held his trousers up. ‘What kind of a name’s that?’ he said when Liam Pat told him, and called him Mick instead. There was something about Liam Pat’s freckled features that grated on Huxter, and although he was well used to Irish accents he convinced himself that he couldn’t understand this one. ‘Oh, very Irish,’ Huxter would say even when Liam Pat did something sensible, such as putting planks down in the mud to wheel the barrows on.

When Liam Pat had been working with Huxter for six weeks the man called Feeny got in touch again, on the phone one Sunday. ‘How’re you doing?’ Feeny enquired. ‘Are you settled, boy?’

Liam Pat said he was, and a few days later, when he was with the two other Irish boys from the gang, standing up at the bar in a public house called the Spurs and Horse, Feeny arrived in person. ‘How’re you doing?’ Feeny said, introducing himself. He was a wizened-featured man with black hair in a widow’s peak. He had a clerical look about him but he wasn’t a priest, as he soon made clear. He worked in a glass factory, he said.

He shook hands with all three of them, with Rafferty and Noonan as warmly as with Liam Pat. He bought them drinks, refusing to let them pay for his, saying he couldn’t allow young fellows. A bit of companionship was all he was after, he said. ‘Doesn’t it keep the poor exile going?’

There was general agreement with this sentiment. There were some who came over, Feeny said, who stayed no longer than a few days. ‘Missing the mam,’ he said, his thin lips drawn briefly back to allow a laugh that Rafferty remarked afterwards reminded him of the bark of a dog. ‘A young fellow one time didn’t step out of the train,’ Feeny said.

After that, Feeny often looked in at the Spurs and Horse. In subsequent conversations, asking questions and showing an interest, he learnt that Huxter was picking on Liam Pat. He didn’t know Huxter personally, he said, but both Rafferty and Noonan assured him that Liam Pat had cause for more complaint than he admitted to, that when Huxter got going he was no bloody joke. Feeny sympathized, tightening his mouth in a way he had, wagging his head in disgust. It was perhaps because of what he heard, Rafferty and Noonan deduced, that Feeny made a particular friend of Liam Pat, more than he did of either of them, which was fair enough in the circumstances.

Feeny took Liam Pat to greyhound tracks; he found him a better place to live; he lent him money when Liam Pat was short once, and didn’t press for repayment. As further weeks went by, everything would have been all right as far as Liam Pat was concerned if it hadn’t been for Huxter. ‘Ah, no, I’m grand,’ he continued to protest when he made his Saturday telephone call home, still not mentioning the difficulty he was experiencing with the foreman. But it had several times crossed his mind that one Monday morning he wouldn’t be there, waiting for the van to pick him up, that he’d had enough.

‘What would you do though, Liam Pat?’ Feeny asked in Bob’s Dining Rooms, where at weekends he and Liam Pat often met for a meal.

‘Go home.’

Feeny nodded; then he sighed and after a pause said it could come to that. He’d seen it before, a bullying foreman with a down on a young fellow he’d specially pick out.

‘It’s got so’s I hate him.’

Again Feeny allowed a silence to develop. Then he said:

‘They look down on us.’

‘How d’you mean?’

‘Any man with an Irish accent. The way things are.’

‘You mean bombs and stuff?’

‘I mean, you’re breathing their air and they’d charge you for it. The first time I run into you, Liam Pat, weren’t your friends saying they wouldn’t serve you in another bar you went into?’

‘The Hop Poles, that is. They won’t serve you in your working clothes.’

Feeny leaned forward, over a plate of liver and potatoes. He lowered his voice to a whisper. ‘They wash the ware twice after us. Plates, cups, a glass you’d take a drink out of. I was in a launderette one time and I offered a woman the machine after I’d done with it. “No, thanks,” she said soon’s I opened my mouth.’

Liam Pat had never had such an experience, but people weren’t friendly. It was all right in the gang; it was all right when he went out with Rafferty and Noonan, or with Feeny. But people didn’t smile, they didn’t nod or say something when they saw you coming. The first woman he rented a room from was suspicious, always in the hall when he left the house, as if she thought he might be doing a flit with her belongings. In the place Feeny had found for him a man who didn’t live there, whose name he didn’t know, came round every Sunday morning and you paid him and he wrote out a slip. He never said anything, and Liam Pat used to wonder if he had some difficulty with speech. Although there was other people’s food in the kitchen, and although there were footsteps on the stairs and sometimes overhead, in the weeks Liam Pat had lived there he never saw any of the other tenants, or heard voices. The curtains of one of the downstairs rooms were always drawn over, which you could see from the outside and which added to the dead feeling of the house.