William Trevor - Two Lives
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- Название:Two Lives
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- Издательство:Penguin Publishing
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- Год:0101
- ISBN:нет данных
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Two Lives: краткое содержание, описание и аннотация
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‘I know what you mean,’ he acknowledged Mr Mulholland’s revelations concerning the necessity in any business for clearly printed up-market stationery. In a moment he’d buy a round himself, and then the grey-haired man would buy a round, and that would be that. Naturally you’d have a drink when you were on a holiday, naturally you wouldn’t behave the way you would if you were still at home. Sixty-six pounds it would cost at the Strand.
Elmer turned to the bar to order the drinks. He remembered going by the Fahys’ back-yard one time when the big double doors were open and seeing Mrs Fahy’s clothes hanging on the line with her husband’s. He’d stopped to look at them, fourteen or fifteen he’d been. Afterwards he’d thought about them, Mrs Fahy folding them after she’d taken them off, salmon-coloured some of the garments were. Remembering now, a jitter of excitement disturbed Elmer’s stomach, like a breeze passing through it. He turned to glance down at the calves of Mary Louise’s legs, but they were difficult to discern in the gloom. Sometimes he would glance out of the accounting-office window and see one of the counters spread over with suspender-belts and roll-ons, and some woman making up her mind, fingering the material or the elastic.
‘You did right well with this one,’ the bald man murmured out of the side of his mouth when Elmer gave him his drink. ‘A lovely girl, Mr Quarry.’
Elmer didn’t respond. He felt embarrassed by what had been said, although he wasn’t sure why. Mr Mulholland raised his glass and proposed a toast to the happy couple.
‘Was I out of turn?’ The bald man’s surreptitious murmur continued. ‘I think I forgot myself there.’
Elmer realized a compliment was intended. He denied that offence had been given with a dismissive shake of his head.
‘ What’s the news, what’s the news, O my bold chevalier? ’ sang the boys at the corner table. ‘ With your long-barrelled gun of the sea …’
While listening to details of the book-keeping conventions at Traynor’s, it had occurred to Mary Louise that her husband might leave all the drink-buying to the men. Mean as an old crab, James had said he was. But if he had erred in that way, it would more likely have been because he didn’t know about correct behaviour in a public house since she had never, herself, detected signs of meanness in him. And anyway there he was, handing out glasses just like the others had.
‘Thanks, Elmer.’ She smiled at him when he gave her hers.
He wondered what she was wearing under the two-piece. For all he knew, it was stuff she’d bought from Rose or Matilda in the shop. It was his sisters who said you must call it a two-piece these days, not a costume any more, which was what their mother had called it. The first day he served behind the counter a woman had come in and asked to see stockings, thirty denier. She’d run her hand down into one, and ever since he had enjoyed watching a woman doing that.
‘I wouldn’t like to offend your lord and master,’ the bald man confided to Mary Louise. Bewildered, she frowned.
‘I said to him you were a lovely girl. A bridegroom could take a remark the like of that the wrong way.’
Mary Louise laughed, and soon afterwards they all left the bar. Mr Mulholland and the grey-haired man went in one direction; Elmer, Mary Louise and the bald man returned to the Strand Hotel. The landlady had removed the headscarf and the curlers from her hair, which now – henna-shaded – displayed evidence of her earlier attentions. The bald man shook hands with Elmer and Mary Louise in the hall. He took cocoa at night, he confided, pursuing the landlady to the inner depths of the hotel.
When he’d stepped out into the fresh air Elmer had been aware of a sensation of floating in his head. The houses across the street, one pink, the other blue, were vivid in the gathering gloom. The pavement kept slanting away from him as he walked on it, first one way, then the other. In the Strand Hotel he held the banister-rail firmly as he climbed the stairs.
Mary Louise went in search of the bathroom and lavatory. She, too, was experiencing a degree of disturbance, a general muzziness she did not find unpleasant. When she returned to the bedroom she found her husband sitting on the edge of the bed with his jacket off and his tie loosened. His eyes kept closing.
Mary Louise put her nightdress over her petticoat and then slipped off the petticoat and the rest of her underclothes, and her stockings. She didn’t like undressing even when it was only Letty in the room, unless the light was out or Letty averted her eyes. Letty was quite good about things like that. They both agreed without ever having talked about it.
Elmer tried to watch, but his efforts at concentration caused a visual confusion he had not experienced before. A second image of his bride floated out of the first, precisely the same outline, hands and head, the white nightdress picked up from the bed, the body bent, then turned away from him while some sort of groping took place, stockings in her hands. He wanted to tell her she was great, but when he tried to his voice wouldn’t work properly. In the hall, when the man had begun about his cocoa, he’d attempted to compliment the landlady on her jam, but the same thing had occurred. He’d tried to say he liked thick jam, but he couldn’t manage to get the words right.
‘Will I help you?’ she was saying, and he screwed his eyes up to see her properly. ‘Will I put the light out?’ she said, and a moment later she did so. He leaned back, turning himself round, finding a pillow for his head. At the Tate School the housekeeper could be seen putting on her vest, her reflection in the glass of the window that swung outwards. He shouldn’t be falling asleep, Elmer said to himself, but nevertheless did so.
5
‘Your Ovaltine, dear.’
Miss Foye places a tray containing a mug on the bedside table. The night-time tray is always the same one – made of tin, round and with a lip, blue flowers on a green ground. She asked about the flowers once and Miss Foye said she thought they were hydrangeas, a nice bunch of hydrangeas.
‘Be a good girl now, don’t let it get cold.’
‘What’s it all about, Miss Foye?’
In the dormitory the other women are obediently sipping their Ovaltine. Miss Foye always waits until all of them have finished, then collects the mugs on the tray and turns the light out. There are seven women in the dormitory: ‘Miss Foye’s best girls’ she calls them because they are able to sleep together without disturbing one another. Each night the last one to receive her Ovaltine receives the tray as well. Fairness is important in the house.
‘You know, dear, what it’s all about. I saw you listening to him.’
‘I didn’t understand.’
‘Drink up, love. Please now. Miss Foye is tired.’
‘I don’t want to leave the house.’
‘It’s not for us to say a thing like that. They know better.’
‘Who knows?’
‘The medicals, dear.’
‘They don’t know better where you’d want to be.’
‘Drink your drink, dear. Please now.’
Miss Foye moves away. She collects the empty mugs from the other bedside tables, one between each bed. She bids the women good-night, and each replies. She calls them Miss Foye’s best girls.
‘I remember the day I came to the house,’ the woman who is giving her trouble tonight remarks. ‘A Thursday afternoon.’
‘Good girl now. Finish up. Of course you do.’
‘ “You’ll be happier here, ” you said.’
‘You would say that in those days. Don’t cry, dear. Miss Foye is tired.’
But the woman does cry. She finishes her drink and hands back the mug, and when Miss Foye has turned the light out she sobs beneath the bedclothes so that the others cannot hear her.
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