Shirley Murphy: Murphy_Shirley_Rousseau_Cat_Coming_Home_BookFi

Getting rid of Maudie’s body would take time. It might be easier just to leave her tied up somewhere and give herself the chance to get away, change her looks again so she could travel unnoticed. Maybe she’d dye her hair red this time, straighten it to a sleek bob. Her distinctive bone structure was a hindrance. Even her long, pale hands were too easily recognizable—a dealer’s hands, swift and clever. But ruined now, her hands bleeding and ugly from the cuts and bruises. She winced, looking at her pretty hands so cut up; she’d always taken care of her hands, babied them, had regular manicures, carefully selected polish. Hands were important, men watched your hands at the card table, trying to catch you up or thinking how those silky hands would feel on their bodies.

It would take the abrasions a long time to heal, the ugly, broken nails a long time to grow out and be perfect again. There was blood on her face, too, she could feel it pulling as the wound began to dry. That frightened her. She didn’t want a scar marring her face, her smooth white skin; she didn’t want to come out of this ugly, she depended on her looks.

Well, the damned car was a loss, that was sure. It was while she was climbing out that she’d cut her hands so badly. And all the while, the driver of the other car wailing and carrying on, loud enough to be heard blocks away. He’d been drunk, she could smell the liquor, the whole thing was his fault. There’d been no witness to report the crash, but she supposed by now someone had come along the road and called the cops and the place would be crawling with them. Maybe they wouldn’t find the kid, though, the way he was hidden.

Him whining and crawling into the bushes, that had bought her some time. She’d dragged him a long way but at last had left him, making her way back to Arlie’s place. She knew that was foolish, but cops or not, she had to have a car. Why were the cops there? Had they caught Arlie, arrested him? She’d fled the house the minute she spotted a second cop car coming up the street, had gotten out of there fast, but she knew they had Arlie, he couldn’t have gotten away. Were they now watching for her? Or for Kent? They wouldn’t be looking for Jared, she thought, smiling. He’d been safe with Maudie, pretending to have just awakened. Though he’d planned to leave Maudie’s before she found the kid gone. He didn’t want to be pressed into searching for him, didn’t want any part of that.

After the wreck, she’d wanted to clean up at Arlie’s and change her clothes. She’d already checked out of the motel, of course, but could check into another, the town was crawling with motels. But going in looking the way she did, bloody and her clothes torn and without luggage, and in the middle of the night, even the dumbest desk clerk would call the cops.

When she’d gotten back to Arlie’s place, staying in the shadows, the cop cars were gone. Easing around a corner, she’d stood in the blackness across the street beside a sheltered porch, watching and fingering the keys in her pocket, keys to the house and to his car. She’d stood there a long time, but saw no dark uniform standing in the bushes or in a doorway, even as far as several blocks away. When she felt sure the cops had given up and moved on, she’d slipped into the house, easing quietly through the dark rooms, calling out softly to Arlie so if he was there, maybe sitting in the dark, she wouldn’t surprise him. The house seemed strange, didn’t seem right. He hadn’t lived there long, but had taken great care with the placement of every piece of furniture, he was so damned picky. A living room chair was out of place so she nearly fell over it, a window shade crooked, a closet door had been left open. Prowling with her gun drawn, she’d found Arlie’s flashlight in the kitchen drawer and had gone through the place again shielding the light. Several pieces of furniture had been moved, papers on the desk were in disarray, not the way he kept them. The cops had been there, all right. Or someone had. Quickly she’d retrieved her bag, didn’t look to see if someone had rummaged through her clothes but had headed for the garage.

She could have gone back for the Cadillac, which Arlie had left parked four blocks from Maudie’s, but by now the cops had probably found it. Sliding into the leased Jaguar, she was glad now that he was such a damned high roller he had to have a second car. She’d started the Jag, liking its faint but deep-throated rumble. The garage door made hardly any sound. She’d backed out, closed it with the remote, and driven sedately away—thinking Arlie wasn’t such a high roller now, with his ass cooling in the local tank. As for her, her next stop would either gain her the ledger copies and bonds or drop her straight into the cops’ laps with Arlie.

Leaving the car on a tiny side street, she’d walked the three blocks to Maudie’s. The yard lights were still on. One cop car was still parked in front of the invasion house four doors down, and she’d drawn back against an oak tree. Stayed still, then, as car lights came up the street and that contractor’s pickup pulled up in front of Maudie’s. What was this about? Ryan Flannery and her husband got out, they had that big gray dog with them. They took the dog inside, and in only a little while they came out again through the studio, the dog on a leash and moving fast, jerking Flannery up the hill following the route along which she’d dragged Benny—the dog was tracking Benny. A chill had iced her, she’d wanted to turn and run.

She wasn’t sure a tracking dog could follow a moving car. Unless there was scent on the outside of the car, she thought, remembering Benny clinging so desperately to the tire. If the dog picked that up and got to the wreck, where they’d been on foot again, he’d find their trail. Likely he’d find the kid. But would he keep on, then, tracking her? She’d watched until they disappeared, then looked to where Maudie stood at the kitchen window, looking out. Pearl could picture her twisting a dish towel, worrying over the kid. Using the key she’d taken, she’d slipped inside, and into the kitchen—and here she was, she and Maudie having a nice little chat, Maudie whining about the boy.

But now it was time to move on, she’d been here long enough, she wanted to get away before they found the kid and came back. “Get dressed,” she told Maudie. “You can’t go in the bank looking like that.”

“We can’t go to the bank, it’s the middle of the night.”

“Move it,” she said, gesturing with her gun toward the stairs.

Silently Maudie went up. Pearl followed, checked all the rooms, then watched while she dressed. When the man’s voice came again it sounded almost like he was right there in the other bedroom, but that wasn’t possible.

“Get a move on,” she told Maudie. “Hand me the belt from that robe.” She was reaching for the belt to tie Maudie’s hands when the man shouted an urgent, panicked cry accompanied by a muffled banging on a window.

“Stay here, get your shoes on. You leave this room, you’re dead.” She moved toward the hall, glanced back to see Maudie hanging up the robe and reaching for a jacket.

Slipping into the guest room, she found it empty. And no one at the windows. No one could be, there was only a thin lip of roof running along outside beneath the glass. Could the man have been at the front door and some trick of the wind made him sound like he was inside the house? Returning to the bedroom, she bound Maudie’s hands behind her, forced her out of the room and down the stairs. Hurrying past the front door, she pushed Maudie on out through the studio, through the yard, and up the street, staying to the darkest shadows, heading three blocks up where, beyond a curve, the maroon Jaguar waited out of sight.