Кроха - Dedication

So they wonder. So, what are they going to think? That I’m tossing the place?

But even so, Sam and Tekla gave him the creeps. In the closet, Sam was saying, “ . . . was a stupid thing to do, a cockamamie idea. You only set the cops onto us.”

“They were already onto us, poking around like they were.”

“That’s your imagination.”

“That boy was right there in the house that morning, he could have seen everything.”

“Then why didn’t he tell the cops?”

“I don’t know, Sam. But I don’t trust him. And it was too good an opportunity to miss, you falling like that on the edge of the walk, wrenching your arm and crying out. There was no one around to say you weren’t pushed and that it wasn’t the boy did it. I thought he was alone this morning, we saw the contractor and that red-bearded carpenter in the village, I thought he’d be alone in the remodel and no one to say where he really was . . . Put him in as bad a light as possible in case he did tell what he saw that morning. Maybe he saw nothing, maybe he heard the shot, but make a liar of him right off, before he started talking. It was just too good not to say it was him. How was I to know he was with the damn cops?”

“You blew it, Tekla. And you made me lie for you. Again,” he said darkly.

“I never made you lie for me. You could have—”

Sam laughed, a bitter, small sound. “What was I supposed to do? Call you a liar, in front of the cops?

“As it is,” he said, easing out of the closet and into his wheelchair, “they’re suspicious now, all right. Hurry it up, let’s get moving. They might have already put a watch on this place.”

He was silent a moment, getting settled properly in the wheelchair. “I want out, Tekla. I want out of this now, I want done with this even if Herbert was—is—my son.”

As Sam turned the chair to wheel toward the bed, Joe slid to the floor and behind the draperies. Looking out through the small space where the two drapes met, he watched Tekla turn to the suitcase carrying a plastic grocery bag. “And what about the house?” Sam was saying. “All that work—and money.”

“Have we ever worried about money? I have my ways. When we get where we’re going, we contact the Realtor, sell the house in the name of Bleak.” She turned to look at him. “There was a good chance no one would ever find out, that we could have stayed right here, live rich in this village for a while. Rub elbows with the movie stars,” she said, laughing.

“It didn’t work out, did it, Tekla?”

“No matter. Everything’s set up for the sale, escrow and bank accounts in the Bleak name, fix it like we always do. Sell the place from a distance and move on.” Reaching deep in the suitcase beneath the folded black spandex, she pulled out four rust-colored folders, the kind of heavy envelopes that a bank might use. Fanning them out, she chose one. “This will do.”

Putting the other three back beneath the clothes, she shoved the one envelope in her purse. She removed a golf cap from the plastic bag, wadded the bag inside to keep the cap from wrinkling, and tucked it down in the side of the suitcase. The plain beige cap had a ponytail attached to the back, a dark auburn hairpiece—stirring a perfect picture of early mornings when the cats would see a lone runner on the beach, her auburn ponytail bouncing in the dawn light.

Though sometimes they would see a blonde running, equally petite, loose blond hair streaming out the back, and sometimes running with a young boy. Or sometimes it was two boys, both wearing baseball caps.

Tekla picked up the gun, checked what Joe assumed was the safety. She fished a soft, pistol-shaped gun case from a side pocket of the suitcase, slipped the gun and the extra clip into it, zipped it up, and slid it back into the slim pocket.

“Aren’t you going to . . . ?”

“I don’t want to be caught with the guns. Not until we’re out of California. Unsecured, loaded guns on us, and an underage kid in the same car?” She looked at Sam, scowling. “I don’t think so.”

“What about Arnold?”

“I called the school, he’s on his way. I said his daddy was hurt bad, had been assaulted like those others. He . . .” They heard the front door slam, and Arnold called out.

“In here,” Tekla answered as Joe drew deeper behind the drapery. Adult eyes, even Tekla’s, might miss him. But kids were so nosy, and Arnold made him nervous. And what did she mean, guns? Where were the rest? How many guns? What did they have, a whole arsenal?

“What are you doing?” Arnold said, stomping in.

“Get packed,” Tekla said.

He kicked at the corner of the bed. “Why are we leaving this time? What’s happened now?”

“Just get packed. Make it snappy.”

Arnold stomped out. Joe listened to him banging around in the other bedroom as if heaving his possessions into a suitcase. But Joe had to smile. They might think they were hauling out of there, but Harper’s patrol would have a tail on them, pronto. What made them imagine they could dodge the cops in that big white van?

When Sam retreated to the closet again, and Tekla followed him, reaching to sort through another load of clothes, Joe slid up into the suitcase. Feeling carefully along the sides and between the folded layers, he searched for other guns. He shocked himself, quickly drew his paw back, when he uncovered the cold stainless steel of a big, heavy revolver.

It was twice the size of the automatic, smooth and slick to the paw, not holstered, not encased in anything he could carry.

But the one he wanted was the automatic, the gun that could have killed Ben. Feeling into the narrow pocket where he’d seen her stash the padded gun case, he took it in his teeth. Praying the safety was indeed on and that there was no shell in the chamber, gingerly he hauled it out. Easing it to the floor, he half carried, half slid it across to the armoire, guiding the muzzle away from him, all the while keeping an eye on the closet and listening to Arnold banging around; he didn’t want to hear silence from the boy, see him slipping back into the bedroom.

With a careful paw he pushed the gun case under the armoire as far back as he could reach. If she missed this gun and went looking for it, maybe she wouldn’t look here.

The banging from the next room stopped. When Arnold’s footsteps started down the hall Joe slid fast under the armoire, flat on his belly beside the gun case, flat as a sardine mashed in a can.

At the bedroom door, Arnold paused. “You want the suitcases in the van?”

“Leave them by the front door,” Tekla said.

Arnold turned, his footsteps scuffing away down the hall. Joe heard him drop his suitcase by the door. Tekla swung over to the bed, stood a moment as if arranging clothes in the open suitcase, then a thump and click as she closed and latched it. The space beneath the armoire smelled of dust, dust clung to his whiskers, and, peering out, he could see dust under the bed and along the edge of the fallen blankets. He hoped to hell he wasn’t going to sneeze. Across the dusty floor he could clearly see drag marks where he’d moved the gun and that made his heart pound.

Tekla, busy hauling the suitcase out to the entry, barely noticed Sam grappling with his own, smaller suitcase and the wheelchair. He finally got the suitcase aboard, and the chair turned around in the tight space. Tekla was much more helpful in public. At the front of the house Joe heard a door open, but not the front door with its squeaky hinge. The other bedroom door wasopen. Only the garage had been closed.

Could they have another car? He’d never seen them in anything but the van. Could they have kept a car hidden, ready to travel? They meant to leave the van so it would look like they were still home? If they left in a different car, without a description, they’d be hell to find once they got out on the freeways. A cop would have to spot the Bleaks themselves, and because of Tekla’s little tricks with hairstyles, even that could be iffy.