Нил Стивенсон - Termination Shock

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Termination Shock: краткое содержание, описание и аннотация

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From Neal Stephenson — who coined the term "metaverse" in his 1992 novel Snow Crash — comes a sweeping, prescient new thriller that transports readers to a near-future world in which the greenhouse effect has inexorably resulted in a whirling-dervish troposphere of superstorms, rising sea levels, global flooding, merciless heat waves, and virulent, deadly pandemics.
One man – visionary billionaire restaurant chain magnate T. R. Schmidt, Ph.D. – has a Big Idea for reversing global warming, a master plan perhaps best described as “elemental.” But will it work? And just as important, what are the consequences for the planet and all of humanity should it be applied?
Ranging from the Texas heartland to the Dutch royal palace in the Hague, from the snow-capped peaks of the Himalayas to the sunbaked Chihuahuan Desert, Termination Shock brings together a disparate group of characters from different cultures and continents who grapple with the real-life repercussions of global warming. Ultimately, it asks the question: Might the cure be worse than the disease?
Epic in scope while heartbreakingly human in perspective, Termination Shock sounds a clarion alarm, ponders potential solutions and dire risks, and wraps it all together in an exhilarating, witty, mind-expanding speculative adventure.

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His initial, obvious assumption had been that the guys in the RV were in some sense adversaries of Squeegee Ninja and Burrito Guy. Because they were all kinds of sneaky and sinister. The fly in that ointment was obvious, once Rufus gave it a moment’s thought: the RV had pulled in ahead of the semi. It must have been miles ahead of that rig on the interstate. If they were covertly tailing the rig, they would have to, well, tail it. Not drive way ahead.

So maybe they were all members of the same team, split across two (or more?) different vehicles. This would help explain certain other oddities that Rufus had noticed about the actions of Squeegee Ninja. There were a couple of moments when he had exhibited situational awareness that was pretty fucking exceptional. Rufus had frame-by-framed the interval between Revolver Man cocking the hammer of his weapon and Squeegee Ninja making his move for the Bug-Solv bucket. It was—well, either a mere coincidence or superhuman. And shortly thereafter he’d made his eyes-in-the-back-of-his-head move.

Rufus was not a religious or woo-woo sort of guy; Snout had put paid to all that. He didn’t believe in ESP or any other literally superhuman shit. But if you were somehow patched in to a mesh network of drones—if you could somehow sense what they sensed—that could give you such an edge. And if the drones were hovering invisibly in the dark, observers wouldn’t have any rational way of explaining it.

Suddenly he couldn’t wait for that third drone to be delivered.

In the meantime, he just had to pursue other leads as best he could.

He knew nothing about this martial art of gatka, had never heard of it until this morning. Were there gatka champions? Did they even compete? Did they participate in ultimate fighting tournaments like the Muay Thai and the Brazilian jiu-jitsu guys? The answer generally seemed to be no, it was more of a niche thing in the Punjab (a name that triggered some vague associations in his head; but he decided to let that sleeping dog lie for now).

Sometimes the dumb, simple approach was best. He googled “who is the greatest gatka fighter?” and the answer came back: Big Fish. There wasn’t even any controversy. No welter of anonymous Internet fucktards arguing about it in chat rooms.

Just like that, his YouTube slate was once again wiped clean and filled up with a simply unbelievable number of videos featuring Indians and Chinese fighting with rocks and sticks at the Line of Actual Control—a thing of seemingly immense importance that Rufus, in his whole life, had never even heard of. But he had somewhat grown accustomed to there being such things and to the Internet suddenly revealing them to him and so he got over it pretty quickly. Keeping his head down and plodding relentlessly was his way. So there was a period of a few hours, coinciding with the hottest part of the afternoon, when he just took all that in. Just sat down in the coolest part of the marble mine and let the YouTube wash over him. Learned about the history of the LAC and its geography too: the Yak’s Leg, Sikkim, the Kunchang salient, and other hot spots. Followed the stories of different Chinese and Indian crews: where they hailed from, their uniforms and other branding, what styles of kung fu or other martial arts they favored, their won/lost records, their positions on leaderboards, their Vegas and Macao odds, what kinds of people belonged to their fan bases.

It was a lot to take in and he found himself getting a little stupid-headed. So he took a nap, or what his compadres south of the Rio Grande would call a siesta. When he woke up, a mere forty-five minutes later, he found that his brain had sorted things out for him and it was all in better view now. He was seeing the forest instead of the trees, as the saying went. Why had he gone down this particular Internet rathole? Because it seemed like Squeegee Ninja was a gatka man, and so he wanted to learn more about gatka. About who was best at it. And the Internet said that the answer was Big Fish. According to various adulatory fan sites—none of which seemed to have been updated recently—he had burst from obscurity last year to become the leader of the most badass crew on the Indian side of the LAC and recovered many square kilometers of territory that had been stolen by China. But then he had fallen in battle under circumstances that were poorly understood. A stroke or exposure to invisible death rays from a Chinese superweapon were the two leading hypotheses. Long exposure to the ways of the Internet led Rufus to favor the stroke theory. Anyway, Big Fish had disappeared from the front and been helicoptered to a first-rate medical center elsewhere in India and then fallen out of the spotlight just as rapidly as he had ascended to fame. A more recent news item from a tabloidesque Indian site suggested that he had gone back home to Canada to continue his convalescence. He was depicted in a wheelchair, struggling to perform a simple thumbs-up gesture. Which was a shame, both as such (national hero cruelly cut down in his moment of triumph) and for Rufus’s own selfish purposes. His research program, if you could call it that, had become centered on Big Fish. Not only because he was a close physical match for Squeegee Ninja, but also because he was so well documented. Practically every waking moment of his rise from hitchhiking vagabond to epic hero had been chronicled in videos, initially by a New Zealander named Philippa Long, and subsequently, in a more blatantly propagandistic style, by Indian filmmakers who seemed to have more resources to play with. Like symphony orchestras to juice up the sound track.

To Rufus, the more low-key style of Philippa Long conveyed greater credibility, so he learned about her a little bit. She seemed to keep up with her social media feeds pretty regularly. She had moved to Los Angeles in the last few months and was working on an indie film project there. Rufus created an account under the moniker RedASDFJKL and dropped her a line just for the hell of it.

Then he clicked back over to one of the other video sites he’d been using and was a little startled to discover some truly awful cell phone footage of what appeared to be a party in a disco. Not one of your fancy high-end discos but a down-at-heels ballroom outfitted with a few strobe lights and strings of blinky lights strung over the antlers of a stuffed and mounted moose head. The music was what he had, in the last few hours, learned to identify as bhangra: tunes that could compete with the very best that the Western world had to offer in the way of high-energy danceability but that were firmly grounded in the traditions of the Punjab.

But the Internet had at least as many high-quality bhangra videos as it did ones from the Line of Actual Control, so why was this terrible piece of cell phone video at the top of his feed? Some glitch in the algorithm? Some malware on his computer? He clicked the “Why am I seeing this?” button and was earnestly informed that it featured a friend of his. Reviewing the video frame by frame, he saw no friend of his. Centered in the picture was a lovely young woman of South Asian ancestry, dressed to the nines and dancing. No friend of Rufus, sadly. He was about to shrug it off as some arcane malware phishing attack when, in the final few frames, in the background of the picture, off to the right, a big man became visible. He was dancing in a style that recalled those gatka moves that had started Rufus down this path earlier today.

He was all ready to dismiss this as a series of coincidences. Three vaguely similar men. Big Fish: an invalid being rolled around in a wheelchair. The dancing man in this video, which according to metadata had been shot in a small town in southern British Columbia about twenty-four hours before the incident in the T.R. Mick’s. And last but not least, Squeegee Ninja.

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