Дуглас Адамс - The Restaurant at the End of the Universe

They were hurled back by a single thunderous clap of noise that thuddered out of the monitor speakers surrounding the vision screen. 93

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Down on the dry, red world of Kakrafoon, in the middle of the vast Rudlit Desert, the stage technicians were testing the sound system. That is to say, the sound system was in the desert, not the stage technicians. They had retreated to the safety of Disaster Area’s giant control ship which hung in orbit some four hundred miles above the surface of the planet, and they were testing the sound system from there. Anyone within five miles of the speaker silos wouldn’t have survived the tuning up. If Arthur Dent had been within five miles of the speaker silos then his expiring thought would have been that in both size and shape the sound rig closely resembled Manhattan. Risen out of the silos, the neutron phase speaker stacks towered monstrously against the sky, obscuring the banks of plutonium reactors and seismic amps behind them. Buried deep in concrete bunkers beneath the city of speakers lay the instruments that the musicians would control from their ship, the massive photon-ajuitar, the bass detonator and the Megabang drum complex. It was going to be a noisy show.

Aboard the giant control ship, all was activity and bustle. Hotblack Desiato’s limoship, a mere tadpole beside it, had arrived and docked, and the lamented gentleman was being transported down the high vaulted corridors to meet the medium who was going to interpret his psychic impulses on to the ajuitar keyboard.

A doctor, a logician and a marine biologist had also just arrived, flown in at phenomenal expense from Maximegalon to try to reason with the lead singer who had locked himself in the bathroom with a bottle of pills and was refusing to come out till it could be proved conclusively to him that he wasn’t a fish. The bass player was busy machine-gunning his bedroom and the drummer was nowhere on board.

Frantic inquiries led to the discovery that he was standing on a beach on Santraginus V over a hundred light years away where, he claimed, he had been happy over half an hour now and had found a small stone that would be his friend.

The band’s manager was profoundly relieved.

It meant that for the

seventeenth time on this tour the drums would be played by a robot and 94

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that therefore the timing of the cymbalistics would be right. The sub-ether was buzzing with the communications of the stage technicians testing the speaker channels, and this it was that was being relayed to the interior of the black ship.

Its dazed occupants lay against the back wall of the cabin, and listened to the voices on the monitor speakers.

“OK, channel nine on power,” said a voice, “testing channel fifteen. . . ”

Another thumping crack of noise walloped through the ship.

“Channel fifteen AOK,” said another voice.

A third voice cut in.

“The black stunt ship is now in position,” it said, “it’s looking good. Gonna be a great sundive. Stage computer on line?”

A computer voice answered.

“On line,” it said.

“Take control of the black ship.”

“Black ship locked into trajectory programme, on standby.”

“Testing channel twenty.”

Zaphod leaped across the cabin and switched frequencies on the subether receiver before the next mind-pulverizing noise hit them. He stood there quivering.

“What,” said Trillian in a small quiet voice, “does sundive mean?”

“It means,” said Marvin, “that the ship is going to dive into the sun. Sun. . . Dive. It’s very simple to understand. What do you expect if you steal Hotblack Desiato’s stunt ship?”

“How do you know. . . ” said Zaphod in a voice that would make a Vegan snow lizard feel chilly, “that this is Hotblack Desiato’s stuntship?”

“Simple,” said Marvin, “I parked it for him.”

“The why. . . didn’t. . . you. . . tell us!”

“You said you wanted excitement and adventure and really wild things.”

“This is awful,” said Arthur unnecessarily in the pause which followed.

“That’s what I said,” confirmed Marvin.

On a different frequency, the sub-ether receiver had picked up a public broadcast, which now echoed round the cabin.

“. . . fine weather for the concert here this afternoon. I’m standing here in front of the stage,” the reporter lied, “in the middle of the Rudlit Desert, and with the aid of hyperbinoptic glasses I can just about make out the huge audience cowering there on the horizon all around me. Behind me the speaker stacks rise like a sheer cliff face, and high above me the sun is shining away and doesn’t know what’s going to hit it. The environmentalist lobby do know what’s going to hit it, and they claim that the concert will cause earthquakes, tidal waves, hurricanes, irreparable damage to the atmosphere, and all the usual things that environmentalists usually go on about.

“But I’ve just had a report that a representative of Disaster Area met with the environmentalists at lunchtime, and had them all shot, so nothing 95

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now lies in the way of. . . ”

Zaphod switched it off. He turned to Ford.

“You know what I’m thinking?” he said.

“I think so,” said Ford.

“Tell me what you think I’m thinking.”

“I think you’re thinking it’s time we get off this ship.”

“I think you’re right,” said Zaphod.

“I think you’re right,” said Ford.

“How?” said Arthur.

“Quiet,” said Ford and Zaphod, “we’re thinking.”

“So this is it,” said Arthur, “we’re going to die.”

“I wish you’d stop saying that,” said Ford.

It is worth repeating at this point the theories that Ford had come up with, on his first encounter with human beings, to account for their peculiar habit of continually stating and restating the very very obvious, as “It’s a nice day,” or “You’re very tall,” or “So this is it, we’re going to die.”

His first theory was that if human beings didn’t keep exercising their lips, their mouths probably seized up.

After a few months of observation he had come up with a second theory, which was this – “If human beings don’t keep exercising their lips, their brains start working.”

In fact, this second theory is more literally true of the Belcebron people of Kakrafoon.

The Belcebron people used to cause great resentment and insecurity amongst neighbouring races by being one of the most enlightened, accomplished, and above all quiet civilizations in the Galaxy. As a punishment for this behaviour, which was held to be offensively self righteous and provocative, a Galactic Tribunal inflicted on them that most cruel of all social diseases, telepathy. Consequently, in order to prevent themselves broadcasting every slightest thought that crossed their minds to anyone within a five mile radius, they now have to talk very loudly and continuously about the weather, their little aches and pains, the match this afternoon and what a noisy place Kakrafoon had suddenly become. Another method of temporarily blotting out their minds is to play host to a Disaster Area concert.

The timing of the concert was critical.

The ship had to begin its dive before the concert began in order to hit the sun six minutes and thirty-seven seconds before the climax of the song to which it related, so that the light of the solar flares had time to travel out to Kakrafoon.

The ship had already been diving for several minutes by the time that Ford Prefect had completed his search of the other compartments of the black ship. He burst back into the cabin.

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