Lisa Gardner - Touch & Go

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Touch & Go: краткое содержание, описание и аннотация

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#1 *New York Times* bestseller Lisa Gardner, author of  *Catch Me* and  *Love You More* , returns with a heart-thumping thriller about what lurks behind the facade of a perfect family. This is my family:  Vanished without a trace…* Justin and Libby Denbe have the kind of life that looks good in the pages of a glossy magazine. A beautiful fifteen-year old daughter, Ashlyn. A gorgeous brownstone on a tree-lined street in Boston’s elite Back Bay neighborhood. A great marriage, admired by friends and family.  A perfect life. This is what I know:  Pain has a flavor… When investigator Tessa Leoni arrives at the crime scene in the Denbes’ home, she finds scuff marks on the floor and Taser confetti in the foyer.  The family appears to have been abducted, with only a pile of their most personal possessions remaining behind.  No witnesses, no ransom demands, no motive.  Just an entire family, vanished without a trace. This is what I fear:  The worst is yet to come… Tessa knows better than anyone that even the most perfect façades can hide the darkest secrets.  Now she must race against the clock to uncover the Denbes’ innermost dealings, a complex tangle of friendships and betrayal, big business and small sacrifices.  Who would want to kidnap such a perfect little family?  And how far would such a person be willing to go? This is the truth:  Love, safety, family…it is all touch and go. ### Review Praise for Touch & Go: "This no-holds-barred stand-alone from Thriller Award–winner Gardner opens with the brutally efficient kidnapping of the Denbe family—father Justin, wife Libby, and 15-year-old daughter Ashlyn—from their exclusive Back Bay townhouse.…Gardner effectively alternates between the physical and emotional disintegration of the family under the pressure of their captivity and the efforts of [Invesigator Tessa] Leoni and company to dig into the secrets of Denbe Construction, its key employees, and its finances, as well as to locate the Denbes. The suspense builds as the action races to a spectacular conclusion and the unmasking of the plot’s mastermind." —Publishers Weekly “[A] thrill ride... Even readers who figure out the ringleader long before [Investigators] Tessa and Wyatt will get behind on their sleep turning pages to make sure they're right." —Kirkus Reviews "Gardner’s depiction of a woman in the midst of emotional chaos is spot on, as usual, and she proves herself just as capable when it comes to creating intriguing men. Readers will want to see more of Wyatt, just as they grew to appreciate Bobby Dodge in Gardner’s earlier books." —Booklist Praise for Catch Me: “New York Times best-selling author Gardner always plays in the big leagues, but this scare-your-socks-off thriller is a grand slam, packed with enigmatic characters (some good, some crazily evil), expert procedural detail, and superb storytelling.” — Library Journal on Catch Me “Gardner has become one of the best psychological thriller writers in the business. The compelling characters, the shocking plot and the realistic atmosphere of how police operate make this a "must read" for any suspense aficionado.” — Associated Press on Catch Me “The creepy meter is off the charts—though not sensationalized—with children the target of physical, psychological, and sexual abuse at the hands of both strangers and parents. And, somehow, miraculously without any contrivance, Gardner’s conclusion delivers a welcome glimmer of hope.” — Booklist (starred review) on Catch Me “Gardner’s sixth Det. D.D. Warren thriller grabs from the get-go.” — People on Catch Me “A solidly enjoyable thriller that will keep you on the edge of your chair as you turn the pages and listen for any strange noises around you.” — Huffington Post on Catch Me “Irresistible.” — Kirkus on Catch Me

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“No.”

“No, I can’t speak…?”

“No, they aren’t here. We’re alone in the control room. We can keep them locked out, meaning we are safe from immediate physical assault. Explosives, on the other hand…” Justin’s tone was droll. He didn’t seem nervous to Tessa. Just…grim. A man who knew the score.

Beside her, Wyatt mouthed the words control room . Wyatt studied her. Tessa shrugged.

“Libby and Ashlyn are with you, but not your captors? You are alone?” Nicole continued. While her face remained impassive, one leg trembled beneath her. High-stakes poker, with other people’s lives at stake.

“Five minutes,” Justin said. Then, for the first time, his tone broke. “Look, I know you’re trying to trace this call. They know you’re trying to trace this call. I’m telling you, you don’t have time. For the next five minutes, my family and I are safe. That’s as good as it’s going to get. Now you get that fucking money in that fucking account, or your next visual will be myself, my wife and my daughter being blown to shit!”

“I understand. Your safety is our number one concern. Of course, we have to work with the insurance company—”

“Listen to me. This is not a negotiation. I am not in touch with our captors, they are not on this line. They are standing very far away, holding a detonator. They are monitoring the account. Either the money appears by three eleven, or they flip the kill switch. Those are the options.”

“Control room,” Wyatt muttered again beside Tessa. He was nudging her with his arm, as if that term should mean something to her. “The pile of personal possessions on the kitchen counter—wallet, jewelry…”

“Justin,” Nicole was saying, “I understand your concerns. Trust me, we’re on your side. But if they have wired your room with explosives, how do we know they won’t activate them either way?”

“Because rich men have incentive to get away. Poor men don’t.”

Then, Tessa got it. She turned toward Wyatt, keeping her voice low even as her eyes widened. “Prison. Prisons have control rooms. But, how could you smuggle a family into a prison unless…”

Wyatt was already one step ahead: “The new state facility,” he supplied grimly. “Completed last year, never been open. Locals still furious over the lost job opportunities, the waste of taxpayer funds. How much you want to bet—”

“It was built by Denbe Construction.”

“Meaning Justin knows exactly where he is. And if he’s still not providing his location…”

“He’s scared.”

“Suspects must really have access to explosives.” Wyatt grabbed a yellow legal pad. Wrote in giant black marker: WIRE $$ NOW . And held it up for Nicole.

The special agent never blinked, simply stated into the phone: “Good news, Justin. The insurance company has approved the full nine million. The money is being transferred as we speak. Couple of minutes more, Justin. Then you and your family will be safe.”

Tessa and Wyatt didn’t wait for the rest. They were already bolting from the room, Wyatt on the radio, sending out the request for backup over the preset emergency channel. Then, they were in the parking lot, piling into his cruiser.

“Thirty miles north,” Wyatt declared. “We should be there in twenty.”

He hit the sirens and roared onto the road.

Chapter 38

JUSTIN WAS ON THE PHONE. Talking, talking, talking.

Beside him, Ashlyn was bobbing up and down, looking more like herself, in her old pajamas, and yet not at all like herself, with her tightly drawn features and the anxiety radiating from every taut line of her body.

And myself… Facing the possible final ten minutes of my own life, I didn’t know what to do. I wandered around the room, which was bigger than I would’ve thought, with a broad, horseshoe-shaped control desk plopped in the middle of a larger area lined by charging walkie-talkies and several doors I assumed led to supply closets. I found the infamous key drop, an open metal tube into which, in case of emergency, a corrections officer would drop all keys, rendering them inaccessible to attacking inmates, and thus keeping all ammunition and firearms closets secured.

I turned my attention to the massive control desk, gliding my hands over the plain white Formica desktop, the various flat-screen monitors inlaid at an angled rise, then the half a dozen microphones that sprouted up like weeds. The corrections officers were locked in here, I thought, isolated by their very powerfulness. A mini set of wizards of Oz, seeing all, commanding all, but forever trapped behind the barred curtain.

Above me, mounted from the ceiling, hung a line of four flat-screen TVs. They were off now, but I bet this was how our captors had monitored us, reviewing various images from the dozens if not hundreds of security cameras. They had watched us cry. Watched us fight. Watched us slowly but surely break down into lesser beings, the total deconstruction of a family.

It made me suddenly furious. That they’d violated our privacy like that. Sat here in this locked room, maybe even took bets on our misery. Ten bucks says the woman cries first, five bucks says the girl can’t pee with an audience.

I hated them. Intensely. Virulently. Which, perversely, made me want to see them. Turnabout is fair play. If they’d once been able to study us like animals in a zoo, well, we had the control now. And there was nothing in Z’s terms that said we couldn’t monitor them.

I bent over, and while my husband cursed out some FBI agent for not having magically done exactly what he’d told her to do exactly when he’d demanded that she do it, I started powering up control screens and exploring the surveillance options.

“Mom?” Ashlyn appeared beside me.

“Just kicking the tires, honey. Now, if we wanted to see the view from the cameras outside the prison, which buttons would you hit?”

Ashlyn leaned around me, tapped the control screen where a white button indicated security and we both studied the menu that came up next.

The screen had a clock in the lower right-hand corner. It read 3:09. Two minutes till our captors gave up and launched a counterattack. Possibly even blew us up, as Justin was alleging.

I didn’t think Z would take out the room. He struck me as the kind of man who’d neatly eliminate the door. That way he could march through the smoking rubble, pull out a Glock 10 and tend to the rest of his business up close and personal. Waste less ammo.

On the monitor, a white van suddenly came into view. Growing larger and larger until it nearly filled the screen. I found myself staring at Radar, sitting behind the wheel. He was not looking up at the camera, no doubt mounted above the prison’s intake door, but was looking toward the passenger’s side, as if expecting someone.

Picking up. He was picking up Z and Mick, his cocaptors.

But he was supposed to be on the roof. Armed to the teeth and ready to fire upon first responders.

Unless the money had been paid. Wired straight into the account. Justin had been right: Rich men had nine million more reasons to make a quick getaway than poor men.

The clock on the bottom of the screen hit 3:10.

Radar, holding up his phone, saying something I couldn’t hear to a person I couldn’t see.

My gaze, flying up to find Justin. “Did they pay? Is it okay, did the insurance company pay?”

Justin, into the phone: “Have the funds been received? It’s three eleven, tell me the funds have been received?”

The FBI agent, her voice as crisp and authoritative as ever: “Justin, I have word that the money is being transferred right now.”

Radar, still studying his phone, hitting some buttons. Talking to the person I couldn’t see.

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