Lisa Gardner - Hide

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In bestseller Gardner 's first-rate follow-up to Alone (2005), Bobby Dodge, once a sniper for the Massachusetts State Police and now a police detective, gets called to a horrific crime scene in the middle of the night by fellow detective and ex-lover D.D. Warren. An underground chamber has been discovered on the property of a former Boston mental hospital containing six small naked mummified female bodies in clear garbage bags. A silver locket with one of the corpses, which may be decades old, bears the name Annabelle Granger. Later, a woman shows up at the Boston Homicide offices claiming to be Annabelle Granger. Her resemblance to Catherine Gagnon (whose life Bobby saved in Alone) helps stoke a romance between her and Bobby both subtle and sizzling. The suspense builds as the police uncover links between patients at the hospital and long-ago criminal activities. Through expert use of red herrings, Gardner takes the reader on a nail-biting ride to the thrilling climax.
***
'I can't afford to come back from the dead.' Annabelle has had many names in her life – Sally, Cindy, Lucille. Though her father moved her from city to city from the age of ten, changing names, houses, careers and histories every few months, Annabelle never knew what they were running from. Now in her thirties, with both parents dead, she's settled in Boston. But old habits die hard and she still looks over her shoulder when she leaves her apartment, still blends in with the crowd on the subway. Then at the Boston State Mental Hospital a multiple grave is discovered. Six young girls left to die in an underground chamber decades ago, while their captor looked on. When her original name appears in the paper, wrongly identifying her as one of the dead girls, Annabelle finally knows. This was the work of the monster her father fled from. But the killer is still on the loose. And he's looked for her for a very long time. Bobby Dodge has been haunted by the Catherine Gagnon case for years. It nearly cost him his job and his sanity. As a child, Catherine was also held prisoner underground, like the victims in this latest case. But Catherine's captor was in prison when these girls were taken. Yet the similarities are too numerous to be just coincidence…

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Lisa Gardner Hide The second book in the Bobby Dodge series 1 MY FATHER - фото 1

Lisa Gardner

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The second book in the Bobby Dodge series

1

MY FATHER EXPLAINED it to me the first time when I was seven years old: The world is a system. School is a system. Neighborhoods are a system. Towns, governments, any large group of people. For that matter, the human body is a system, enabled by smaller, biological subsystems.

Criminal justice, definitely a system. The Catholic Church- don't get him started. Then there's organized sports, the United Nations, and of course, the Miss America Pageant.

"You don't have to like the system," he lectured me. "You don't have to believe in it or agree with it. But you must understand it. If you can understand the system, you will survive."

A family is a system.

I'D COME HOME from school that afternoon to discover both of my parents standing in our front room. My father, a professor of mathematics at MIT, was rarely home before seven. Now, however, he stood next to my mother's prized floral sofa, with five suitcases stacked neatly by his feet. My mother was crying. When I opened the front door, she turned away as if to shield her face, but I could still see her shoulders shaking.

Both of my parents were wearing heavy wool coats, which seemed odd, given the relatively warm October afternoon.

My father spoke first: "You need to go into your room. Pick two things. Any two things you want. But hurry, Annabelle; we don't have much time."

My mother's shoulders shook harder. I set down my backpack. I retreated to my room, where I stared at my little pink-and-green painted space.

Of all the moments in my past, this is the one I would most like to have back. Three minutes in the bedroom of my youth. Fingers skimming over my sticker-plastered desk, skipping over framed photos of my grandparents, hopscotching past my engraved silver-plated brush and oversize hand mirror. I bypassed my books. Didn't even consider my marble collection or stash of kindergarten art. I remember making a positively agonizing choice between my favorite stuffed dog and my newest treasure, a bridal-dressed Barbie. I went with my dog, Boomer, then grabbed my cherished baby blankie, dark pink flannel with a light pink satin trim.

Not my diary. Not my stash of silly doodle-covered notes from my best friend, Dori Petracelli. Not even my baby album, which would've at least given me photos of my mother for all the years to come. I was a young, frightened child, and I behaved childishly.

I think my father knew what I would choose. I think he saw it all coming, even back then.

I returned to our family room. My father was outside, loading the car. My mom had her hands wrapped around the pillar that divided the family room from the eat-in kitchen. For a minute, I didn't think she'd let go. She would take a stand, demand that my father stop this foolishness.

Instead, she reached out and stroked my long dark hair. "I love you so much." She grabbed me, hugging me fiercely, cheeks wet against the top of my head. The next moment, she pushed me away, wiping briskly at her face.

"Outside, honey. Your father's right-we have to be quick."

I followed my mother to the car, Boomer under my arm, blankie clutched in both hands. We took our usual places-my father in the driver's seat, my mother riding shotgun, me in the back.

My father backed our little Honda out of the drive. Yellow and orange leaves swirled down from the beech tree, dancing outside the car window. I spread my fingers against the glass as if I could touch them.

"Wave at the neighbors," my father instructed. "Pretend everything is normal."

That's the last we ever saw of our little oak-dotted cul-de-sac.

A family is a system.

We drove to Tampa. My mother had always wanted to see Florida, my father explained. Wouldn't it be nice to live amid palm trees and white sandy beaches after so many New England winters?

Since my mother had chosen our location, my father had picked our names. I would now be called Sally. My father was Anthony and my mother Claire. Isn't this fun? A new town and a new name. What a grand adventure.

I had nightmares in the beginning. Terrible, terrible dreams where I would wake up screaming, "I saw something, I saw something!"

"It's only a dream," my father would attempt to soothe me, stroking my back.

"But I'm scared!"

"Hush. You're too young to know what scared is. That's what daddies are for."

We didn't live amid palm trees and white sandy beaches. My parents never spoke of it, but as an adult looking back, I realize now that a Ph.D. in mathematics couldn't very well pick up where he left off, especially under an assumed identity. Instead, my father got a job driving taxis. I loved his new job. It meant he was home most of the day, and it seemed glamorous to be picked up from school in my own personal cab.

The new school was bigger than my old one. Tougher. I think I made friends, though I don't remember many specifics about our Florida days. I have more a general sense of a surreal time and place, where my afternoons were spent being drilled in self-defense for first-graders and even my parents seemed foreign to me.

My father, constantly buzzing around our one-bedroom apartment. "What'd you say, Sally? Let's decorate a palm tree for Christmas! Yes, sir, we're having fun now!" My mother, humming absently as she painted our family room a bright shade of coral, giggling as she bought a swimsuit in November, seeming genuinely intrigued as she learned to cook different kinds of flaky white fish.

I think my parents were happy in Florida. Or at least determined. My mother decorated our apartment. My father resumed his hobby of sketching. On the nights he didn't work, my mother would pose for him beside the window, and I would lie on the couch, content to watch my father's deft strokes as he captured my mother's teasing smile in a small charcoal sketch.

Until the day I came home from school to find suitcases packed, faces grim. No need to ask this time. I went into my room on my own. Grabbed Boomer. Found my blankie. Then retreated to the car and climbed in the back.

It was a long time before anyone said a word.

A family is a system.

TO THIS DAY, I don't know how many cities we lived in. Or how many names I assumed. My childhood became a blur of new faces, new towns, and the same old suitcases. We would arrive, find the cheapest one-bedroom apartment. My father would set out the next day, always coming home with some kind of job-photo developer, McDonald's manager, salesclerk. My mother would unpack our meager belongings. I would be shuffled off to school.

I know I stopped talking as much. I know my mom did, too.

Only my father remained relentlessly cheerful. "Phoenix! I've always wanted to experience the desert. Cincinnati! Now, this is my kind of town. St. Louis! This will be the place for us!"

I don't remember suffering any more nightmares. They simply went away or were pushed aside by more pressing concerns. The afternoons I came home and found my mother passed out on the sofa. The crash courses in cooking because she could no longer stand up. Brewing coffee and forcing it down her throat. Raiding her purse for money so I could buy groceries before my father returned from work.

I want to believe he had to know, but to this day I'm not sure. It seemed for my mother and me at least, the more we took on other names, the more we gave away of ourselves. Until we became silent, ethereal shadows following in my father's blustery wake.

She made it until I was fourteen. Kansas City. We'd lasted nine months. My father had risen to manager in the automotive department of Sears. I was thinking of going to my first dance.

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