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Lisa Gardner: Hide

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Lisa Gardner Hide

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In bestseller Gardner 's first-rate follow-up to Alone (2005), Bobby Dodge, once a sniper for the Massachusetts State Police and now a police detective, gets called to a horrific crime scene in the middle of the night by fellow detective and ex-lover D.D. Warren. An underground chamber has been discovered on the property of a former Boston mental hospital containing six small naked mummified female bodies in clear garbage bags. A silver locket with one of the corpses, which may be decades old, bears the name Annabelle Granger. Later, a woman shows up at the Boston Homicide offices claiming to be Annabelle Granger. Her resemblance to Catherine Gagnon (whose life Bobby saved in Alone) helps stoke a romance between her and Bobby both subtle and sizzling. The suspense builds as the police uncover links between patients at the hospital and long-ago criminal activities. Through expert use of red herrings, Gardner takes the reader on a nail-biting ride to the thrilling climax. *** 'I can't afford to come back from the dead.' Annabelle has had many names in her life – Sally, Cindy, Lucille. Though her father moved her from city to city from the age of ten, changing names, houses, careers and histories every few months, Annabelle never knew what they were running from. Now in her thirties, with both parents dead, she's settled in Boston. But old habits die hard and she still looks over her shoulder when she leaves her apartment, still blends in with the crowd on the subway. Then at the Boston State Mental Hospital a multiple grave is discovered. Six young girls left to die in an underground chamber decades ago, while their captor looked on. When her original name appears in the paper, wrongly identifying her as one of the dead girls, Annabelle finally knows. This was the work of the monster her father fled from. But the killer is still on the loose. And he's looked for her for a very long time. Bobby Dodge has been haunted by the Catherine Gagnon case for years. It nearly cost him his job and his sanity. As a child, Catherine was also held prisoner underground, like the victims in this latest case. But Catherine's captor was in prison when these girls were taken. Yet the similarities are too numerous to be just coincidence…

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His back hit the ladder. He reached behind, grabbing the cool metal rungs so hard he could feel the edges bite into the flesh of his hands. He focused on that sensation, the sharp pain. It grounded him. Kept him from having to scream.

D.D. pointed up to the ceiling, where one of the light strips had been hung.

"We didn't add those two hooks," D.D. said quietly "They were already there. We didn't find any lanterns left behind, but I would assume…"

"Yeah," Bobby said roughly, still breathing through his mouth. "Yeah."

"And the chair, of course."

"Yeah, yeah. And the fucking chair."

"It's, uh, it's wet mummification," D.D. said, her own voice sounding shaky, working at control. "That's what Christie called it. He bound the bodies, put each in a garbage bag, then tied the top. When decomp started… well, there was no place for the fluids to go. Basically, the bodies pickled in their own juices."

"Son of a bitch."

"I hate my job, Bobby," D.D. whispered suddenly, starkly "Oh God, I never wanted to see anything like this." She covered her mouth with her hand. For a moment, he thought she might break down, but she caught herself, soldiered through. She turned away from the metal shelves, however. Even for a veteran cop, some things asked too much.

Bobby had to work to abandon his grip on the metal ladder rungs.

"We should go up," D.D. said briskly "Christie's probably waiting. She just needed to fetch body bags."

"Okay" But he didn't turn toward the ladder. Instead, he walked back to the exposed metal shelves, to a sight his mind couldn't accept but already would never forget.

The bodies had turned the color of mahogany with time. They were not the dried, empty husks he'd seen on shows of Egyptian mummies. They were robust, almost leathery in appearance, each feature still distinct. He could follow the long ropy lines of impossibly thin arms wrapped around gently rounded legs, bent at the knees. He could count ten fingers, clasped at the ankles. He could make out each of the faces, the hollows of their cheeks, the pointy tips of their chins resting upon their knees. Their eyes were closed. Their mouths pursed. Hair matted against their skulls, long lank strands covering their shoulders.

They were small. They were naked. They were female. Children, mere children, crouched inside clear garbage bags from which they would never escape.

He understood now why the detectives above weren't saying a word.

He reached out a gloved hand, lightly touched the first bag. He didn't know why. Nothing he could say, nothing he could do.

His fingers fell upon a thin, metal chain. He plucked it from the pleated folds at the top of the bag, to discover a small silver locket. It bore a single name: Annabelle M. Granger .

"He tagged them?" Bobby swore viciously

"More like trophies." D.D. had come to stand behind him. She reached behind a second bag with her gloved hands and carefully revealed a small tattered bear hanging from a string. "I think…Hell, I don't know, but each bag has an object. Something that meant something to him. Or something that meant something to her."

"God."

D.D.'s hand was on his shoulder now. He hadn't realized how hard his jaw was clenched until she touched him. "We have to go up, Bobby."

"Yeah."

"Christie needs to get to work."

"Yeah."

"Bobby…"

He yanked his hand away. Looked at them one last time, feeling the pressure, the need, to imprint each image into his brain. As if it would bring them comfort to know they would not be forgotten. As if it mattered to them anymore to know they were not alone in the dark.

He headed back for the ladder. His throat burned. He couldn't speak.

Three deep breaths and he burst up through the opening, under the light blue tarp.

Back into the cool misty night. Back to the glow of spotlights. Back to the noise of news choppers who'd finally caught whiff of the story and were now whirling in the sky overhead.

BOBBY DIDN'T GO home. He could've. He'd come as a favor to D.D. He'd confirmed what she'd suspected. No one would've questioned his departure.

He poured a cup of hot coffee from the crime-scene van. Leaned against the side of the vehicle for a while, buffered by the white noise of the roaring generator. He never drank the coffee. Just twisted the cup around and around with shaky fingers.

Six a.m. arrived, sun starting to peek over the horizon. Christie and her assistant brought up the bodies, encased now in black body bags. The remains fit three to a gurney, making for two trips to the ME's van. First stop would be to the BPD's lab, in order for the plastic garbage bags that encased each body to be fumigated for prints. Then the remains would journey on to the OCME lab, where postmortem would finally begin.

As Christie departed, so did most of the detectives. These kinds of scenes were run by the forensic anthropologist, so with Callahan gone, there wasn't much left to do.

Bobby dumped out his cold coffee, tossed the cup in the garbage.

He was waiting in the passenger's seat of D.D.'s car when she finally walked out of the woods. And then, because they had loved each other once, even been friends after that, he cradled her head against his shoulder and held her while she cried.

4

MYFATHERLOVEDoldsayings.Amonghisfavorites,Chancefavors the prepared mind. Preparedness, in my father's eyes, was everything. And he started to prepare me the minute we fled Massachusetts.

We started with Safety 101 for a seven-year-old. Never accept candy from a stranger. Never leave school with anyone, not even someone I know, unless he or she provides the correct password. Never get close to an approaching car. If the driver wants directions, send him to an adult. Looking for a lost puppy? Send him to the police.

Stranger appears in my room in the middle of the night? Yell, scream, bang on the walls. Sometimes, my father explained, when a child is deeply terrified, she finds it impossible to operate her vocal cords; hence, kick over furniture, throw a lamp, break small objects, blow on my red emergency whistle, do anything to make noise. I could destroy the entire house, my father promised me, and in that situation my parents would not be mad.

Fight, my father told me. Kick at kneecaps, gouge at eyes, bite at throat. Fight, fight, fight.

With age, my lessons grew more involved. Karate for skill. Track team for speed. Advanced safety tips. I learned to always lock the front door, even when at home in broad daylight. I learned to never answer the door without first looking through the peephole and to never acknowledge someone I didn't know

Walk with your head up, steps brisk. Make eye contact, but do not maintain. Enough for the other party to know you're attuned to your surroundings, without calling undue attention to yourself. If I ever felt uncomfortable, I should catch up to the nearest group of people in front of me and follow in their wake.

If I was ever threatened in a public bathroom, yell "Fire;" people will respond to the threat of a fire before they'll respond to cries of rape. If I was ever uncomfortable in a mall, run to the nearest female; women are more likely to take action than men, who often feel uncomfortable getting involved. If I was ever confronted by someone pointing a gun, make a run for it; even the most skilled sharpshooter had difficulty hitting a moving target.

Never leave the shelter of your home or workplace without having your car key in hand. Walk to your vehicle with the key protruding from between your curled fingers like a shank. Do not unlock the door if a stranger is standing behind you. Do not climb into the car without first checking the backseat. Once inside, keep the doors locked at all times; if you need air, a window may be cracked one inch.

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