Gillian Flynn - Gone Girl:

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Gone Girl:: краткое содержание, описание и аннотация

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Marriage can be a real killer. One of the most critically acclaimed suspense writers of our time, *New York Times* bestseller Gillian Flynn takes that statement to its darkest place in this unputdownable masterpiece about a marriage gone terribly, terribly wrong. The *Chicago Tribune* proclaimed that her work “draws you in and keeps you reading with the force of a pure but nasty addiction.” *Gone Girl* ’s toxic mix of sharp-edged wit and deliciously chilling prose creates a nerve-fraying thriller that confounds you at every turn. On a warm summer morning in North Carthage, Missouri, it is Nick and Amy Dunne’s fifth wedding anniversary. Presents are being wrapped and reservations are being made when Nick’s clever and beautiful wife disappears from their rented McMansion on the Mississippi River. Husband-of-the-Year Nick isn’t doing himself any favors with cringe-worthy daydreams about the slope and shape of his wife’s head, but passages from Amy's diary reveal the alpha-girl perfectionist could have put anyone dangerously on edge **.** Under mounting pressure from the police and the media—as well as Amy’s fiercely doting parents—the town golden boy parades an endless series of lies, deceits, and inappropriate behavior. Nick is oddly evasive, and he’s definitely bitter—but is he really a killer? As the cops close in, every couple in town is soon wondering how well they know the one that they love. With his twin sister, Margo, at his side, Nick stands by his innocence. Trouble is, if Nick didn’t do it, where is that beautiful wife? And what was in that silvery gift box hidden in the back of her bedroom closet? With her razor-sharp writing and trademark psychological insight, Gillian Flynn delivers a fast-paced, devilishly dark, and ingeniously plotted thriller that confirms her status as one of the hottest writers around. ### Amazon.com Review Amazon Best Books of the Month, June 2012: On their fifth wedding anniversary, Nick’s wife Amy disappears. There are signs of struggle in the house, and Nick quickly becomes the prime suspect. It doesn’t help that Nick hasn’t been completely honest with the police, and, as Amy’s case drags out for weeks, more and more vilifying evidence appears against him--but Nick maintains his innocence. Alternating points of view between Nick and Amy, Gillian Flynn creates an untrustworthy world that changes from chapter to chapter. Calling *Gone Girl* a psychological thriller is an understatement. As revelation after revelation unfolds, it becomes clear that the truth does not exist in the middle of Nick and Amy’s points of view; it is far darker, more twisted, and creepier than you can imagine. *Gone Girl* is masterfully plotted, and the suspense doesn’t waver for a single page. It’s one of those books you will feel the need to discuss as soon as you finish it, because the ending doesn’t just come--it punches you in the gut. -- *Caley Anderson* #### From Author Gillian Flynn You might say I specialize in difficult characters. Damaged, disturbed, or downright nasty. Personally, I love each and every one of the misfits, losers, and outcasts in my three novels. My supporting characters are meth tweakers, truck-stop strippers, backwoods grifters ... But it's my narrators who are the real challenge. In *Sharp Objects,* Camille Preaker is a mediocre journalist fresh from a stay at a psychiatric hospital. She's an alcoholic. She's got impulse issues. She's also incredibly lonely. Her best friend is her boss. When she returns to her hometown to investigate a child murder, she parks down the street from her mother's house "so as to seem less obtrusive." She has no sense of whom to trust, and this leads to disaster. Camille is cut off from the world but would rather not be. In *Dark Places,* narrator Libby Day is aggressively lonely. She cultivates her isolation. She lives off a trust fund established for her as a child when her family was massacred; she isn't particularly grateful for it. She's a liar, a manipulator, a kleptomaniac. "I have a meanness inside me, real as an organ," she warns. "Draw a picture of my soul and it'd be a scribble with fangs." If Camille is overly grateful when people want to befriend her, Libby's first instinct is to kick them in their shins. In those first two novels, I explored the geography of loneliness--and the devastation it can lead to. With *Gone Girl,* I wanted to go the opposite direction: what happens when two people intertwine their lives completely.I wanted to explore the geography of intimacy--and the devastation it can lead to. Marriage gone toxic. *Gone Girl* opens on the occasion of Amy and Nick Dunne's fifth wedding anniversary. (How romantic.) Amy disappears under very disturbing circumstances. (Less romantic.) Nick and Amy Dunne were the golden couple when they first began their courtship. Soul mates. They could complete each other's sentences, guess each other's reactions. They could push each other's buttons. They are smart, charming, gorgeous, and also narcissistic, selfish, and cruel. They complete each other--in a very dangerous way. ### Review "Ice-pick-sharp... Spectacularly sneaky... Impressively cagey... "Gone Girl" is Ms. Flynn's dazzling breakthrough. It is wily, mercurial, subtly layered and populated by characters so well imagined that they're hard to part with -- even if, as in Amy's case, they are already departed. And if you have any doubts about whether Ms. Flynn measures up to Patricia Highsmith's level of discreet malice, go back and look at the small details. Whatever you raced past on a first reading will look completely different the second time around." --Janet Maslin, "New York Times ""An ingenious and viperish thriller... It's going to make Gillian Flynn a star... The first half of "Gone Girl" is a nimble, caustic riff on our Nancy Grace culture and the way in which ''The butler did it'' has morphed into ''The husband did it.'' The second half is the real stunner, though. Now I really am going to shut up before I spoil what instantly shifts into a great, breathless read. Even as "Gone Girl" grows truly twisted and wild, it says smart things about how tenuous power relations are between men and women, and how often couples are at the mercy of forces beyond their control. As if that weren't enough, Flynn has created a genuinely creepy villain you don't see coming. People love to talk about the banality of evil. You're about to meet a maniac you could fall in love with. A" "--"Jeff Giles, "Entertainment Weekly " "An irresistible summer thriller with a twisting plot worthy of Alfred Hitchcock. Burrowing deep into the murkiest corners of the human psyche, this delectable summer read will give you the creeps and keep you on edge until the last page." "--People" (four stars) "[A] thoroughbred thriller about the nature of identity and the terrible secrets that can survive and thrive in even the most intimate relationships. "Gone Girl" begins as a whodunit, but by the end it will have you wondering whether there's any such thing as a who at all." "--"Lev Grossman, "Time"

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“I’ve been waiting outside your house with the rest of the world, and then at the police station, and then I decided I needed a drink. And here you walk in. It’s just too perfect. Too weird, right?” she said. She had little gold hoop earrings that she kept playing with, her hair tucked behind her ears.

“I should go,” I said. My words were sticky around the edges, the beginnings of a slur.

“But you never told me why you’re here,” Rebecca said. “I have to say, it takes a lot of courage, I think, for you to head out without a friend or some sort of backup. I bet you get a lot of shitty looks.”

I shrugged: No big deal .

“People judging everything you do without even knowing you. Like you with the cell-phone photo at the park. I mean, you were probably like me: You were raised to be polite. But no one wants the real story. They just want to … gotcha . You know?”

“I’m just tired of people judging me because I fit into a certain mold.”

She raised her eyebrows; her earrings jittered.

I thought of Amy sitting in her mystery control center, wherever the fuck she was, judging me from every angle, finding me wanting even from afar. Was there anything she could see that would make her call off this madness?

I went on, “I mean, people think we were in a rocky marriage, but actually, right before she disappeared, she put together a treasure hunt for me.”

Amy would want one of two things: for me to learn my lesson and fry like the bad boy I was; or for me to learn my lesson and love her the way she deserved and be a good, obedient, chastised, dickless little boy.

“This wonderful treasure hunt.” I smiled. Rebecca shook her head with a little-V frown. “My wife, she always did a treasure hunt for our anniversary. One clue leads to a special place where I find the next clue, and so on. Amy …” I tried to get my eyes to fill, settled for wiping them. The clock above the door read 12:37 A.M. “Before she went missing, she hid all the clues. For this year.”

“Before she disappeared on your anniversary.”

“And it’s been all that’s kept me together. It made me feel closer to her.”

Rebecca pulled out a Flip camera. “Let me interview you. On camera.”

“Bad idea.”

“I’ll give it context,” she said. “That’s exactly what you need, Nick, I swear. Context. You need it bad. Come on, just a few words.”

I shook my head. “Too dangerous.”

“Say what you just said. I’m serious, Nick. I’m the opposite of Ellen Abbott. The anti–Ellen Abbott. You need me in your life.” She held up the camera, its tiny red light eyeing me.

“Seriously, turn it off.”

“Help a girl out. I get the Nick Dunne interview? My career is made. You’ve done your good deed for the year. Pleeease? No harm, Nick, one minute. Just one minute. I swear I will only make you look good.”

She motioned to a nearby booth where we’d be tucked out of view of any gawkers. I nodded and we resettled, that little red light aimed at me the whole time.

“What do you want to know?” I asked.

“Tell me about the treasure hunt. It sounds romantic. Like, quirky, awesome, romantic.”

Take control of the story, Nick . For both the capital-P public and the capital-C wife. Right now , I thought, I am a man who loves his wife and will find her. I am a man who loves his wife, and I am the good guy. I am the one to root for. I am a man who isn’t perfect, but my wife is, and I will be very, very obedient from now on .

I could do this more easily than feign sadness. Like I said, I can operate in sunlight. Still, I felt my throat tighten as I got ready to say the words.

“My wife, she just happens to be the coolest girl I’ve ever met. How many guys can say that? I married the coolest girl I ever met .”

Youfuckingbitchyoufuckingbitchyoufuckingbitch. Come home so I can kill you .

AMY ELLIOTT DUNNE

NINE DAYS GONE

I wake up feeling immediately nervous. Off. I cannot be found here , that’s what I wake up thinking, a burst of words, like a flash in my brain. The investigation is not going fast enough, and my money situation is just the opposite, and Jeff’s and Greta’s greedy antennae are up. And I smell like fish.

There was something about Jeff and that race to the shoreline, toward my bundled dress and my money belt. Something about the way Greta keeps alighting on Ellen Abbott . It makes me nervous. Or am I being paranoid? I sound like Diary Amy: Is my husband going to kill me or am I imagining!?!? For the first time I actually feel sorry for her.

I make two calls to the Amy Dunne tip line, and speak to two different people, and offer two different tips. It’s hard to tell how quickly they’ll reach the police—the volunteers seem utterly disinterested. I drive to the library in a dark mood. I need to pack up and leave. Clean my cabin with bleach, wipe my fingerprints off everything, vacuum for any hairs. Erase Amy (and Lydia and Nancy) and go. If I go, I’ll be safe. Even if Greta and Jeff do suspect who I am, as long as I’m not caught in the flesh, I’m okay. Amy Elliott Dunne is like a yeti—coveted and folkloric—and they are two Ozarks grifters whose blurry story will be immediately debunked. I will leave today. That’s what I decide when I walk with my head bowed into the chilly, mostly uninhabited library with its three vacant computers and I go online to catch up on Nick.

Since the vigil, the news about Nick has been on repeat—the same facts on a circuit, over and over, getting louder and louder, but with no new information. But today something is different. I type Nick’s name into the search engine, and the blogs are going nuts, because my husband has gotten drunk and done an insane interview, in a bar, with a random girl wielding a Flip camera. God, the idiot never learns.

NICK DUNNE’S VIDEO CONFESSION!!!

NICK DUNNE, DRUNKEN DECLARATIONS!!!

My heart jumps so high, my uvula begins pulsing. My husband has fucked himself again.

The video loads, and there is Nick. He has the sleepy eyes he gets when he’s drunk, the heavy lids, and he’s got his sideways grin, and he’s talking about me, and he looks like a human being. He looks happy. “My wife, she just happens to be the coolest girl I’ve ever met,” he says. “How many guys can say that? I married the coolest girl I ever met .”

My stomach flutters delicately. I was not expecting this. I almost smile.

“What’s so cool about her?” the girl asks off-screen. Her voice is high, sorority-cheery.

Nick launches into the treasure hunt, how it was our tradition, how I always remembered hilarious inside jokes, and right now this was all he had left of me, so he had to complete the treasure hunt. It was his mission.

“I just reached the end this morning,” he says. His voice is husky. He has been talking over the crowd. He’ll go home and gargle with warm salt water, like his mother always made him do. If I were at home with him, he’d ask me to heat the water and make it for him, because he never got the right amount of salt. “And it made me … realize a lot. She is the only person in the world who has the power to surprise me, you know? Everyone else, I always know what they’re going to say, because everyone says the same thing. We all watch the same shows, we read the same stuff, we recycle everything. But Amy, she is her own perfect person. She just has this power over me.”

“Where do you think she is now, Nick?”

My husband looks down at his wedding band and twirls it twice.

“Are you okay, Nick?”

“The truth? No. I failed my wife so entirely. I have been so wrong. I just hope it’s not too late. For me. For us.”

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