Gillian Flynn - Gone Girl:

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Gone Girl:: краткое содержание, описание и аннотация

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Marriage can be a real killer. One of the most critically acclaimed suspense writers of our time, *New York Times* bestseller Gillian Flynn takes that statement to its darkest place in this unputdownable masterpiece about a marriage gone terribly, terribly wrong. The *Chicago Tribune* proclaimed that her work “draws you in and keeps you reading with the force of a pure but nasty addiction.” *Gone Girl* ’s toxic mix of sharp-edged wit and deliciously chilling prose creates a nerve-fraying thriller that confounds you at every turn. On a warm summer morning in North Carthage, Missouri, it is Nick and Amy Dunne’s fifth wedding anniversary. Presents are being wrapped and reservations are being made when Nick’s clever and beautiful wife disappears from their rented McMansion on the Mississippi River. Husband-of-the-Year Nick isn’t doing himself any favors with cringe-worthy daydreams about the slope and shape of his wife’s head, but passages from Amy's diary reveal the alpha-girl perfectionist could have put anyone dangerously on edge **.** Under mounting pressure from the police and the media—as well as Amy’s fiercely doting parents—the town golden boy parades an endless series of lies, deceits, and inappropriate behavior. Nick is oddly evasive, and he’s definitely bitter—but is he really a killer? As the cops close in, every couple in town is soon wondering how well they know the one that they love. With his twin sister, Margo, at his side, Nick stands by his innocence. Trouble is, if Nick didn’t do it, where is that beautiful wife? And what was in that silvery gift box hidden in the back of her bedroom closet? With her razor-sharp writing and trademark psychological insight, Gillian Flynn delivers a fast-paced, devilishly dark, and ingeniously plotted thriller that confirms her status as one of the hottest writers around. ### Amazon.com Review Amazon Best Books of the Month, June 2012: On their fifth wedding anniversary, Nick’s wife Amy disappears. There are signs of struggle in the house, and Nick quickly becomes the prime suspect. It doesn’t help that Nick hasn’t been completely honest with the police, and, as Amy’s case drags out for weeks, more and more vilifying evidence appears against him--but Nick maintains his innocence. Alternating points of view between Nick and Amy, Gillian Flynn creates an untrustworthy world that changes from chapter to chapter. Calling *Gone Girl* a psychological thriller is an understatement. As revelation after revelation unfolds, it becomes clear that the truth does not exist in the middle of Nick and Amy’s points of view; it is far darker, more twisted, and creepier than you can imagine. *Gone Girl* is masterfully plotted, and the suspense doesn’t waver for a single page. It’s one of those books you will feel the need to discuss as soon as you finish it, because the ending doesn’t just come--it punches you in the gut. -- *Caley Anderson* #### From Author Gillian Flynn You might say I specialize in difficult characters. Damaged, disturbed, or downright nasty. Personally, I love each and every one of the misfits, losers, and outcasts in my three novels. My supporting characters are meth tweakers, truck-stop strippers, backwoods grifters ... But it's my narrators who are the real challenge. In *Sharp Objects,* Camille Preaker is a mediocre journalist fresh from a stay at a psychiatric hospital. She's an alcoholic. She's got impulse issues. She's also incredibly lonely. Her best friend is her boss. When she returns to her hometown to investigate a child murder, she parks down the street from her mother's house "so as to seem less obtrusive." She has no sense of whom to trust, and this leads to disaster. Camille is cut off from the world but would rather not be. In *Dark Places,* narrator Libby Day is aggressively lonely. She cultivates her isolation. She lives off a trust fund established for her as a child when her family was massacred; she isn't particularly grateful for it. She's a liar, a manipulator, a kleptomaniac. "I have a meanness inside me, real as an organ," she warns. "Draw a picture of my soul and it'd be a scribble with fangs." If Camille is overly grateful when people want to befriend her, Libby's first instinct is to kick them in their shins. In those first two novels, I explored the geography of loneliness--and the devastation it can lead to. With *Gone Girl,* I wanted to go the opposite direction: what happens when two people intertwine their lives completely.I wanted to explore the geography of intimacy--and the devastation it can lead to. Marriage gone toxic. *Gone Girl* opens on the occasion of Amy and Nick Dunne's fifth wedding anniversary. (How romantic.) Amy disappears under very disturbing circumstances. (Less romantic.) Nick and Amy Dunne were the golden couple when they first began their courtship. Soul mates. They could complete each other's sentences, guess each other's reactions. They could push each other's buttons. They are smart, charming, gorgeous, and also narcissistic, selfish, and cruel. They complete each other--in a very dangerous way. ### Review "Ice-pick-sharp... Spectacularly sneaky... Impressively cagey... "Gone Girl" is Ms. Flynn's dazzling breakthrough. It is wily, mercurial, subtly layered and populated by characters so well imagined that they're hard to part with -- even if, as in Amy's case, they are already departed. And if you have any doubts about whether Ms. Flynn measures up to Patricia Highsmith's level of discreet malice, go back and look at the small details. Whatever you raced past on a first reading will look completely different the second time around." --Janet Maslin, "New York Times ""An ingenious and viperish thriller... It's going to make Gillian Flynn a star... The first half of "Gone Girl" is a nimble, caustic riff on our Nancy Grace culture and the way in which ''The butler did it'' has morphed into ''The husband did it.'' The second half is the real stunner, though. Now I really am going to shut up before I spoil what instantly shifts into a great, breathless read. Even as "Gone Girl" grows truly twisted and wild, it says smart things about how tenuous power relations are between men and women, and how often couples are at the mercy of forces beyond their control. As if that weren't enough, Flynn has created a genuinely creepy villain you don't see coming. People love to talk about the banality of evil. You're about to meet a maniac you could fall in love with. A" "--"Jeff Giles, "Entertainment Weekly " "An irresistible summer thriller with a twisting plot worthy of Alfred Hitchcock. Burrowing deep into the murkiest corners of the human psyche, this delectable summer read will give you the creeps and keep you on edge until the last page." "--People" (four stars) "[A] thoroughbred thriller about the nature of identity and the terrible secrets that can survive and thrive in even the most intimate relationships. "Gone Girl" begins as a whodunit, but by the end it will have you wondering whether there's any such thing as a who at all." "--"Lev Grossman, "Time"

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AMY ELLIOTT DUNNE

FEBRUARY 15, 2012

DIARY ENTRY

What a strange time this is. I have to think that way, try to examine it from a distance: Ha -ha , what an odd period this will be to look back on, won’t I be amused when I’m eighty, dressed in faded lavender, a wise, amused figure swilling martinis, and won’t this make a story ? A strange, awful story of something I survived.

Because something is horribly wrong with my husband, of that I am sure now. Yes, he’s mourning his mother, but this is something more. It feels directed at me, not a sadness but … I can feel him watching me sometimes, and I look up and see his face twisted in disgust, like he’s walked in on me doing something awful, instead of just eating cereal in the morning or combing my hair at night. He’s so angry, so unstable, I’ve been wondering if his moods are linked to something physical—one of those wheat allergies that turn people mad, or a colony of mold spores that has clogged his brain.

I came downstairs the other night and found him at the dining room table, his head in his hands, looking at a pile of credit-card bills. I watched my husband, all alone, under the spotlight of a chandelier. I wanted to go to him, to sit down with him and figure it out like partners. But I didn’t, I knew that would piss him off. I sometimes wonder if that is at the root of his distaste for me: He’s let me see his shortcomings, and he hates me for knowing them.

He shoved me. Hard. Two days ago, he shoved me, and I fell and banged my head against the kitchen island and I couldn’t see for three seconds. I don’t really know what to say about it. It was more shocking than painful. I was telling him I could get a job, something freelance, so we could start a family, have a real life …

“What do you call this?” he said.

Purgatory , I thought. I stayed silent.

“What do you call this, Amy? Huh? What do you call this? This isn’t life, according to Miss Amazing?”

“It’s not my idea of life,” I said, and he took three big steps toward me, and I thought: He looks like he’s going to … And then he was slamming against me and I was falling.

We both gasped. He held his fist in the other hand and looked like he might cry. He was beyond sorry, he was aghast. But here’s the thing I want to be clear on: I knew what I was doing, I was punching every button on him. I was watching him coil tighter and tighter—I wanted him to finally say something, do something. Even if it’s bad, even if it’s the worst, do something, Nick . Don’t leave me here like a ghost.

I just didn’t realize he was going to do that .

I’ve never considered what I would do if my husband attacked me, because I haven’t exactly run in the wife-beating crowd. (I know, Lifetime movie, I know: Violence crosses all socioeconomic barriers. But still: Nick?) I sound glib. It just seems so incredibly ludicrous: I am a battered wife. Amazing Amy and the Domestic Abuser .

He did apologize profusely. (Does anyone do anything profusely except apologize? Sweat, I guess.) He’s agreed to consider counseling, which was something I never thought could happen. Which is good. He’s such a good man, at his core, that I am willing to write it off, to believe it truly was a sick anomaly, brought on by the strain we’re both under. I forget sometimes, that as much stress as I feel, Nick feels it too: He bears the burden of having brought me here, he feels the strain of wanting mopey me to be content, and for a man like Nick—who believes strongly in an up-by-the-bootstraps sort of happiness—that can be infuriating.

So the hard shove, so quick, then done, it didn’t scare me in itself. What scared me was the look on his face as I lay on the floor blinking, my head ringing. It was the look on his face as he restrained himself from taking another jab. How much he wanted to shove me again. How hard it was not to. How he’s been looking at me since: guilt, and disgust at the guilt. Absolute disgust.

Here’s the darkest part. I drove out to the mall yesterday, where about half the town buys drugs, and it’s as easy as picking up a prescription; I know because Noelle told me: Her husband goes there to purchase the occasional joint. I didn’t want a joint, though, I wanted a gun, just in case. In case things with Nick go really wrong. I didn’t realize until I was almost there that it was Valentine’s Day. It was Valentine’s Day and I was going to buy a gun and then cook my husband dinner. And I thought to myself: Nick’s dad was right about you. You are a dumb bitch. Because if you think your husband is going to hurt you, you leave. And yet you can’t leave your husband, who’s mourning his dead mother. You can’t. You’d have to be a biblically awful woman to do that , unless something were truly wrong. You’d have to really believe your husband was going to hurt you .

But I don’t really think Nick would hurt me.

I just would feel safer with a gun.

NICK DUNNE

SIX DAYS GONE

Go pushed me into the car and peeled away from the park. We flew past Noelle, who was walking with Boney and Gilpin toward their cruiser, her carefully dressed triplets bumping along behind her like kite ribbons. We screeched past the mob: hundreds of faces, a fleshy pointillism of anger aimed right at me. We ran away, basically. Technically.

“Wow, ambush,” Go muttered.

“Ambush?” I repeated, brain-stunned.

“You think that was an accident, Nick? Triplet Cunt already made her statement to the police. Nothing about the pregnancy.”

“Or they’re doling out bombshells a little at a time.”

Boney and Gilpin had already heard my wife was pregnant and decided to make it a strategy. They clearly really believed I killed her.

“Noelle will be on every cable broadcast for the next week, talking about how you’re a murderer and she’s Amy’s best friend out for justice. Publicity whore. Publicity fucking whore .”

I pressed my face against the window, slumped in my chair. Several news vans followed us. We drove silently, Go’s breath slowing down. I watched the river, a tree branch bobbing its way south.

“Nick?” she finally said. “Is it—uh … Do you—”

“I don’t know, Go. Amy didn’t say anything to me. If she was pregnant, why would she tell Noelle and not tell me?”

“Why would she try to get a gun and not tell you?” Go said. “None of this makes sense.”

We retreated to Go’s—the camera crews would be swarming my house—and as soon as I walked in the door my cell phone rang, the real one. It was the Elliotts. I sucked in some air, ducked into my old bedroom, then answered.

“I need to ask you this, Nick.” It was Rand, the TV burbling in the background. “I need you to tell me. Did you know Amy was pregnant?”

I paused, trying to find the right way to phrase it, the unlikelihood of a pregnancy.

“Answer me, goddammit!”

Rand’s volume made me get quieter. I spoke in a soft, soothing voice, a voice wearing a cardigan. “Amy and I were not trying to get pregnant. She didn’t want to be pregnant, Rand, I don’t know if she ever was going to be. We weren’t even … we weren’t even having relations that often. I’d be … very surprised if she was pregnant.”

“Noelle said Amy visited the doctor to confirm the pregnancy. The police already submitted a subpoena for the records. We’ll know tonight.”

I found Go in the living room, sitting with a cup of cold coffee at my mother’s card table. She turned toward me just enough to show she knew I was there, but she didn’t let me see her face.

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