Gillian Flynn - Gone Girl:

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Gone Girl:: краткое содержание, описание и аннотация

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Marriage can be a real killer. One of the most critically acclaimed suspense writers of our time, *New York Times* bestseller Gillian Flynn takes that statement to its darkest place in this unputdownable masterpiece about a marriage gone terribly, terribly wrong. The *Chicago Tribune* proclaimed that her work “draws you in and keeps you reading with the force of a pure but nasty addiction.” *Gone Girl* ’s toxic mix of sharp-edged wit and deliciously chilling prose creates a nerve-fraying thriller that confounds you at every turn. On a warm summer morning in North Carthage, Missouri, it is Nick and Amy Dunne’s fifth wedding anniversary. Presents are being wrapped and reservations are being made when Nick’s clever and beautiful wife disappears from their rented McMansion on the Mississippi River. Husband-of-the-Year Nick isn’t doing himself any favors with cringe-worthy daydreams about the slope and shape of his wife’s head, but passages from Amy's diary reveal the alpha-girl perfectionist could have put anyone dangerously on edge **.** Under mounting pressure from the police and the media—as well as Amy’s fiercely doting parents—the town golden boy parades an endless series of lies, deceits, and inappropriate behavior. Nick is oddly evasive, and he’s definitely bitter—but is he really a killer? As the cops close in, every couple in town is soon wondering how well they know the one that they love. With his twin sister, Margo, at his side, Nick stands by his innocence. Trouble is, if Nick didn’t do it, where is that beautiful wife? And what was in that silvery gift box hidden in the back of her bedroom closet? With her razor-sharp writing and trademark psychological insight, Gillian Flynn delivers a fast-paced, devilishly dark, and ingeniously plotted thriller that confirms her status as one of the hottest writers around. ### Amazon.com Review Amazon Best Books of the Month, June 2012: On their fifth wedding anniversary, Nick’s wife Amy disappears. There are signs of struggle in the house, and Nick quickly becomes the prime suspect. It doesn’t help that Nick hasn’t been completely honest with the police, and, as Amy’s case drags out for weeks, more and more vilifying evidence appears against him--but Nick maintains his innocence. Alternating points of view between Nick and Amy, Gillian Flynn creates an untrustworthy world that changes from chapter to chapter. Calling *Gone Girl* a psychological thriller is an understatement. As revelation after revelation unfolds, it becomes clear that the truth does not exist in the middle of Nick and Amy’s points of view; it is far darker, more twisted, and creepier than you can imagine. *Gone Girl* is masterfully plotted, and the suspense doesn’t waver for a single page. It’s one of those books you will feel the need to discuss as soon as you finish it, because the ending doesn’t just come--it punches you in the gut. -- *Caley Anderson* #### From Author Gillian Flynn You might say I specialize in difficult characters. Damaged, disturbed, or downright nasty. Personally, I love each and every one of the misfits, losers, and outcasts in my three novels. My supporting characters are meth tweakers, truck-stop strippers, backwoods grifters ... But it's my narrators who are the real challenge. In *Sharp Objects,* Camille Preaker is a mediocre journalist fresh from a stay at a psychiatric hospital. She's an alcoholic. She's got impulse issues. She's also incredibly lonely. Her best friend is her boss. When she returns to her hometown to investigate a child murder, she parks down the street from her mother's house "so as to seem less obtrusive." She has no sense of whom to trust, and this leads to disaster. Camille is cut off from the world but would rather not be. In *Dark Places,* narrator Libby Day is aggressively lonely. She cultivates her isolation. She lives off a trust fund established for her as a child when her family was massacred; she isn't particularly grateful for it. She's a liar, a manipulator, a kleptomaniac. "I have a meanness inside me, real as an organ," she warns. "Draw a picture of my soul and it'd be a scribble with fangs." If Camille is overly grateful when people want to befriend her, Libby's first instinct is to kick them in their shins. In those first two novels, I explored the geography of loneliness--and the devastation it can lead to. With *Gone Girl,* I wanted to go the opposite direction: what happens when two people intertwine their lives completely.I wanted to explore the geography of intimacy--and the devastation it can lead to. Marriage gone toxic. *Gone Girl* opens on the occasion of Amy and Nick Dunne's fifth wedding anniversary. (How romantic.) Amy disappears under very disturbing circumstances. (Less romantic.) Nick and Amy Dunne were the golden couple when they first began their courtship. Soul mates. They could complete each other's sentences, guess each other's reactions. They could push each other's buttons. They are smart, charming, gorgeous, and also narcissistic, selfish, and cruel. They complete each other--in a very dangerous way. ### Review "Ice-pick-sharp... Spectacularly sneaky... Impressively cagey... "Gone Girl" is Ms. Flynn's dazzling breakthrough. It is wily, mercurial, subtly layered and populated by characters so well imagined that they're hard to part with -- even if, as in Amy's case, they are already departed. And if you have any doubts about whether Ms. Flynn measures up to Patricia Highsmith's level of discreet malice, go back and look at the small details. Whatever you raced past on a first reading will look completely different the second time around." --Janet Maslin, "New York Times ""An ingenious and viperish thriller... It's going to make Gillian Flynn a star... The first half of "Gone Girl" is a nimble, caustic riff on our Nancy Grace culture and the way in which ''The butler did it'' has morphed into ''The husband did it.'' The second half is the real stunner, though. Now I really am going to shut up before I spoil what instantly shifts into a great, breathless read. Even as "Gone Girl" grows truly twisted and wild, it says smart things about how tenuous power relations are between men and women, and how often couples are at the mercy of forces beyond their control. As if that weren't enough, Flynn has created a genuinely creepy villain you don't see coming. People love to talk about the banality of evil. You're about to meet a maniac you could fall in love with. A" "--"Jeff Giles, "Entertainment Weekly " "An irresistible summer thriller with a twisting plot worthy of Alfred Hitchcock. Burrowing deep into the murkiest corners of the human psyche, this delectable summer read will give you the creeps and keep you on edge until the last page." "--People" (four stars) "[A] thoroughbred thriller about the nature of identity and the terrible secrets that can survive and thrive in even the most intimate relationships. "Gone Girl" begins as a whodunit, but by the end it will have you wondering whether there's any such thing as a who at all." "--"Lev Grossman, "Time"

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“She tried to talk with me when I was a little busy yesterday,” Rand said. “She quoted some Amazing Amy stuff at me. Amazing Amy and the Best Friend War , actually. ‘Best friends are the people who know us best.’ ”

“Sounds like Hilary,” I said. “All grown up.”

We met Boney and Gilpin just after seven A.M. at an IHOP out along the highway for a showdown: It was ridiculous that we were doing their job for them. It was insane that we were the ones discovering leads. It was time to call in the FBI if the local cops couldn’t handle it.

A plump, amber-eyed waitress took our orders, poured us coffee, and, clearly recognizing me, lingered within eavesdropping distance until Gilpin scatted her away. She was like a determined housefly, though. Between drink refills and dispensing of utensils and the magically quick arrival of our food, our entire harangue came in limp bursts. This is unacceptable … no more coffee, thanks … it’s unbelievable that … uh, sure, rye is fine …

Before we were done, Boney interrupted. “I understand, guys, it’s natural to want to feel involved. But what you did was dangerous. You have got to let us handle this kind of thing.”

“That’s just it, though, you aren’t handling it,” I said. “You’d never have gotten this information, about the gun, if we didn’t go out there last night. What did Lonnie say when you talked to him?”

“Same thing you said he said,” Gilpin said. “Amy wanted to buy a gun, she was scared.”

“You don’t seem that impressed by this information,” I snapped. “Do you think he was lying?”

“We don’t think he was lying,” Boney said. “There’s no reason for the guy to invite police attention to himself. He seemed very struck by your wife. Very … I don’t know, rattled that this had happened to her. He remembered specific details. Nick, he said she was wearing a green scarf that day. You know, not a winter scarf but a fashion-statement scarf.” She made fluttery moves with her fingers to show she thought fashion to be childish, unworthy of her attention. “Emerald green. Ring a bell?”

I nodded. “She has one she wears with blue jeans a lot.”

“And a pin on her jacket—a gold cursive A?”

“Yes.”

Boney shrugged: Well, that settles it .

“You don’t think he might have been so struck by her that he … kidnapped her?” I asked.

“He has an alibi. Rock-solid,” Boney said, giving me a pointed look. “To tell the truth, we’ve begun to look for … a different kind of motive.”

“Something more … personal,” Gilpin added. He looked dubiously at his pancakes, topped with strawberries and puffs of whipped cream. He began scraping them to the side of his plate.

“More personal,” I said. “So does that mean you’re finally going to talk to Desi Collings, or Hilary Handy? Or do I need to?” I had, in fact, promised Marybeth I’d go today.

“Sure, we will,” Boney said. She had the placating tone of a girl promising her pesky mom to eat better. “We doubt it’s a lead—but we’ll talk to them.”

“Well, great, thanks for doing your job, kind of,” I said. “And what about Noelle Hawthorne? If you want someone close to home, she’s right in our complex, and she seems a little obsessed with Amy.”

“I know, she’s called us, and she’s on our list.” Gilpin nodded. “Today.”

“Good. What else are you doing?”

“Nick, we’d actually like you to make some time for us, let us pick your brain a bit more,” Boney said. “Spouses often know more than they realize. We’d like you to think a bit more about the argument—that barnburner your neighbor Mrs., uh, Teverer overheard you and Amy having the night before she went missing.”

Rand’s head jerked toward me.

Jan Teverer, the Christian casserole lady who wouldn’t meet my eye anymore.

“I mean, could it have been because—I know this is hard to hear, Mr. Elliott—because Amy was under the influence of something?” Boney asked. Innocent eyes. “I mean, maybe she has had contact with less savory elements in town. There are plenty of other drug dealers. Maybe she got in over her head, and that’s why she wanted a gun. There’s got to be a reason she wants a gun for protection and doesn’t tell her husband. And Nick, we’d like you to think harder about where you were between that time—the time of the argument, about eleven P.M., the last anyone heard Amy’s voice—”

“Besides me.”

“Besides you—and noon, when you arrived at your bar. If you were out and about in this town, driving to the beach, hanging around the dock area, someone must have seen you. Even if it was someone just, you know, walking his dog. If you can help us, I think that would be really …”

“Helpful,” Gilpin finished. He speared a strawberry.

They both watched me attentively, congenially. “It’d be super-helpful, Nick,” Gilpin repeated more pleasantly. First time I’d heard about the argument—that they knew about it—and they chose to tell me in front of Rand—and they chose to pretend it wasn’t a gotcha.

“Sure thing,” I said.

“You mind telling us what it was about?” Boney asked. “The argument?”

“What did Mrs. Teverer tell you it was about?”

“I hate to take her word when I got you right here.” She poured some cream into her coffee.

“It was such a nothing argument,” I began. “That’s why I never mentioned it. Just both of us scrapping at each other, the way couples do sometimes.”

Rand looked at me as if he had no clue what I was talking about: Scrapping? What is this scrapping of which you speak?

“It was just—about dinner,” I lied. “About what we’d do for dinner for our anniversary. You know, Amy is a traditionalist about these things—”

“The lobster!” Rand interrupted. He turned to the cops. “Amy cooks lobster every year for Nick.”

“Right. But there’s nowhere to get lobster in this town, not alive, from the tank, so she was frustrated. I had the Houston’s reservation—”

“I thought you said you didn’t have a Houston’s reservation.” Rand frowned.

“Well, yes, sorry, I’m getting confused. I just had the idea of the Houston’s reservation. But I really should have just arranged to have some lobster flown in.”

The cops, each of them, raised an accidental eyebrow. How very fancy .

“It’s not that expensive to do. Anyway, we were at this rotten loggerheads, and it was one of those arguments that got bigger than it should have.” I took a bite of my pancakes. I could feel the heat rushing from under my collar. “We were laughing about it within the hour.”

“Hunh” was all Boney said.

“And where are you on the treasure hunt?” Gilpin asked.

I stood up, put down some money, ready to go. I wasn’t the one who was supposed to be playing defense here. “Nowhere, not right yet—it’s hard to think clearly with so much going on.”

“Okay,” Gilpin said. “It’s less likely the treasure hunt is an angle, now that we know she was already feeling threatened months ago. But keep me in the loop anyway, okay?”

We all shuffled out into the heat. As Rand and I got into our car, Boney called out, “Hey, is Amy still a two, Nick?”

I frowned at her.

“A size two?” she repeated.

“Yes, she is, I think,” I said. “Yes. She is.”

Boney made a face that said Hmmmm , and got in her car.

“What do you think that was about?” Rand asked.

“Those two, who knows?”

We remained silent for most of the way to the hotel, Rand staring out the window at the rows of fast-food restaurants blinking by, me thinking about my lie—my lies. We had to circle to find a space at the Days Inn; the payroll convention was apparently a hot ticket.

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