Gillian Flynn - Gone Girl:

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Gone Girl:: краткое содержание, описание и аннотация

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Marriage can be a real killer. One of the most critically acclaimed suspense writers of our time, *New York Times* bestseller Gillian Flynn takes that statement to its darkest place in this unputdownable masterpiece about a marriage gone terribly, terribly wrong. The *Chicago Tribune* proclaimed that her work “draws you in and keeps you reading with the force of a pure but nasty addiction.” *Gone Girl* ’s toxic mix of sharp-edged wit and deliciously chilling prose creates a nerve-fraying thriller that confounds you at every turn. On a warm summer morning in North Carthage, Missouri, it is Nick and Amy Dunne’s fifth wedding anniversary. Presents are being wrapped and reservations are being made when Nick’s clever and beautiful wife disappears from their rented McMansion on the Mississippi River. Husband-of-the-Year Nick isn’t doing himself any favors with cringe-worthy daydreams about the slope and shape of his wife’s head, but passages from Amy's diary reveal the alpha-girl perfectionist could have put anyone dangerously on edge **.** Under mounting pressure from the police and the media—as well as Amy’s fiercely doting parents—the town golden boy parades an endless series of lies, deceits, and inappropriate behavior. Nick is oddly evasive, and he’s definitely bitter—but is he really a killer? As the cops close in, every couple in town is soon wondering how well they know the one that they love. With his twin sister, Margo, at his side, Nick stands by his innocence. Trouble is, if Nick didn’t do it, where is that beautiful wife? And what was in that silvery gift box hidden in the back of her bedroom closet? With her razor-sharp writing and trademark psychological insight, Gillian Flynn delivers a fast-paced, devilishly dark, and ingeniously plotted thriller that confirms her status as one of the hottest writers around. ### Amazon.com Review Amazon Best Books of the Month, June 2012: On their fifth wedding anniversary, Nick’s wife Amy disappears. There are signs of struggle in the house, and Nick quickly becomes the prime suspect. It doesn’t help that Nick hasn’t been completely honest with the police, and, as Amy’s case drags out for weeks, more and more vilifying evidence appears against him--but Nick maintains his innocence. Alternating points of view between Nick and Amy, Gillian Flynn creates an untrustworthy world that changes from chapter to chapter. Calling *Gone Girl* a psychological thriller is an understatement. As revelation after revelation unfolds, it becomes clear that the truth does not exist in the middle of Nick and Amy’s points of view; it is far darker, more twisted, and creepier than you can imagine. *Gone Girl* is masterfully plotted, and the suspense doesn’t waver for a single page. It’s one of those books you will feel the need to discuss as soon as you finish it, because the ending doesn’t just come--it punches you in the gut. -- *Caley Anderson* #### From Author Gillian Flynn You might say I specialize in difficult characters. Damaged, disturbed, or downright nasty. Personally, I love each and every one of the misfits, losers, and outcasts in my three novels. My supporting characters are meth tweakers, truck-stop strippers, backwoods grifters ... But it's my narrators who are the real challenge. In *Sharp Objects,* Camille Preaker is a mediocre journalist fresh from a stay at a psychiatric hospital. She's an alcoholic. She's got impulse issues. She's also incredibly lonely. Her best friend is her boss. When she returns to her hometown to investigate a child murder, she parks down the street from her mother's house "so as to seem less obtrusive." She has no sense of whom to trust, and this leads to disaster. Camille is cut off from the world but would rather not be. In *Dark Places,* narrator Libby Day is aggressively lonely. She cultivates her isolation. She lives off a trust fund established for her as a child when her family was massacred; she isn't particularly grateful for it. She's a liar, a manipulator, a kleptomaniac. "I have a meanness inside me, real as an organ," she warns. "Draw a picture of my soul and it'd be a scribble with fangs." If Camille is overly grateful when people want to befriend her, Libby's first instinct is to kick them in their shins. In those first two novels, I explored the geography of loneliness--and the devastation it can lead to. With *Gone Girl,* I wanted to go the opposite direction: what happens when two people intertwine their lives completely.I wanted to explore the geography of intimacy--and the devastation it can lead to. Marriage gone toxic. *Gone Girl* opens on the occasion of Amy and Nick Dunne's fifth wedding anniversary. (How romantic.) Amy disappears under very disturbing circumstances. (Less romantic.) Nick and Amy Dunne were the golden couple when they first began their courtship. Soul mates. They could complete each other's sentences, guess each other's reactions. They could push each other's buttons. They are smart, charming, gorgeous, and also narcissistic, selfish, and cruel. They complete each other--in a very dangerous way. ### Review "Ice-pick-sharp... Spectacularly sneaky... Impressively cagey... "Gone Girl" is Ms. Flynn's dazzling breakthrough. It is wily, mercurial, subtly layered and populated by characters so well imagined that they're hard to part with -- even if, as in Amy's case, they are already departed. And if you have any doubts about whether Ms. Flynn measures up to Patricia Highsmith's level of discreet malice, go back and look at the small details. Whatever you raced past on a first reading will look completely different the second time around." --Janet Maslin, "New York Times ""An ingenious and viperish thriller... It's going to make Gillian Flynn a star... The first half of "Gone Girl" is a nimble, caustic riff on our Nancy Grace culture and the way in which ''The butler did it'' has morphed into ''The husband did it.'' The second half is the real stunner, though. Now I really am going to shut up before I spoil what instantly shifts into a great, breathless read. Even as "Gone Girl" grows truly twisted and wild, it says smart things about how tenuous power relations are between men and women, and how often couples are at the mercy of forces beyond their control. As if that weren't enough, Flynn has created a genuinely creepy villain you don't see coming. People love to talk about the banality of evil. You're about to meet a maniac you could fall in love with. A" "--"Jeff Giles, "Entertainment Weekly " "An irresistible summer thriller with a twisting plot worthy of Alfred Hitchcock. Burrowing deep into the murkiest corners of the human psyche, this delectable summer read will give you the creeps and keep you on edge until the last page." "--People" (four stars) "[A] thoroughbred thriller about the nature of identity and the terrible secrets that can survive and thrive in even the most intimate relationships. "Gone Girl" begins as a whodunit, but by the end it will have you wondering whether there's any such thing as a who at all." "--"Lev Grossman, "Time"

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“Okay, great, thank you,” she said. “Um, okay. I want to get the annoying stuff out of the way first. The crap stuff. If your wife was indeed abducted—and we don’t know that, but if it comes to that—we want to catch the guy, and when we catch the guy, we want to nail him, hard. No way out. No wiggle room.”

“Right.”

“So we have to rule you out real quick, real easy. So the guy can’t come back and say we didn’t rule you out, you know what I mean?”

I nodded mechanically. I didn’t really know what she meant, but I wanted to seem as cooperative as possible. “Whatever you need.”

“We don’t want to freak you out,” Gilpin added. “We just want to cover all the bases.”

“Fine by me.” It’s always the husband , I thought. Everyone knows it’s always the husband, so why can’t they just say it: We suspect you because you are the husband, and it’s always the husband. Just watch Dateline.

“Okay, great, Nick,” Boney said. “First let’s get a swab of the inside of your cheek so we can rule out all of the DNA in the house that isn’t yours. Would that be okay?”

“Sure.”

“I’d also like to take a quick sweep of your hands for gun shot residue. Again, just in case—”

“Wait, wait, wait. Have you found something that makes you think my wife was—”

“Nonono, Nick,” Gilpin interrupted. He pulled a chair up to the table and sat on it backward. I wondered if cops actually did that. Or did some clever actor do that, and then cops began doing it because they’d seen the actors playing cops do that and it looked cool?

“It’s just smart protocol,” Gilpin continued. “We try to cover every base: Check your hands, get a swab, and if we could check out your car too …”

“Of course. Like I said, whatever you need.”

“Thank you, Nick. I really appreciate it. Sometimes guys, they make things hard for us just because they can.”

I was exactly the opposite. My father had infused my childhood with unspoken blame; he was the kind of man who skulked around looking for things to be angry at. This had turned Go defensive and extremely unlikely to take unwarranted shit. It had turned me into a knee-jerk suckup to authority. Mom, Dad, teachers: Whatever makes your job easier, sir or madam . I craved a constant stream of approval. “You’d literally lie, cheat, and steal—hell, kill—to convince people you are a good guy,” Go once said. We were in line for knishes at Yonah Schimmel’s, not far from Go’s old New York apartment—that’s how well I remember the moment—and I lost my appetite because it was so completely true and I’d never realized it, and even as she was saying it, I thought: I will never forget this, this is one of those moments that will be lodged in my brain forever .

We made small talk, the cops and I, about the July Fourth fireworks and the weather, while my hands were tested for gunshot residue and the slick inside of my cheek was cotton-tipped. Pretending it was normal, a trip to the dentist.

When it was done, Boney put another cup of coffee in front of me, squeezed my shoulder. “I’m sorry about that. Worst part of the job. You think you’re up to a few questions now? It’d really help us.”

“Yes, definitely, fire away.”

She placed a slim digital tape recorder on the table in front of me. “You mind? This way you won’t have to answer the same questions over and over and over …” She wanted to tape me so I’d be nailed to one story. I should call a lawyer , I thought, but only guilty people need lawyers , so I nodded: No problem .

“So: Amy,” Boney said. “You two been living here how long?”

“Just about two years.”

“And she’s originally from New York. City.”

“Yes.”

“She work, got a job?” Gilpin said.

“No. She used to write personality quizzes.”

The detectives swapped a look: Quizzes?

“For teen magazines, women’s magazines,” I said. “You know: ‘Are you the jealous type? Take our quiz and find out! Do guys find you too intimidating? Take our quiz and find out!’ ”

“Very cool, I love those,” Boney said. “I didn’t know that was an actual job. Writing those. Like, a career.”

“Well, it’s not. Anymore. The Internet is packed with quizzes for free. Amy’s were smarter—she had a master’s in psychology —has a master’s in psychology.” I guffawed uncomfortably at my gaffe. “But smart can’t beat free.”

“Then what?”

I shrugged. “Then we moved back here. She’s just kind of staying at home right now.”

“Oh! You guys got kids, then?” Boney chirped, as if she had discovered good news.

“No.”

“Oh. So then what does she do most days?”

That was my question too. Amy was once a woman who did a little of everything, all the time. When we moved in together, she’d made an intense study of French cooking, displaying hyper-quick knife skills and an inspired boeuf bourguignon. For her thirty-fourth birthday, we flew to Barcelona, and she stunned me by rolling off trills of conversational Spanish, learned in months of secret lessons. My wife had a brilliant, popping brain, a greedy curiosity. But her obsessions tended to be fueled by competition: She needed to dazzle men and jealous-ify women: Of course Amy can cook French cuisine and speak fluent Spanish and garden and knit and run marathons and day-trade stocks and fly a plane and look like a runway model doing it . She needed to be Amazing Amy, all the time. Here in Missouri, the women shop at Target, they make diligent, comforting meals, they laugh about how little high school Spanish they remember. Competition doesn’t interest them. Amy’s relentless achieving is greeted with open-palmed acceptance and maybe a bit of pity. It was about the worst outcome possible for my competitive wife: a town of contented also-rans.

“She has a lot of hobbies,” I said.

“Anything worrying you?” Boney asked, looking worried. “You’re not concerned about drugs or drinking? I’m not speaking ill of your wife. A lot of housewives, more than you’d guess, they pass the day that way. The days, they get long when you’re by yourself. And if the drinking turns to drugs—and I’m not talking heroin but even prescription painkillers—well, there are some pretty awful characters selling around here right now.”

“The drug trade has gotten bad,” Gilpin said. “We’ve had a bunch of police layoffs—one-fifth of the force, and we were tight to begin with. I mean, it’s bad , we’re overrun.”

“Had a housewife, nice lady, get a tooth knocked out last month over some OxyContin,” Boney prompted.

“No, Amy might have a glass of wine or something, but not drugs.”

Boney eyed me; this was clearly not the answer she wanted. “She have some good friends here? We’d like to call some of them, just make sure. No offense. Sometimes a spouse is the last to know when drugs are involved. People get ashamed, especially women.”

Friends. In New York, Amy made and shed friends weekly; they were like her projects. She’d get intensely excited about them: Paula who gave her singing lessons and had a wicked good voice (Amy went to boarding school in Massachusetts; I loved the very occasional times she got all New England on me: wicked good ); Jessie from the fashion-design course. But then I’d ask about Jessie or Paula a month later, and Amy would look at me like I was making up words.

Then there were the men who were always rattling behind Amy, eager to do the husbandly things that her husband failed to do. Fix a chair leg, hunt down her favorite imported Asian tea. Men who she swore were her friends, just good friends. Amy kept them at exactly an arm’s distance—far enough away that I couldn’t get too annoyed, close enough that she could crook a finger and they’d do her bidding.

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