Gillian Flynn - Gone Girl:

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Gone Girl:: краткое содержание, описание и аннотация

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Marriage can be a real killer. One of the most critically acclaimed suspense writers of our time, *New York Times* bestseller Gillian Flynn takes that statement to its darkest place in this unputdownable masterpiece about a marriage gone terribly, terribly wrong. The *Chicago Tribune* proclaimed that her work “draws you in and keeps you reading with the force of a pure but nasty addiction.” *Gone Girl* ’s toxic mix of sharp-edged wit and deliciously chilling prose creates a nerve-fraying thriller that confounds you at every turn. On a warm summer morning in North Carthage, Missouri, it is Nick and Amy Dunne’s fifth wedding anniversary. Presents are being wrapped and reservations are being made when Nick’s clever and beautiful wife disappears from their rented McMansion on the Mississippi River. Husband-of-the-Year Nick isn’t doing himself any favors with cringe-worthy daydreams about the slope and shape of his wife’s head, but passages from Amy's diary reveal the alpha-girl perfectionist could have put anyone dangerously on edge **.** Under mounting pressure from the police and the media—as well as Amy’s fiercely doting parents—the town golden boy parades an endless series of lies, deceits, and inappropriate behavior. Nick is oddly evasive, and he’s definitely bitter—but is he really a killer? As the cops close in, every couple in town is soon wondering how well they know the one that they love. With his twin sister, Margo, at his side, Nick stands by his innocence. Trouble is, if Nick didn’t do it, where is that beautiful wife? And what was in that silvery gift box hidden in the back of her bedroom closet? With her razor-sharp writing and trademark psychological insight, Gillian Flynn delivers a fast-paced, devilishly dark, and ingeniously plotted thriller that confirms her status as one of the hottest writers around. ### Amazon.com Review Amazon Best Books of the Month, June 2012: On their fifth wedding anniversary, Nick’s wife Amy disappears. There are signs of struggle in the house, and Nick quickly becomes the prime suspect. It doesn’t help that Nick hasn’t been completely honest with the police, and, as Amy’s case drags out for weeks, more and more vilifying evidence appears against him--but Nick maintains his innocence. Alternating points of view between Nick and Amy, Gillian Flynn creates an untrustworthy world that changes from chapter to chapter. Calling *Gone Girl* a psychological thriller is an understatement. As revelation after revelation unfolds, it becomes clear that the truth does not exist in the middle of Nick and Amy’s points of view; it is far darker, more twisted, and creepier than you can imagine. *Gone Girl* is masterfully plotted, and the suspense doesn’t waver for a single page. It’s one of those books you will feel the need to discuss as soon as you finish it, because the ending doesn’t just come--it punches you in the gut. -- *Caley Anderson* #### From Author Gillian Flynn You might say I specialize in difficult characters. Damaged, disturbed, or downright nasty. Personally, I love each and every one of the misfits, losers, and outcasts in my three novels. My supporting characters are meth tweakers, truck-stop strippers, backwoods grifters ... But it's my narrators who are the real challenge. In *Sharp Objects,* Camille Preaker is a mediocre journalist fresh from a stay at a psychiatric hospital. She's an alcoholic. She's got impulse issues. She's also incredibly lonely. Her best friend is her boss. When she returns to her hometown to investigate a child murder, she parks down the street from her mother's house "so as to seem less obtrusive." She has no sense of whom to trust, and this leads to disaster. Camille is cut off from the world but would rather not be. In *Dark Places,* narrator Libby Day is aggressively lonely. She cultivates her isolation. She lives off a trust fund established for her as a child when her family was massacred; she isn't particularly grateful for it. She's a liar, a manipulator, a kleptomaniac. "I have a meanness inside me, real as an organ," she warns. "Draw a picture of my soul and it'd be a scribble with fangs." If Camille is overly grateful when people want to befriend her, Libby's first instinct is to kick them in their shins. In those first two novels, I explored the geography of loneliness--and the devastation it can lead to. With *Gone Girl,* I wanted to go the opposite direction: what happens when two people intertwine their lives completely.I wanted to explore the geography of intimacy--and the devastation it can lead to. Marriage gone toxic. *Gone Girl* opens on the occasion of Amy and Nick Dunne's fifth wedding anniversary. (How romantic.) Amy disappears under very disturbing circumstances. (Less romantic.) Nick and Amy Dunne were the golden couple when they first began their courtship. Soul mates. They could complete each other's sentences, guess each other's reactions. They could push each other's buttons. They are smart, charming, gorgeous, and also narcissistic, selfish, and cruel. They complete each other--in a very dangerous way. ### Review "Ice-pick-sharp... Spectacularly sneaky... Impressively cagey... "Gone Girl" is Ms. Flynn's dazzling breakthrough. It is wily, mercurial, subtly layered and populated by characters so well imagined that they're hard to part with -- even if, as in Amy's case, they are already departed. And if you have any doubts about whether Ms. Flynn measures up to Patricia Highsmith's level of discreet malice, go back and look at the small details. Whatever you raced past on a first reading will look completely different the second time around." --Janet Maslin, "New York Times ""An ingenious and viperish thriller... It's going to make Gillian Flynn a star... The first half of "Gone Girl" is a nimble, caustic riff on our Nancy Grace culture and the way in which ''The butler did it'' has morphed into ''The husband did it.'' The second half is the real stunner, though. Now I really am going to shut up before I spoil what instantly shifts into a great, breathless read. Even as "Gone Girl" grows truly twisted and wild, it says smart things about how tenuous power relations are between men and women, and how often couples are at the mercy of forces beyond their control. As if that weren't enough, Flynn has created a genuinely creepy villain you don't see coming. People love to talk about the banality of evil. You're about to meet a maniac you could fall in love with. A" "--"Jeff Giles, "Entertainment Weekly " "An irresistible summer thriller with a twisting plot worthy of Alfred Hitchcock. Burrowing deep into the murkiest corners of the human psyche, this delectable summer read will give you the creeps and keep you on edge until the last page." "--People" (four stars) "[A] thoroughbred thriller about the nature of identity and the terrible secrets that can survive and thrive in even the most intimate relationships. "Gone Girl" begins as a whodunit, but by the end it will have you wondering whether there's any such thing as a who at all." "--"Lev Grossman, "Time"

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We are one long frightening climax.

AMY ELLIOTT DUNNE

TEN MONTHS, TWO WEEKS, SIX DAYS AFTER THE RETURN

I was told love should be unconditional. That’s the rule, everyone says so. But if love has no boundaries, no limits, no conditions, why should anyone try to do the right thing ever? If I know I am loved no matter what, where is the challenge? I am supposed to love Nick despite all his shortcomings. And Nick is supposed to love me despite my quirks. But clearly, neither of us does. It makes me think that everyone is very wrong, that love should have many conditions. Love should require both partners to be their very best at all times. Unconditional love is an undisciplined love, and as we all have seen, undisciplined love is disastrous.

You can read more about my thoughts on love in Amazing . Out soon!

But first: motherhood. The due date is tomorrow. Tomorrow happens to be our anniversary. Year six. Iron. I thought about giving Nick a nice pair of handcuffs, but he may not find that funny yet. It’s so strange to think: A year ago today, I was undoing my husband. Now I am almost done reassembling him.

Nick has spent all his free time these past months slathering my belly with cocoa butter and running out for pickles and rubbing my feet, and all the things good fathers-to-be are supposed to do. Doting on me. He is learning to love me unconditionally, under all my conditions. I think we are finally on our way to happiness. I have finally figured it out.

We are on the eve of becoming the world’s best, brightest nuclear family.

We just need to sustain it. Nick doesn’t have it down perfect. This morning he was stroking my hair and asking what else he could do for me, and I said: “My gosh, Nick, why are you so wonderful to me?”

He was supposed to say: You deserve it. I love you .

But he said, “Because I feel sorry for you.”

“Why?”

“Because every morning you have to wake up and be you.”

I really, truly wish he hadn’t said that. I keep thinking about it. I can’t stop.

I don’t have anything else to add. I just wanted to make sure I had the last word. I think I’ve earned that.

ACKNOWLEDGMENTS

I’ve got to start with Stephanie Kip Rostan, whose smart advice, sound opinions, and good humor have seen me through three books now. She’s also just really fun to hang out with. Thanks for all the excellent guidance over the years. Many thanks also to Jim Levine and Daniel Greenberg and everyone at Levine Greenberg Literary Agency.

My editor, Lindsay Sagnette, is a dream: Thank you for lending me your expert ear, for letting me be just the right amount of stubborn, for challenging me to do better, and for cheering me on during that last stretch—if it weren’t for you, I’d have remained “82.6 percent done” forever.

Much thanks to Crown publisher Molly Stern for the feedback, the support, the sage comments, and the endless energy.

Gratitude also to Annsley Rosner, Christine Kopprasch, Linda Kaplan, Rachel Meier, Jay Sones, Karin Schulze, Cindy Berman, Jill Flaxman, and E. Beth Thomas. Thanks as always to Kirsty Dunseath and the gang at Orion.

For my many questions about police and legal procedures, I turned to some very gracious experts. Thanks to my uncle, the Hon. Robert M. Schieber, and to Lt. Emmet B. Helrich for always letting me run ideas by them. Huge thanks this round to defense attorney Molly Hastings in Kansas City, who explained her job with great grace and conviction. And endless gratitude to Det. Craig Enloe of the Overland Park Police Department for answering my 42,000 e-mails (a modest estimate) over the past two years with patience, good humor, and exactly the right amount of information. Any mistakes are mine.

Thanks, for many and varied reasons, to: Trish and Chris Bauer, Katy Caldwell, Jessica and Ryan Cox, Sarah and Alex Eckert, Wade Elliott, Ryan Enright, Mike and Paula Hawthorne, Mike Hillgamyer, Sean Kelly, Sally Kim, Sarah Knight, Yocunda Lopez, Kameren and Sean Miller, Adam Nevens, Josh Noel, Jess and Jack O’Donnell, Lauren “Fake Party We’re Awesome” Oliver, Brian “Map App” Raftery, Javier Ramirez, Kevin Robinett, Julie Sabo, gg Sakey, Joe Samson, Katie Sigelman, Matt Stearns, Susan and Errol Stone, Deborah Stone, Tessa and Gary Todd, Jenny Williams, Josh Wolk, Bill and Kelly Ye, Chicago’s Inner Town Pub (home of the Christmas Morning), and the unsinkable Courtney Maguire.

For my wonderful Missouri family—all the Schiebers, the Welshes, the Flynns, and branches thereof. Thanks for all the love, support, laughs, pickle rolls, and bourbon slush … basically for making Missouri, as Nick would say, “a magical place.”

I received some incredibly helpful feedback from a few readers who are also good friends. Marcus Sakey gave me sharp advice about Nick early on over beer and Thai food. David MacLean and Emily Stone (deareth!) were kind enough to read Gone Girl in the months leading up to their wedding. It doesn’t seem to have harmed you guys in the least, and it made the book a lot better, so thanks. Nothing will stop you from getting to the Caymans!

Scott Brown: Thanks for all the writing retreats during the Gone Girl Years, especially the Ozarks. I’m glad we didn’t sink the paddleboat after all. Thanks for your incredibly insightful reads, and for always swooping in and helping me articulate what the hell it is I’m trying to say. You are a good Monster and a wonderful friend.

Thanks to my brother, Travis Flynn, for always being around to answer questions about how things actually work. Much love to Ruth Flynn, Brandon Flynn, and Holly Bailey.

To my in-laws, Cathy and Jim Nolan, Jennifer Nolan, Megan, Pablo, and Xavy Marroquin—and all the Nolans and Samsons: I am very aware of how lucky I am to have married into your family. Thanks for everything. Cathy, we always knew you had one hell of a heart, but this past year proved it in so many ways.

To my parents, Matt and Judith Flynn. Encouraging, thoughtful, funny, kind, creative, supportive, and still madly in love after more than forty years. I am, as always, in awe of you both. Thanks for being so good to me and for always taking the time to harass strangers into buying my books. And thank you for being so lovely with Flynn—I become a better parent just watching you.

Finally, my guys.

Roy: Good kitty.

Flynn: Beloved boy, I adore you! Also, if you are reading this before the year 2024, you are too little. Put it down and pick up Frumble!

Brett: Husband! Father of my child! Dance partner, emergency grilled-cheese maker. The kind of fellow who knows how to pick the wine. The kind of fellow who looks great in a tux. Also a zombie-tux. The guy with the generous laugh and the glorious whistle. The guy who has the answer. The man who makes my child laugh till he falls down. The man who makes me laugh till I fall down. The guy who lets me ask all sorts of invasive, inappropriate, and intrusive questions about being a guy. The man who read and reread and reread and then reread, and not only gave advice, but gave me a bourbon app. You’re it, baby. Thanks for marrying me.

Two words, always.

ABOUT THE AUTHOR

GILLIAN FLYNN is the author of the New York Times bestseller Dark Places , which was a New Yorker Reviewers’ Favorite, Weekend TODAY Top Summer Read, Publishers Weekly Best Book of 2009, and a Chicago Tribune Favorite Fiction choice; and Dagger Award winner Sharp Objects , which was an Edgar nominee for Best First Novel, a BookSense pick, and a Barnes & Noble Discover selection. A former writer and critic for Entertainment Weekly , her novels have been published in twenty-eight countries. She lives in Chicago with her husband and son.

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