Elin Hilderbrand - 28 Summers

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Their secret love affair has lasted for decades -- but this could be the summer that changes everything. When Mallory Blessing's son, Link, receives deathbed instructions from his mother to call a number on a slip of paper in her desk drawer, he's not sure what to expect. But he certainly does not expect Jake McCloud to answer. It's the late spring of 2020 and Jake's wife, Ursula DeGournsey, is the frontrunner in the upcoming Presidential election. There must be a mistake, Link thinks. How do Mallory and Jake know each other? Flash back to the sweet summer of 1993: Mallory has just inherited a beachfront cottage on Nantucket from her aunt, and she agrees to host her brother's bachelor party. Cooper's friend from college, Jake McCloud, attends, and Jake and Mallory form a bond that will persevere -- through marriage, children, and Ursula's stratospheric political rise -- until Mallory learns she's dying. Based on the classic film Same Time Next Year (which Mallory and Jake watch every summer), 28 Summers explores the agony and romance of a one-weekend-per-year affair and the dramatic ways this relationship complicates and enriches their lives, and the lives of the people they love.

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Once Link makes this decision, things move quickly. All of a sudden, Mallory finds herself sitting in the bleachers of his last home baseball game. How is that possible? When Mallory closes her eyes, she’s back in Cooperstown. She’s at the Delta fields, watching him wallop a Wiffle ball off a tee. It’s his first birthday and Senior is tossing Link the squishy ball that he hits with the oversize plastic bat on his first try.

Natural talent here, Mal! Senior cries out.

Link takes Elsa Judd to the prom—Link and Nicole broke up six days into Nicole’s year in Italy—and then he asks Lauren Prestifillipo to the senior ball. He’s casual friends with both girls—friends or friends-with-whatever—because he knows he’s leaving for college and he learned his lesson with Nicole: he doesn’t want to leave with any romantic entanglements.

The last week of class arrives for the seniors, and then the triumvirate of senior ball, baccalaureate, and graduation.

Parents are invited to come to the senior ball after the seniors-only dinner. Mallory goes to R. J. Miller to get her hair blown out and then puts on a new dress, just as she always does the night of the senior ball. Tonight—she has to repeat this to herself several times—she isn’t going just as a teacher; she’s going as a parent. The mother of a senior.

During the reading of the senior-class prophecy, Mallory’s vision starts to get blotchy. At first she thinks it’s just her tears, but she can’t seem to blink or wipe away the amorphous pink blob in the upper left corner of her field of vision.

The senior-class prophecy involves a fictional tale about Gibbs Pond— Oh, boy, good old Gibbs, Mallory thinks—being bought by an evil developer who wants to drain the pond and build a Nantucket-themed amusement park. All the members of the senior class twenty-five years in the future are called on to contribute their particular talents or personality quirks in order to save the pond—but in the end, it’s billionaire Lincoln Dooley who is the hero.

The times that Mallory has asked God to stop time for her and Jake seem quaint compared to how badly Mallory wants to stop time now. Just let these high-school days go on forever, please—the gatherings of boys eating chips and guacamole around the harvest table or playing Fortnite while sitting on Big Hugs; the baseball games in thirty-seven-degree weather; the pep rallies and Spanish-club dinners; the Homecoming floats and SAT prep; even the Bud Light cans stuffed deep in the trash and the empty nip bottles of McGillicuddy’s scattered across the front porch; even the heartbreak of day six of Nicole-in-Italy when she texted to say she needed la libertà, and Link screamed profanities across the ocean, then went into his bedroom and cried.

She’ll take it all on a loop, forever and ever.

Baccalaureate is held at the Congregational church. Lauren Prestifillipo sings “Brave,” by Sara Bareilles, and that’s all it takes—Mallory dissolves. Her vision still isn’t clear and all this emotion is giving her a headache. This is probably some kind of karmic payback for the many years when Mallory sat in this church watching other parents cry and scoffed, Oh, come on, it’s not like they’re going off to war, they’re graduating, be happy!

Graduation, strangely, is the least emotional day of the week, probably because Mallory has the distraction of guests. Fray, Anna, and Cassie fly in on Fray’s plane late Friday night (they’re staying at the White Elephant), and Cooper and Amy fly to Boston from DC but get stuck at Logan because of early-morning fog on Nantucket.

Amy calls Mallory in a panic. “I’m not sure what’s up with Cape Air,” she says. “The woman at the desk says they’re waiting for the ceiling to lift. What if we miss the ceremony?” Amy is high-strung for a psychologist, Mallory thinks. She and Cooper have been married for just a few years, and yet Amy has donned the role of Auntie Amy like it’s a thirty-thousand-dollar sable coat. It’s sweet, if a bit unsettling. Amy has been reposting all of Mallory’s photos from this week on her personal Facebook page with the tags #nephewLink and #proudauntie.

“The fog usually burns off midmorning,” Mallory says. “It’ll be fine. Deep breath.”

And it is fine. Cooper and Amy arrive in plenty of time to clap and cheer as Link walks across the stage in his white cap and gown to accept his diploma.

That’s it, Mallory thinks. It’s over. Link is a high-school graduate . Her field of vision still has that bright spot in the corner like an incoming alien spaceship, though her headache has subsided somewhat. Or maybe she’s just used to it.

The worst is yet to come, of course. The summer of 2019 might as well be called the Summer Link Pushes the Envelope. He has given up his job at Millie’s general store in favor of a job landscaping. He’s out in the sun all day, mowing, weeding, laying sod, trimming hedges. He’s deeply tan and his hair is bleached platinum blond; he has real muscles, and he grows another two inches. He looks so much like Fray that Mallory sometimes does a double take when she sees him.

Link goes out with his friends every single night. Mallory knows he’s drinking and also probably smoking and sleeping with beautiful, rich summer girls from New Canaan and the Upper East Side. Mallory keeps her rules to a minimum, although the rules she does lay down are ironclad—midnight curfew during the week, no driving at night at all, and no shenanigans at the house. She tries to set up one evening a week when Link eats with her at home and one night when the two of them go out together, but Link cancels and no-shows so much that Mallory gives up.

Apple’s twins are spending a month and a half at sleepaway camp in Maine, so Mallory and Apple resume their nights out once a week. They return to the Summer House. The restaurant has changed—the days of the Hokey Pokey are long gone—but the view is still magnificent.

“It’s like he’s already off to college,” Mallory says. “That’s how little I see him.”

“Kids do this the summer before they leave for college,” Apple says in her guidance-counselor voice. “They separate so that it’s less painful for them when you say goodbye. It’s completely normal.”

“Just wait until it happens to you,” Mallory says. “Then you’ll wish you’d been more sensitive.”

“You’re lucky,” Apple says. “You can reclaim your personhood, become more involved in the outside world. It’s exciting out there, I hear. And it’s an empowering time to be female. I know you don’t pay attention to politics, but there’s this incredible woman running for president.” Apple raises her glass of wine. “Here’s to Ursula de Gournsey. May she save us all.”

Mallory obviously knows that Ursula is running for president; the only good thing about Link leaving is that Mallory is too self-absorbed to think about it.

Southern universities start early, so Mallory throws a goodbye beach bash for Link and all his friends on August 14. The kids have a great time—the music is so loud, it feels like Post Malone is there at the party—but Mallory can’t seem to relax and enjoy the moment. Her thoughts are heavy, maudlin. When the golden hour arrives, making everything look like it’s been dipped in honey, Mallory thinks about how her front porch has served as her church, the ocean as her daily proof that God exists. She has done all her praying out here—she has expressed gratitude and wonder, asked for forgiveness, petitioned for those in need. But today, as Link and his friends dig a hole for the bonfire, Mallory prays for herself. She needs more of everything: strength, clarity, hope, patience, peace.

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