Contents
About the Author
Also by Elin Hilderbrand
Title Page
Copyright
Dedication
Prologue: Fifties
Summer #28: 2020
Part One: Twenties
Summer #1: 1993
Summer #2: 1994
Summer #3: 1995
Summer #4: 1996
Summer #5: 1997
Summer #6: 1998
Summer #7: 1999
Summer #8: 2000
Part Two: Thirties
Summer #9: 2001
Summer #10: 2002
Summer #11: 2003
Summer #12: 2004
Summer #13: 2005
Summer #14: 2006
Summer #15: 2007
Summer #16: 2008
Summer #17: 2009
Summer #18: 2010
Part Three: Forties
Summer #19: 2011
Summer #20: 2012
Summer #21: 2013
Summer #22: 2014
Summer #23: 2015
Summer #24: 2016
Summer #25: 2017
Summer #26: 2018
Summer #27: 2019
Summer #28: 2020
Acknowledgments
About the Author
Elin Hilderbrand first discovered the magic of Nantucket in July 1993. Her list of favorite things includes barre class, writing at the beach, cooking for her three nearly grown kids, and singing “Home Sweet Home” at the Club Car piano bar. 28 Summers is her twenty-fifth novel.
Also by Elin Hilderbrand
The Beach Club
Nantucket Nights
Summer People
The Blue Bistro
The Love Season
Barefoot
A Summer Affair
The Castaways
The Island
Silver Girl
Summerland
Beautiful Day
The Matchmaker
Winter Street
The Rumor
Winter Stroll
Here’s to Us
Winter Storms
The Identicals
Winter Solstice
The Perfect Couple
Winter in Paradise
Summer of ’69
What Happens in Paradise
28 SUMMERS
Elin Hilderbrand
www.hodder.co.uk
First published in the USA in 2020 by Little, Brown and Company
A division of Hachette Book Group, Inc.
First published in Great Britain in 2020 by Hodder & Stoughton
An Hachette UK company
Copyright © Elin Hilderbrand 2020
The right of Elin Hilderbrand to be identified as the Author of the Work has been asserted by her in accordance with the Copyright, Designs and Patents Act 1988.
All rights reserved.
No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means without the prior written permission of the publisher, nor be otherwise circulated in any form of binding or cover other than that in which it is published and without a similar condition being imposed on the subsequent purchaser.
All characters in this publication are fictitious and any resemblance to real persons, living or dead, is purely Coincidental.
A CIP catalogue record for this title is available from the British Library
eBook ISBN 978 1 529 37479 7
Hodder & Stoughton Ltd
Carmelite House
50 Victoria Embankment
London EC4Y 0DZ
www.hodder.co.uk
In memory of
Dorothea Benton Frank
(1951–2019)
I love you, Dottie. And I miss you.
Prologue
Fifties
Summer #28: 2020
What are we talking about in 2020? Kobe Bryant, Covid-19, social distancing, Zoom, TikTok, Navarro cheerleading, and… The presidential election. A country divided. Opinions on both sides. It’s everywhere: on the news, on the late-night shows, in the papers, online, online, online, in cocktail-party conversations, on college campuses, in airports, in line at Starbucks, around the bar at Margaritaville, at the gym (the guy who uses the treadmill at six a.m. sets TV number four to Fox News; the woman who comes in at seven a.m. immediately switches it to MSNBC). Kids stop speaking to parents over it; couples divorce; neighbors feud; consumers boycott; employees quit. Some feel fortunate to be alive at such an exciting time; they turn up the volume, become junkies. Others are sick of it; they press the mute button, they disengage. If one more person asks if they’re registered to vote…
Turns out, there’s a story this year that no one has heard yet. It’s a story that started twenty-eight summers earlier and that only now—in the summer of 2020, on an island thirty miles off the coast—is coming to an end.
The end. Under the circumstances, this feels like the only place to start.
Mallory Blessing tells her son, Link: There’s an envelope in the third drawer of the desk. On the left. The one that sticks. They all stick, Link thinks. His mother’s cottage sits on a strip of land between ocean and pond; that’s the good news. The bad news is…humidity. This is a home where doors don’t close properly and towels never dry and if you open a bag of chips, you better eat them all in one sitting because they’ll be stale within the hour. Link struggles with the drawer. He has to lift it up and wiggle it side to side in order to get it open.
He sees the envelope alone in the drawer. Written on the front: Please call.
Link is confused. This isn’t what he expected. What he expected was his mother’s will or a sappy letter filled with sage advice or instructions for her memorial service.
Link opens the envelope. Inside is one thin strip of paper. No name, just a number.
What am I supposed to do with this? he wonders.
Please call.
Okay, Link thinks. But who will answer? And what is Link supposed to say?
He would ask his mother, but her eyes are closed. She has fallen back to sleep.
Link walks out the back door of the cottage and along the sandy road that runs beside Miacomet Pond. It’s June on Nantucket—sunny and sixty-seven degrees, so the nights and early mornings are still chilly, although the irises are blooming among the reeds and there’s a pair of swans on the flat blue mirror of the pond.
Swans mate for life, Link thinks. This has always made them seem morally superior to other birds, although somewhere he read that swans cheat. He hopes that was an internet hoax.
Like most kids who were born and raised on this island, he’s guilty of taking the scenery for granted. Link has also been guilty of taking his mother for granted, and now she’s dying at the age of fifty-one. The melanoma has metastasized to her brain; she’s blind in one eye. Her hospice care will start in the morning.
Link broke down crying when Dr. Symon talked to him, then again when he called Nantucket Hospice.
The RN case manager, Sabina, had a soothing manner. She encouraged Link to be present in each moment with his mother “through her transition.” This was in response to Link confessing that he didn’t know what he was going to do without her.
“I’m only nineteen,” he said.
“Worry about later, later,” Sabina said. “Your job now is to be with your mother. Let her feel your love. She’ll take it with her where she’s going.”
Link punches the number on the strip of paper into his phone. It’s an unfamiliar area code—notably not 206, Seattle, where his father lives. He can’t imagine who this is. Link’s grandparents are dead, and his uncle Cooper lives in DC. Coop and his wife, Amy, are splitting; it’s his uncle’s fifth divorce. Last week, when Mallory still had moments of clarity and humor, she said, Coop gets married and divorced the way most people eat Triscuits. Coop has offered to come up when it gets to be too much for Link to handle alone. This will be soon, maybe even tomorrow.
Does his mother have any other friends off-island? She stopped speaking to Leland when Link was in high school. She’s dead to me.
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