Elin Hilderbrand - 28 Summers

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Their secret love affair has lasted for decades -- but this could be the summer that changes everything. When Mallory Blessing's son, Link, receives deathbed instructions from his mother to call a number on a slip of paper in her desk drawer, he's not sure what to expect. But he certainly does not expect Jake McCloud to answer. It's the late spring of 2020 and Jake's wife, Ursula DeGournsey, is the frontrunner in the upcoming Presidential election. There must be a mistake, Link thinks. How do Mallory and Jake know each other? Flash back to the sweet summer of 1993: Mallory has just inherited a beachfront cottage on Nantucket from her aunt, and she agrees to host her brother's bachelor party. Cooper's friend from college, Jake McCloud, attends, and Jake and Mallory form a bond that will persevere -- through marriage, children, and Ursula's stratospheric political rise -- until Mallory learns she's dying. Based on the classic film Same Time Next Year (which Mallory and Jake watch every summer), 28 Summers explores the agony and romance of a one-weekend-per-year affair and the dramatic ways this relationship complicates and enriches their lives, and the lives of the people they love.

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Mallory feels guilty that she hasn’t called Leland before now, but the longer she waited, the more onerous catching up seemed. This will be good, though—calling for a concrete reason, to invite Leland for the weekend.

An unfamiliar female voice answers at Leland’s new number. “Allô?”

“Hello?” Mallory says. “I’m looking for Leland Gladstone?”

“One moment, plisss,” the voice says.

There’s whispering. Or maybe Mallory is imagining that? She’s lying on her porch in the sun because that’s where she feels the safest, gazing at the ocean in her front yard.

I am lucky, Mallory thinks. I am blessed.

I am so, so lonely, she thinks. She’s not sure what she’ll do if Leland turns her down.

“Hello?”

“Lee?” Mallory says.

“Mal?” Leland says. “Is that you?”

“Yes, hi, how are you? Kitty got your number from Geri, I didn’t realize you’d moved, and I was busy with the end of the school year, and anyway, I’d love for you to come visit this weekend, or next weekend…” Mallory is talking too fast. She’s nervous. She can’t imagine why—for years, she and Leland were as close as Siamese twins. But that’s the issue, she supposes. They were once so close that now it feels awkward to be not as close, though Mallory knows this is what happens when you grow up: paths diverge, people lose touch. Mallory didn’t know that Leland had moved. She doesn’t know who just answered the phone. Leland’s new roommate, presumably.

There’s a sigh from Leland—annoyed? regretful?

“I wish I could,” she says. “But I’m leaving tomorrow for Bread Loaf.”

“Bread Loaf,” Mallory says. It takes her a second to understand because at first she thinks Sugarloaf, which was where the Blessings and the Gladstones used to take their family ski trips. But Bread Loaf is something else, a writer thing.

“At Middlebury, in Vermont,” Leland says. “I’ll be there for three and a half weeks, so…”

“As a student?” Mallory asks. “Are you…writing a novel?”

“Me?” Leland says. “No!” She starts laughing and Mallory laughs right along with her, even though she feels miserable because Leland won’t be coming to Nantucket. Mallory wants to hang up but that, of course, would be rude and will make the chasm between them even wider and deeper. “I’m going with Fifi.”

“Fifi?” Mallory says.

“Fiella,” Leland says.

“Fiella Roget?” Mallory asks. Surely she’s missing something. Just last week, Fiella Roget appeared on the cover of the New York Times Magazine . She’s famous, a bona fide literary phenomenon.

“Yes, Fiella Roget,” Leland says, and in the background Mallory hears the same voice that answered the phone. Leland did the interview with Fiella and they became friends; is that it? They’re such good friends that she calls Fiella “Fifi”? They’re such good friends that Fifi answers Leland’s phone and has invited her to Bread Loaf for three weeks? “She agreed to teach last year, before the book came out and she became so in demand. She decided to honor the commitment.”

“Okay,” Mallory says. She wonders why she’s supposed to care about any of this. “And what will you do while she’s honoring the commitment?”

“Network, obviously,” Leland says, and Mallory relaxes because this, at least, is a Leland she recognizes. “The waiters and waitresses are the promising writers, you know, because they’re the ones on scholarship. Everyone else pays to go. So I thought I’d sit in on Fifi’s workshops, see if I can identify budding talent, and maybe get a scoop for the magazine.”

“I guess that makes sense,” Mallory says.

“Besides, I need to fend off her admirers,” Mallory says. “You do know they call it ‘Bed Loaf.’”

Fend off her admirers? Mallory thinks. An outrageous notion enters her mind. “So…you moved to the Village, right?”

“Charles and Bleecker,” Leland says. “Fifi has the greatest apartment, and things moved so fast that…yeah, she asked me to move in with her in March.”

Things moved so fast?

“Are you…” Mallory doesn’t even know how to ask the question. She’s afraid if she does, Leland will laugh or be angry. Leland is heterosexual—all those years with Fray, her hunt for the perfect square-jawed, lacrosse-playing Princeton-educated investment banker, Kip or whoever. “Are you dating Fiella Roget? Are you two together?

“Dating, together, head over heels in love,” Leland says. “Can you believe it?”

Wow. No, really—wow!

That’s great, so happy for you, enjoy Bread Loaf, hopefully you and Fifi can come see me another time, Christmas Stroll or next summer! When Mallory hangs up, she thinks: I have to call someone! But who? Apple is away, Cooper is busy crisscrossing the country with Alison. Mallory could bike out to the Summer House and tell Isolde and Oliver, but they’ve never met Leland and they don’t read so they wouldn’t even know the name Fiella Roget. Mallory supposes she could call Kitty, but she’s not desperate enough for that. She wonders about the Gladstones. Do they know their daughter is now dating a successful female novelist? Do they find it as startling as Mallory does?

After a little while, the novelty of the news wears off, and by the time Mallory wakes up the next day, she feels only left out and lonely. Cooper has Alison, Leland has Fifi…and Jake has Ursula.

August drags on. Mallory’s days, which were so frenetic during the school year, gape with unfilled hours. She should go out to the bars at night—21 Federal, the Boarding House, the Club Car—and try to find someone of her own. But instead, she reads and writes lesson plans for the upcoming school year. She runs and lies in the sun. She buys Sarah Leah Chase’s Nantucket Open-House Cookbook and makes the baba ghanouj, roasting fresh eggplants from Bartlett’s Farm and fat cloves of garlic until they’re soft and golden brown. The result is so delicious, Mallory can’t scoop it into her mouth fast enough.

It’s a tiny victory.

Finally, the last week of August arrives. Mallory is both relieved and anxious. She has awakened at three a.m. the past five or six nights, imagining Jake arriving by pirate ship or hot-air balloon.

No matter what.

Does this mean the same thing to both of them: No. Matter. What?

Mallory waits for the phone to ring. She waits for a telegram. How are those delivered? By hand? She lives on a road with no name. She peers out the back windows, searching for a lost telegram-delivery guy.

No matter what.

It’s Monday; Labor Day is a week away.

It’s Tuesday.

On Wednesday, finally, she goes to the post office to check her box. Jake has her address; this is where he mailed her the book last Christmas. When Mallory finds only the usual assortment of bills and back-to-school catalogs, her eyes burn with tears. As if that isn’t bad enough, she bumps into two people coming into the post office as she’s leaving, physically bumps into them, because her sight is blurred.

“Mal. How’s it going?”

Mallory looks up, blinks. “JD,” she says.

JD is with a woman. She’s older, but attractive, with long copper-colored hair, hair that is so beautiful, it nearly demands a compliment. Mallory knows this woman. It’s…

“Miss Blessing, hi,” the woman says. “I’m Tonya Sohn, Maggie’s mother.”

JD is dating Tonya Sohn, Maggie’s newly divorced mother. Mallory sits behind the wheel of the Blazer for a second, wondering if she should scream or laugh.

Laugh, she decides. She wants JD to be happy so he’ll leave her alone.

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