Christina Kline - The Exiles

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'Master storyteller Christina Baker Kline is at her best in this epic tale of Australia’s complex history—a vivid and rewarding feat of both empathy and imagination. I loved this book' Paula McLain, bestselling author of *The Paris Wife* London, 1840. Evangeline lost more than just her position as a governess when she was accused of stealing, realising she was pregnant by her employer’s son. Having languished in Newgate prison for months in her condition, she is now destined for a prison ship heading to Australia. On board, Evangeline befriends Hazel, sentenced to seven years’ transport for theft. Soon Hazel's path will cross with an orphaned indigenous girl. Mathinna is 'adopted' by the new governor of Tasmania where the family treat her more like a curiosity than a child. Amid hardships and cruelties, new life will take root in stolen soil, friendships will define lives, and some will find their place in a new society in the land beyond the seas.

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“For special occasions,” Sarah told her. “Not every day.”

Mathinna stroked the fabric. The satin slid between her fingers.

“No harm in trying it on, I suppose.” Sarah lifted it over her head. As she fastened the buttons in the back, Mathinna lifted the skirt and watched it billow down, puffing below the waist and rustling against her legs. Sarah opened the door to the armoire wide, and Mathinna’s breath caught in her throat. Staring back at her was a slim girl with large brown eyes and short black hair in a shimmering red dress. She touched the glass and then touched her own face. The girl inside the glass was her.

Lying on the hard mattress after blowing out the candle, Mathinna gazed up into the blackness and thought of the green shell necklace around Lady Franklin’s neck. She remembered watching her mother prick holes in tiny iridescent shells, hundreds of them, thousands, to string into necklaces. Wanganip liked to sit under the shade of a blue gum tree, singing as she worked: Niggur luggarato pawé, punna munnakanna, luggarato pawé tutta watta, warrena pallunubranah, punna munnakanna, rialangana, luggarato pawé, rialanganna, luggarato . . .

As the tune came back to her, Mathinna hummed it aloud: It’s wattle blossom time, it’s springtime, the birds are whistling, spring has come. The clouds are all sunny, the fuchsia is out at the top, the birds are whistling. Everything is dancing because it’s springtime . . . Reaching into the basket on the floor, she pulled Waluka onto the bed. She stroked the ridge of his back, rested her palm between his tiny witchy hands, cupped his rounded belly. He nudged her neck with his wet nose, and she felt tears slide from her eyes, dampening her neck and pillow.

She missed her mother. She missed Palle. She missed the smell of the smoke that rose from the elders’ pipes as they sat around the fire pit. She had spent her whole life in a place where she’d been free to roam barefoot as far as she pleased, where she could sit for hours on a rock on the hillside watching seals waffle in the surf, moon birds dip and soar in a choreographed whoosh, the sun slide into a glittery sea. Where everyone knew her. And now she was alone in this strange land, far from anything familiar.

Closing her eyes, she was back on Flinders, threading through wallaby grass on a windy day as it heaved and ebbed around her like waves on the sea, digging her toes into the white sand, running across the top of the hills. Watching embers glow and settle in the campfire on a cool evening, listening to Palle’s languorous voice as he sang her to sleep.

Evangeline

Among other suggestions relative to the classification of prisoners we find one recommending the wearing of a ticket by each woman. Each ticket was inscribed with a number, which number should agree with the corresponding number on the class list. . . . In the case of convicts on board convict-ships proceeding to the penal settlements, Mrs. Fry recommended that not only should the women wear these tickets, but that every article of clothing, every book, and every piece of bedding should be similarly numbered. . . . She considered the most thorough, vigilant, and unremitting inspection essential to a correct system of prison discipline; by this means she anticipated that an effectual, if slow, change of habits might be produced.

—Mrs. E. R. Pitman, Elizabeth Fry , 1884

The Port of London, 1840

As the carriage ground to a halt, Evangeline heard the groan of springs under the driver’s seat and felt the tilt of the chassis. When the door creaked open, she winced. The darkness inside framed a too-bright world: a dirt road with a small crowd of people on the other side, and beyond that, anchored in the harbor between water and sky, a black wooden ship with three sails.

“Out,” the guard barked. “Step quick.”

Stepping quick was impossible, but one by one the women hobbled to the opening, where he grasped them by the upper arms and yanked them onto the dirt.

The crowd surged toward them: a few rough-looking boys, a frail old man with a cane, a ringleted girl hanging onto her mother’s skirt. A woman holding a baby cried, “Slatterns!”

Ahead of them, tied to a dock, was a skiff with two sailors. One of them whistled. “Ay! Over here.”

As the guard pressed the prisoners forward, the crowd tried to block their way, throwing a rotten cabbage, a spray of pebbles. An egg bounced off Evangeline’s skirt and cracked at her feet.

“Dirty puzzles, ye should be ashamed,” the old man said.

“God help your souls,” a woman called, hands clasped in prayer.

Evangeline felt a sharp pain in her arm and looked down. A rock skittered in the dirt. Blood trickled from her elbow.

“Nasty buggers!” Olive turned to face the crowd, jangling her handcuffed fists. “I’ll fight the whole boodle of ye.”

“Settle down or I’ll pound ye meself,” the guard said, poking her hip with his truncheon.

Evangeline could feel the earth beneath the thin soles of her shoes. She had an impulse to lean down and rake her fingers through it, to clutch a handful of it. This would almost certainly be the last time her feet would touch English soil.

Far out in the harbor, on the three-masted ship, a line of men leaned over the railing, hooting and clapping. From this distance their catcalls sounded as innocent as birdsong.

The two sailors at the skiff wore wide trousers and tunics tied with rope. Their forearms were covered in ink. One was swarthy and one pale, with a mop of sandy hair. The sandy-haired sailor leapt out and stood on the dock, grinning as the women approached. “Greetings, ladies!”

“We’re glad to be rid of ’em,” the guard told him.

“They’ll have a warm welcome here.”

He laughed. “No doubt.”

“That one should clean up all right.” The sailor jerked his chin toward Evangeline.

The guard made a face. “She’s up the duff. Look at ’er.” He motioned toward her belly. “That one, too,” he said, scowling at Olive, “and she’s a feisty munter. She’ll claw your eyes out.”

“Won’t be so feisty when we’re done with ’er.”

“All talk,” Olive said. “I know your type.”

“Enough outta ye,” the sailor said.

In the skiff the women were seated side by side, front and back, while the crewmen rowed in the middle. Evangeline sat perfectly still, listening to the splashing of the oars in and out of the water, a bell clanging in the distance. The hem of her skirt was soaked with seawater. As they got closer, she saw the name painted on the hull: Medea .

From this angle the ship loomed over them, terrifyingly large.

The sandy-haired sailor appraised Evangeline frankly as he rowed. His small eyes were dishwater gray and he sported a red-and-black tattoo of a topless mermaid on his biceps that writhed as he pulled on the oar. He blew a kiss into the air when he caught her eye.

As they reached the ship, bumping lightly against the side, the whooping of the men at the railing above them grew louder. The sandy-haired sailor jumped onto a small platform attached to a ramp and began tugging the prisoners out of the skiff.

The women were clumsy in their shackles. “Bloody chains,” Olive grumbled as she clambered onto the dock. “Where the hell d’ye think we’ll escape to?”

“Watch your mouth or we won’t take ’em off at all,” the sailor said.

She snorted. “Don’t go actin’ all superior. You’re an ex-con yourself, no doubt.”

“Mind your own—”

“As I thought.”

He yanked the chain between her hands and she stumbled forward. When she caught her footing, he pulled her close to him, like a dog on a lead. “Listen, tart. Ye’ll do well to remember who’s in charge.” With a sudden movement he jerked the chain down and she fell to her knees. He twisted it so the upper half of her body hovered over the water alongside the platform. “These irons are heavy. All I have to do is let go. Ye’ll sink like a stone.”

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