Nora Roberts - Remember When

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Remember When: краткое содержание, описание и аннотация

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She's one author - with two number-one New York Times-bestselling careers. As Nora Roberts, her novels include Three Fates and Birthright. As J. D. Robb, she offers such novels as Portrait in Death. Now she unites her separate identities in a riveting two-part novel that combines edgy suspense and romantic passion - and journeys through past, present, and future. In Part One, Nora Roberts introduces us to Laine Tavish, known to the folks in Angel's Gap, Maryland, as the proprietor of Remember When, an antique treasures and gift shop. They have no idea that she used to be Elaine O'Hara, daughter of the notorious con man Big Jack O'Hara ... or that she grew up moving from place to place, one step ahead of the law. But Laine's past has just caught up with her. Her long-lost uncle has visited her shop, leaving a cryptic warning before dying in the street, run down by a car. Soon afterward, Laine's home is ransacked. Now it's up to her, and an enigmatic stranger named Max Gannon, to find out who's chasing her, and why. The answer lies in a hidden fortune - a fortune that will change Laine's life. In Part Two, J. D. Robb takes us to New York City in 2059, and puts Detective Lieutenant Eve Dallas on the case. The treasure that Laine and Max sought has never been fully recovered. And now someone else is pursuing the missing gems ... someone who's willing to kill for them. Sharp-witted and sexy, Eve is used to traveling in the shadowy corners outside the law, in a future where crime meets cutting-edge technology. She will attempt to track down the diamonds once and for all - and stop the danger and death that have surrounded them for decades.

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His fingers danced; the screens revolved with color and shapes. "Got a couple hair samples, but says here she was clubbing prior to getting dead. Coulda picked those up in the club. If any of them are from the killer, we'll match

'em when you nab 'im.

"Now we've reconstructed the wound-used her ID photo and some others to create an image of her at time of death."

He brought it up so Eve could look at Andrea Jacobs as she had been, on screen. A pretty woman in a fancy dress, with a gash at her throat.

"Using our techno-magic, we can pretty well determine the size and shape of your murder weapon."

Eve studied the split-screen image of a long, smooth blade, and the specs beneath it that gave her width and length.

"Good. That's good, Dickie."

"You're working with the best. We concur with the investigator and the ME re the positioning of vic at time of the death blow. Came from behind. Yanked her by the hair. We got some of her hair from the scene that substantiates the scenario. Unless one of those stray hairs came from the perp, and I'm not putting money on that, we got nothing from him. Nada. He was sealed up tight.

"Now vic two-Cobb-different ball game. You sure you're looking at the same guy?"

"I'm sure."

"Your call. Smashed her up. Pipe, bat, metal, wood. Can't tell you 'cause we got nothing to work with there but the shape of the breaks in the bones. Look for something long, smooth and about two inches in diameter. Probably weighted. Leg shot took her down, rib shot kept her down. But then it gets interesting."

Shifting to another screen, he brought up the picture of Cobb's charred skull.

"You see the busted cheekbone, and..." He revolved the image. "Your classic busted-in skull. Setting her on fire took care of most of the trace, but we got some that adhered to the bone fragments-face and head."

"What kind of trace?"

"It's a sealer." He split the screen. A series of jagged shapes in cool blues came on. "A fire-retardant. Smart guy missed that step. Professional-grade.

Brand name's Flame Guard. Harry Homemaker can get it, but mostly it's used by contractors. You seal subflooring or walls with it."

"Subflooring. Before the finished deal goes down?"

"Yep. She had trace in the facial and head wounds. He lit her up, but this shit didn't burn. Truth in advertising for once. Didn't seal the bone, though, so it wasn't wet when she made contact. Little tacky maybe in spots but not wet."

Eve bent down closer, caught a whiff of grape from Dickhead. "She picked up the trace, cheekbone hitting the floor or the wall. Then again with the skull.

No trace in the leg or rib wounds because of her clothes. There was blood when she hit, when she crawled. Might've helped pick up the trace. Splinters maybe, splinters from the boards she hit, adhere to the broken bones."

"You're the detective. But a girl that size, hit like that, she'd go down hard. So yeah, it could happen. We got our trace, so it did happen. It left a mess behind, too."

"Yeah." And that was a factor. "Shoot all of this to my office. Not half bad, Dickie."

"Hey, Dallas!" He called after her as she started out. "Take me out to the ball game."

"They're on their way. Peabody." She scooped at her hair as she lined up new data. "Let's do a run on the sealant. See what else we can find out. He could've used his own place for it. Could have. But he doesn't seem like the type to soil his own nest. Professional-grade," she mumbled. "He could have a place being rehabbed. Or access to a building under construction or being remodeled. Let's start on construction sites near the dump site. He didn't pick that empty lot out of a hat. He doesn't pick anything out of a hat."

Following that line, she called Roarke. By the time he came on, she was already in her car and headed back to Central. "Lieutenant. You have a gleam in your eye."

"Might've caught a break. Do you have anything going up or getting a face-lift in Alphabet City?"

"Rehabbing a mid-sized apartment complex. And... There are a couple of small businesses being changed over. I'd have to check to get you specifics."

"Do that. Shoot them to my office. Know of anything else? A competitor, associate, whatever?"

"Why don't I find out?"

"Appreciate it."

"Wait, wait." He held up a hand, well aware she'd have cut him off without another word. "There's a bit of progress on the search. Not enough to dance about, and Feeney and I are both tied up with other matters for the next part of the day. We've agreed to put in some time this evening, at our place."

"Good." She turned into Central's underground garage. "See you."

"I gotta ask." Peabody braced as Eve shot into her narrow parking slot, then let out a breath when there was no impact. "When you see his face come on screen, all sexy and gorgeous with that, you know, mouth, do you ever just want to pant like a dog?"

"Jesus, Peabody."

"Just wondering."

"Stomp out the hormones and keep your mind in the game. I've got Whitney." She looked at the time. "Shit. Now. I wanted to see if we've had any luck with the artist rendering."

"I can do that. If there's anything, I'll bring it up."

"That works."

"See how handy it is to have a detective for a partner?"

"I should've known you'd find a way to work it in."

They separated, and Eve rode the miserably crowded elevator another three floors before she bailed and switched to the glide for the rest of the trip to Commander Whitney's office.

Whitney suited his rank. He was a commanding man with a powerful build and a steely mind. The lines dug around his eyes and mouth only added to the image of leadership, and the toll it took on the man.

His skin was dark, and his hair had sprinkles of gray, like dashes of salt. He sat at his desk, surrounded by his com unit, his data center, disk files and the framed holos of his wife and family.

Eve respected the man, the rank and what he'd accomplished. And secretly marveled he'd kept his sanity between the job and a wife who lived to socialize.

"Commander, I apologize for being late. I was detained at the lab."

He brushed that away with one of his huge hands. "Progress?"

"Sir. My case and Detective Baxter's connect through Samantha Gannon."

"So I see from the files."

"Further information has come to light after a follow-up interview with Gannon this morning: We're pursuing the possibility that Alex Crew's son or another connection or descendant may be involved in the current cases."

She sat only because he pointed to a chair. She preferred giving her orals standing. She relayed the details of the morning interview.

"Captain Feeney is handling the search personally," she continued. "I haven't yet spoken with him this afternoon, but have word there's been some progress in that area."

"The son would be in his sixties. A bit old to have interested a girl of Cobb's age."

"Some are attracted to older men for their experience, their stability. And he may have passed as younger." Though she doubted it. "More likely, he has a partner he used to get to Cobb. If this link holds, Commander, there are numerous possibilities. Judith Crew may have remarried, had another child, and that child may have learned of the diamonds and Gannon. Westley Crew may have children, and have passed his father's story to them, much as Gannon was passed the family legend. But it's someone with a proprietary interest. I feel certain of it, and Mira's profile concurs. I hope to have an artist rendering shortly.

"We got a break through the lab. There was trace of a fire-retardant substance on Cobb. A sealant, professional-grade. We'll run it down and concentrate on buildings near the dump site. He's been very careful, Commander, and this was a big mistake. One I don't believe he would have made if he had applied the sealant himself. Why kill her on or around flame-retardant material when you plan to light her up? It's too basic a mistake for this guy. Once we find the crime scene, we're a big step closer to finding him."

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