Nora Roberts - Remember When

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Remember When: краткое содержание, описание и аннотация

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She's one author - with two number-one New York Times-bestselling careers. As Nora Roberts, her novels include Three Fates and Birthright. As J. D. Robb, she offers such novels as Portrait in Death. Now she unites her separate identities in a riveting two-part novel that combines edgy suspense and romantic passion - and journeys through past, present, and future. In Part One, Nora Roberts introduces us to Laine Tavish, known to the folks in Angel's Gap, Maryland, as the proprietor of Remember When, an antique treasures and gift shop. They have no idea that she used to be Elaine O'Hara, daughter of the notorious con man Big Jack O'Hara ... or that she grew up moving from place to place, one step ahead of the law. But Laine's past has just caught up with her. Her long-lost uncle has visited her shop, leaving a cryptic warning before dying in the street, run down by a car. Soon afterward, Laine's home is ransacked. Now it's up to her, and an enigmatic stranger named Max Gannon, to find out who's chasing her, and why. The answer lies in a hidden fortune - a fortune that will change Laine's life. In Part Two, J. D. Robb takes us to New York City in 2059, and puts Detective Lieutenant Eve Dallas on the case. The treasure that Laine and Max sought has never been fully recovered. And now someone else is pursuing the missing gems ... someone who's willing to kill for them. Sharp-witted and sexy, Eve is used to traveling in the shadowy corners outside the law, in a future where crime meets cutting-edge technology. She will attempt to track down the diamonds once and for all - and stop the danger and death that have surrounded them for decades.

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"Why?"

"If he'd tossed this room, she'd have seen the mess as soon as she opened the door. No defensive wounds, no sign she tried to run or fight. Second, there's a workstation in the office, and it's still neat as a pin. I figure that was his starting point, and he'd planned to be careful, to be tidy. Jacobs comes in, screws that plan for him."

"And Plan B is murder."

"Yeah. No way he missed her workstation, but he didn't mess it up. He went through everything else, and wasn't worried about being neat, but he'd already searched the workstation. Why mess with it again?"

Roarke looked at the horror of blood and fluids staining the floor and walls.

"And slicing a woman's throat is more time efficient."

"That could factor. I think he heard her come in, and instead of waiting until she went to sleep and getting the hell out, instead of knocking her senseless, he slipped right in here, slid back into the closet and watched her come in and kick off her fancy shoes. Push that stuff out of the way, will you? We've already been through here, scene's on record. Stand in the closet."

"Christ." He pushed the heaps of clothes and pillows aside, stepped back inside the open closet.

"See the angle? This had to be the angle from the way she landed. She's standing like this, facing away. He came up behind, yanked her head back by the hair-she had long hair, and the angle of the wound-had to be. Slice down, left to right. Do that. Just fake the hair."

He reached her in two strides, gave her short hair a tug, feigned the swipe with a knife.

She imagined herself jerking once. The shock the system experienced, the alarm screaming in the brain even as the body died. And looked down at the floor, brought the position of the body back into her mind.

"Had to be. Had to be just like that. He couldn't have hesitated, not for a second. Even a second warning, she'd have turned, changed the angle some. Had to be fast and smooth. See, she hit the side of the bed when she fell. Spatter indicates. Hit the side of the bed, bounced, rolled, landed. Then he went back to work. He had to do most of this after he'd killed her. He must've spent another hour, maybe two, in the house with her, some of that right in this room with her while she was bleeding out. He's got steady hands. And he's got cold blood."

"Have you got a watch on Samantha Gannon?"

"Yeah. And it's going to stay on her until I take him down. Let's get out of here."

He waited until they were outside again, in the hot summer air. Until she'd resealed the door. Then he ran his hands down her arms, drew her against him and kissed her lightly.

"What was that for?" she asked.

"We needed it."

"Guess you're right." She took his hand, walked down the steps. "We did."

***

The media had already caught the scent. Eve's office 'link at Cop Central was clogged with requests, pleas, demands for information. She dumped them all, with some pleasure, shooting them to the media liaison. They could sniff for blood all they wanted, but they weren't getting any from her until she was ready.

She expected to get a personal visit from Nadine Furst before much longer.

She'd deal with that when the time came. The fact was there was probably a way for her to use Channel 75's hotshot on-air reporter.

She programmed coffee and decided it was never too early to nag the ME or the lab.

She was arguing with the ME assigned to her case, disgusted to be informed Chief Medical Examiner Morris was on leave, when she heard hoots and whistles erupt from the bull pen outside her office.

"I don't care if it is the summer crunch in your line of work," Eve snapped.

"Sending in bodies doesn't happen to be my little hobby. I need results, not excuses."

She broke transmission, decided her first ass-kicking of the day put her in the perfect mood to bitch at the lab. Then scowled at the clicking sound approaching her office.

"Morning, Dallas,"

The stalwart Peabody, newly promoted to detective, no longer wore her spit-and-polish uniform. And Eve was discovering that was a damn pity. Her sturdy body, which showed a lot more curves out of her blues, was decked out in a pair of pegged lavender pants, a snug purple top and a floaty sort of jacket that picked up both colors in thin stripes. Instead of her clunky and perfectly respectable cop shoes she had on pointy-toed purple shoes with short skinny heels.

Which explained the clicking.

"What the hell have you got on?"

"Clothes. They're my clothes. I'm trying out different looks so I can settle on my particular work style. I'm thinking about new hair, too."

"Why do you have to have new hair?" She was used to Peabody's dark bowl of hair, damnit. "Why do people always have to have new hair? If you didn't like the old hair, why did you have the old hair? Then you won't like the new hair, and you'll have to have new new hair. It makes me crazy."

"So much does."

"And what the hell are those?" She jabbed a finger at the shoes.

"Aren't they great?" She turned her ankle to show them off. "Surprisingly comfortable, too."

"Those are girl shoes."

"Dallas, I don't know how to tell you this, but I am a girl."

"My partner's not a girl. I don't have girl partners. I have cops. My partner is a cop, and those are not the shoes of a cop. You click."

"Thanks, Lieutenant." Peabody smiled down at herself. "I do think it all works well together."

"No, Jesus Christ in spandex. You click when you walk."

"They just need to be broken in." She started to sulk, then saw the case file, the crime-scene stills, on Eve's desk. "What're you doing? Are you working on a cold case?"

"It's hot. I caught it yesterday, right before end of shift."

"You caught a case and you didn't tag me?"

"Don't whine. I didn't call you in because you had The Big Night. Remember how you kept saying it, like it was a vid title? I know how to work a scene, Peabody. There was no reason to screw up your plans."

"Despite your opinion of my shoes, I'm a cop. I expect to have my plans screwed."

"This time they weren't. Shit, I wanted you to have it. If you're going to make a big deal here, you're just going to piss me off."

Peabody folded in her lips. Shifted her stance as the shoes weren't quite as comfortable as she'd claimed. Then she smiled. "I'm not. I appreciate it. It was important to me, and McNab went to a lot of trouble. So thanks. We had a great time. I drank a little more than I should, so I'm a little fuzzy this morning. But a hit of real coffee should help that."

She looked hopefully toward Eve's AutoChef, where there was real as opposed to the sludge disguised as coffee in the bull pen.

"Go ahead. Then sit down. I'll bring you up to speed."

***

"Missing diamonds. It's like a treasure hunt," Peabody decided. "Like booty.

It could be fun."

Saying nothing, Eve passed her one of the on-scene stills of Andrea Jacobs's body. Peabody let out a hiss between her teeth. "Okay, not so much. No sign of forced entry? Sexual assault?"

"None apparent from the on-scene."

"She could've brought someone home with her. Bad choice. People make them."

"We'll check that out. I ran her debit card. Her last transaction, which looks like clearing the evening's tab, was at Club Six-Oh. Sixtieth and Second, at eleven forty-five on Thursday night. Estimated time of death was between midnight and one."

"So she'd have gone straight to the Gannon residence from the club. If she had company, she found it there."

"We're in the field," Eve said, gathering the file. "We talk to Gannon's ex, Jacobs's employer and coworkers, hit the club and swing by the morgue to harass people."

"I always like that part. I get to flash my new badge," she added as they walked out. She flipped her jacket open to reveal the detective's badge hooked to her waistband.

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